Review: StereoPhoto Maker…

Well, I'm back, after a short vacation for myself. Ramadhan is over now and the total curfew or lock-down, but we are back to the partial lock-down. However, I might have given myself a little vacation from posting in this blog for a week or but I was still busy preparing a blog post about infrared photography (sort of a second part for an old post) for my Arabic blog.
Meanwhile, in this post, I decided not to talk about my photos but rather do a simple review for some amazing freeware (so far) which I've tried lately for making Anaglyphs and other options. I'm not paid to do this review or anything, but I will mention why I like it and what I think it needs further adjustments, but I still don't get many aspects about it yet. We'll come to that in few, but first I need to make an announcement here, though I'm not sure if anyone cares about it anyway:

As time progressed since my return to Instagram around November 2019, after stopping for one whole year, I've decided to stop it again and probably for good this time, as I realized that working with such platform is just a vain and useless (or maybe requires more of my time than what I'm willing to give). I did indeed disable my account (@tj_q8), however, I do have my other account which was dedicated to my conlang (@Ayvarith) and which logged me out suddenly and stopped me from going in. Sent many emails to Instagram to get back this secondary account but they didn't help much and I'm totally locked out. I tried to get it back by logging back to @tj_q8 and adding it from there but that was not useful. Anyway, I left a message there on my last post on @Ayvarith, using my first account @tj_q8, to note that I've been locked out and probably got hacked) and I have no plan to make a substitute account to post for the Ayvarith Conlang. Thus, I can't disable @tj_q8 now because if I do, the message I've posted there would be automatically deleted. Hence, even though the account is re-activated, I'm not going to use it or post in it, and I think this time for good (i.e. never again). One of the ironic thing about people in this platform is they are willing to check the "story" more than they do check and like the images in the basic account; Why? That's beyond me for now. And I don't want to understand it even. So, this is it for now.

StereoPhoto Maker

Again, before I proceed with this review, I want to announce that I'm not paid for this and I'm merely sharing my opinion here according to my own (simple) usage of this program/app, and out of love for this kind of art. I have to say that this program made making anaglyphs much easier for me for some reasons I will mention, but also there are some points that would make me in need to work further on images in Photoshop.

StereoPhoto Maker window and work space with two of my images open.
Click to enlarge.

First of all, the program is (so far) a freeware with a quite simple facade (as can be seen above) and can be downloaded here. Also, on the same context, there are related-programs that I really want to try at some point here and plenty of galleries that I want to inspect as well! In the About section, you can find the credit for the creators of this marvel: Masuji Suto and David Sykes, so all gratitude goes to their effort to create this wonderful program (or app). Personally, I've encountered the program by an announcement on Twitter and proceeded to try it out and see how it works. My aim was mainly to see how it works with anaglyphs, as I'm used to do anaglyphs manually in Photoshop. However, this little program (which requires no installation, it is a single executable file), proved to be higher in potential than what I would've expected.
I have to admit though there are some terms or names that I didn't understand but the overall usage is quite simple and straight forward. So, what I want to do here first is to go through some of these buttons and go about what they do as briefly as possible. Lot of these buttons do make anaglyph-making such an easy task compared to what I used to do manually in Photoshop.

Third Section

So, if you look at the big picture above you might notice how the buttons are divided into sections. The first and second sections are "self-explanatory"; Just hover the mouse over the button and you will get an explanation for what the button does and these first 2 sections are all about the usual operations (saving, cropping, etc). So, fast forward to the third section which you see its screenshot above. Here too, the buttons are quite straight forward, but I'm interested in the first (1) button, which swaps the left and right images. In Photoshop, I used to do that manually (changing the color channels to flip the right and left images and to test which one was better illusion of depth). All this process of flipping and testing the depth of the anaglyph is done with a click of a button here on StereoPhoto Maker!
The rest of the buttons in this section are about zooming in and out but button (5) here somehow perplexed me. The guide (when hovering the cursor over the button) says "Resampling ON/OFF," so it seems to be a button that controls the resolution a bit or the compression of the photo, so I'm not quite sure (I didn't read the help files or anything, I'm brutally attacking the program and experimenting here!).

Fourth section

Then we arrive at the fourth section where the bulk of the juice is located! This is the place where you want to play around and experiment, a LOT.

Interlaced Mode
Click to enlarge.

1. Here, this button puts the 2 images in "interlaced" mode. The look of the resulting image here is like ones prepared for usage with lenticular lenses! Which makes me wonder if this is really the purpose of this process here, and if not, would it help to be used in the process of making lenticular images?
2. This button would make the typical anaglyph for you, but it will convert the image to B&W or grayscale for better perception of depth (in fact it is recommended that anaglyphs be in grayscale to avoid color distractions). Here you can also see a little arrow for more options for the make of the anaglyph: red/cyan, red/green, and some more; But probably the newest option for me here is the Rainbow anaglyph! I've never seen such an anaglyph so I'm not sure if it just for artistic purposes or there is indeed a theory behind it, but nevertheless the red/cyan tints are given to the image with the general rainbow coloring.
3. This button is the conventional anaglyph making button; An anaglyph in colors. Again, you can click the arrow here to see more options for various ways to merge the anaglyph. There are some new names for me here, like Dubois, Suto (the creator?), and some more options. To my own observation it seems that these options control the degree of the red/cyan, because (in case you didn't know) anaglyph glasses vary in types and they are not of a single type of red/cyan. The Dubois option specifically gives that typical yellowish tint to the whole anaglyph which I typically see on anaglyphs on the internet and always wondered why it is like that! There are other coloring options like Yellow/Blue. Also, in this button you can control the anaglyph by choosing Ghost-Reduced anaglyph, where you can control the Levels and Saturation to reduce the ghosting in the image (ghosting is when your eye would be unable to merge the left and right images together for various technical problems). Finally, there is an option to optimize the anaglyph (make it better) either automatically or manually. All that in this simple button here!
4. This button is to spread the images on the left and right, as to be viewed as a stereogram (or stereograph?) and in fact once you open the left and right images in StereoPhoto Maker the images will be initially in this position.
5. Like No.4, but the images are placed vertically; Top and below.

   

   Sharp 3D LCD Mode
   Click to enlarge.

6. This button merges the image for Sharp 3D LCD display. In looks, this one here looks like the image in No.1 but instead of horizontal strips, vertical ones are used. Or so it seems to me. In fact, I do think that such option might enable people with the polarizing 3D glasses (those from IMAX) to be to view the image in 3D (without losing the color) just like in No.1.
7. This button displays the two images in Page-Flip for 3D shutter glasses. Personally, I didn't try such glasses before but I know they are "electronic" and depend on turning on and off images (according to Wikipedia). Anyway, I don't think this is of any concern to me (for the time being).

Fifth Section

Now, in the fifth section, we do have some simple, but beautiful, tools that made my job easier to some extent:

1. This button, called Easy Adjustments, is to adjust some aspects of the two images, left and right. Honestly, I didn't delve deep into this section yet, but a quick glance here shows a typical set of tools, like enhancing the shades of red and cyan for the two images, as well as rotating and fixing the perspective for any of the images composing the anaglyph.
2. This button is my favorite. It is the Auto Alignment where the program does mostly everything you need and so far so good for me; It just does it perfectly in a way that enhances the depth of the anaglyph. A quick comparison between this auto alignment and Photoshop's alignment shows a clear difference in algorithm; The two alignments do not match. Also, when doing the alignment, the alignment data are saved in a folder to be called later in case you need to use it later. 
3. This button is called the Alignment Mode, and actually it is just a manual alignment mode where the program allows you to pick a point from the left image and match it to a point on the right image and voila! The two images are aligned accordingly. However, only ONE point is picked. It reminds me of the manual control points in problematic panoramas when stitching them in PTGui.
4. This button is for adjusting the colors automatically, as simple as that.
5. In case you don't like the alignment work that you've done, just click this button to reset.

The rest 2 buttons are something, well, out of my usage and expertise. Anyway, as can be seen, the fifth section is specifically dedicated for aligning the two images.
Here also, I didn't go through the menus, which really are direct and right forward mostly. However, there are a number of commands and options in the File menu that I do need to experiment with. Some of these commands are dedicated to save the stereo-image (not an anaglyph) in a specific manner with a specific border. Anyway, my main interest here was anaglyphs, and to be more specific, the red/cyan anaglyphs. So, this is for the general options available, now I'm going to move to list the Pros, and Cons.

Pros and Cons

Well, as I've mentioned earlier, I do like this little program, but I can't isolate it from my workflow with Photoshop just yet. After all, Photoshop might be needed at least to do the sharpening if necessary, right? However, there is more to this. To organize things, I'll make a list here of Pros and Cons. First let's see the Pros:

• The program supports a variety of basic file formats: JPG, GIF, TIF, BMP, PNG, JP2, JPT. I've tried to work with TIF 16-bit format myself and it works.
• Obviously, the easiness of use and being direct. If you don't know what a term means, just try it!
• The alignment of the two images might (just might, not sure about this yet) fix the problem of perspective change when you have the object in one shot larger than in the other. This is something that Photoshop (ahem CS5 for me) still not doing quite well. In fact, I see in this parameter here the seed of fixing my problem with Anaglyph panoramas.
• Gives a wide range of choices to adjust the anaglyph in terms of colors (original colors of the image as well as the shades of the anaglyph).
• The ability to flip right and left images easily to test which version has a better depth.
• Simple, very light program. No installation required or anything. Simply, unzip, and run.

Now for what I think this program needs, or didn't quite work well for me. These are just my thought of course and I don't think they would fit other people needs of course:

• Support for RAW files in some way or at least DNG format beside the basic formats mentioned above. It's hard, I know, but maybe there would be some way around it?
• The support for color spaces in such a way that the final image can be "converted" to that specific place. So far, and because I often needed opening the file in Photoshop for further adjustments, the best way to work with anaglyphs saved in StereoPhoto Maker was to "assign" (not "convert") the color space down to sRGB which might be fine for an anaglyph for a grayscale image, but for a colored image it would pull down so much vibrancy. So, if you are like me, like to work in ProPhoto or Adobe1998 color spaces, there will be a big hassle to tone down the Red and Cyan tones to fit the tones of the 3D Glasses.
• The support of more than one matching (control) point for aligning the two images (in the fifth section mentioned above). I feel one point, sometimes, is not enough. Of course, the aim of having one matching point here is originally to focus the depth of the anaglyph around one specific feature in the image, but also multi-points would help with some stretching or resizing the two images if needed, I guess?
• Adding an option to "Replace" one image for another while making the anaglyph to test and compare maybe (or simply in case of an error by using the wrong couple of images, it would be easier to replace one and keep the other).

At this level I wouldn't go far as to imagine such a little program working with HDR or 32-bit images, but who knows! It might happen one day. So far, creating anaglyphs from HDR images requires me to tone-map the two images (usually via Photomatix) using the same settings for both images. Might be fine for images snapped quickly, but could be problematic for panoramic images.

Anaglyph panorama done by StereoPhoto Maker (top) and manually by me (bottom). Personally, I do feel and see greater depth in the anaglyph created by StereoPhoto Maker. Check it out for yourself.
The tones in the two images are different for some long story, but both are tone-mapped from HDR panoramas.
Click to enlarge.

Finale

Well, this is the post for this week folks. I hope you find this review useful, even though I didn't explore the full potential of this little program yet, as there are a number of sub-menus and commands, specially those dedicated to fix and correct the anaglyph. However, this little review, as I believe, does not do any justice to the creators really. I'm already looking for any donations venue to support their work. In the pages I've mentioned above around the beginning of this review, there are a number other solutions for the anaglyph-making process and some of them are related to videos; Something I tried to do long ago but didn't succeed, so maybe these little solutions would help me further when I do get the time to work again on anaglyph-videos. Give it a try and give them some support if you will! Till next week…

Trending…

Finally! Something to call "weather" in this spot on planet Earth! Temperatures are going down and the breeze is chilling down. It is such weather that make me forget juuuust a bit about traveling and sit around enjoying my cup of green tea or coffee (and if there is rain, that would be better). We had some rains last week and, as usual, some areas had faced hard times despite the occasional rainfall in this spot of the planet. This said, I need to attend to the window in my room before another catastrophe happens like last year when rain water seeped through some cracks made a lake inside my room! Ugh... if I can just control my mood swings…

The Trend

Canister for shooting Argentum.

Well, my activity with the camera is minimum for the time being but I managed to test some aspects. The bulk of my work was posted 2 weeks ago as I was trying the "rim lighting" methods. Moreover, I'm trying further modifications on the canister which I use to cover up the subject to be photographed. So far, it seems that canisters with "slits" are better suited for the task of shooting non-flat subjects like I did with Argentum before already.

The canister in which I've shot Argentum is relatively small in diameter, so probably I need to make another one with a larger diameter (when need arises). Just recently, I've made another canister with round holes instead of slits (using usual drill bits). My current simple experimenting with this canister did not yield good results, and this is probably related to the shape of the holes. Thus, I can say with some confidence that slits or flat openings are better suited for the task of "rimming" (well, I coined that, don't know if there is any real term for this kind of photography!).

Beside working on Argentum with somewhat an innovated canister, I've worked on a little project on the side as well with a theme of security. I called the series Keyz. To make the series, I've shot individual keys, and to make sure that I get some realistic look, I've shot 4 different keys (in fact 5 originally but had to cancel one), as this will provide different serration (engraved side) for each key, and then combined the keys in Photoshop in the shape of a cross and then in a square formation. Originally, there were two versions in B&W; A cross and a square. However, later I got a spark of an idea that I would make them also in golden color, culminating with 4 images in total. Surprisingly, they were accepted quickly on Canstockphoto and Dreamstime! It seems that the security theme never dies out in time and always in demand! Hmm, that makes up for so much cliché I presume. As much as I want to study the trends and work along with it for the stock, as much as I feel empty and thoughtless when it comes to shooting a specific trend theme or subject (and not shooting models makes it worse I think). Again, mood swings and flying ideas like sparks of fire takeover the process of my mental attitude!

Another composite was made by shooting the metallic surface of a bowl (the other half of Argentum). This time, I'm using the slit-canister again like in Argentum, but the difference here is that the bowl is concave and I was trying to shoot from upper slits to let the light somewhat shine into the bowl. I could have turned the bowl over but I really wanted to see how things turn out with a concave object like this. The result was so-so but the final result, Complexionem, was reached by extensive editing in Photoshop. Without going into the details, I had to in fact "patch" up the image and replicate it and then try to hide the seam lines as much as possible and finally convert the image into an outline (or a sketch if you will). As the title signifies above, this is just the original one, and several ones were made into various colors and they are already available on, again, Dreamstime and Mostphotos. Those uploaded to Mostphotos, though, are larger in size (original size) as those in Dreamstime were minimized a bit to fit into the rules of the website for maximum size allowed. The colors range from Ruby Red to Argentinian Blue, going through Roman Silver and, my favorite, Gold. Hope those arbitrary and somewhat random art make up for a good pattern and texture and gain some stance to be sold!

Rolling Back

In my effort to focus closely and more on the stocks that I have neglected a bit when I was a member in the photography group, I'm trying not to re-check and re-edit some of these photos, and eventually re-discover some old neglected shots or go around some of these images which I deemed unsuitable before. This is normal, since what was suitable for the activities of the group (the expos and contests) is seldom of the stock variety.

Shining Xewkija
Exclusive to Dreamstime

I'm putting more focus on my photos from Malta, as I'm planning to put some of them exclusive to Dreamstime, under the category of travel and tourism. However, not all can be submitted, such as Planeta Lacuna, which I've re-discovered, so to say. This panorama was done inside Dar ta' Żeppi in Qala (Gozo) near the pool. I've done this panorama in flat (normal, equirectangular) format, as well as in Mercator format vertically, but to my surprise, I realized that I didn't make a planet out of this panorama (probably for some difficulties with the nadir point). Anyhow, I prepared a smaller version and sent it to the owner of the B&B and uploaded one to my Flickr. I can't submit this to the stocks because it requires a property release. Most probably I would be uploading to Mostphotos. As I'm uploading some exclusive images from Malta to Dreamstime, I'm trying to make Mostphotos as my base for panoramas, specially those surreal ones, since it does not strict the image size as most stock agencies do (I've uploaded some which exceed 100MB in size even!). On the other hand, photos from Ireland can be spread, probably, across various stocks. Unfortunately, some stock agencies, like Canstockphoto, removed their "exclusive" options. That makes Dreamstime, for me, the only target for exclusive images when I need to upload them (as I feel right however!). Let's just hope that my campaigns on Twitter to get more exposure will pay off soon... or later at least!

During this work of re-discovering my previous images (since I didn't travel in like 3 years now!), I'm also focusing on possibilities that I didn't pay attention to before, for making out some nice or acceptable 3D anaglyphs, as the Maltese home above. I did already upload some of these 3D anaglyphs to my stock on Dreamstime and Mostphotos (and few on 123RF), but it's a No-No to Canstockphoto. However, the anaglyph above is not to be uploaded, again, because it lacks the property release. Many of these anaglyphs, like the Maltese home above, were not planned to be merged into a 3D anaglyph, thus some of them can be a struggle to be working with and fit. Nevertheless, it pays off well!

Finale

I think I've posted in the previous post that I was working on writing a new poem. I was suffering from a blockade and words didn't come easily, even though feelings were there; Hovering. Finally, I did produce a piece, which I've called Rejected:

Rejected

Season, as per season, changing along,
then to number one goes the frozen heart.
A circle since the birth and never gone wrong,
carrying on the pain, like a form of art.
Encircling circle.
A daily Hurdle.
Then to the beginning, all had to start.

A last standing in the field of all time,
withered by the struggles, the ups and downs.
Innocent to be is the only crime,
A confused blind and poor, crowded by the sounds.
Innocent thug.
Urging a hug.
Dead, yet keeping the shoot on battling grounds.

Rosy, were the dreams dreamt on the summit,
but no rainbow shone nor the rain did fall.
Waiting for fate's mercy like a puppet,
and even beliefs dismissed the sacred call.
Fateful doom.
A weeping bloom.
And the rosy dreams are born to be small.

Rejected, this is all the offers to be,
what in the power that could have been done?
Then after, Death would be the only sea,
to swim in, calmly, away from the sun.
Dead, silently.
Joyful quietly.
Only then, the life of Life will be won.

One of the first problems that I've faced to link my thoughts together was what rhyme scheme to use. After all, I've decided (or rather felt) to use (ABABCCB) with a stable syllable-count for every verse as (10,10,10,10,4,4,10). Doing a bit of research, I've found that such rhyming scheme was already in use and probably called The Swinburne, but with more restrictions on the length of the lines and rhymes. So, maybe I can call my work here as Free Swinburne? Anyway, another question was raised in my mind here, as I read my own work after submission and posting: Where do I go with all of this? What is the chronological connection or logical connection between the verses? In a self-critique attitude, I think Rejected lacks such connection and it might as well be just a dumpster for my thoughts. The next question then arises: How am I supposed to organize my feelings and upon which basis? Trivial as it sounds, I'm sure there is some way to do this and if done correctly, the poems would be more concrete and strong, I believe.
Away from poetry now, I'm trying to take life on my own pace. My body is apparently growing old with some bones and muscles not functioning as they used to be, but well, we all grow old. Let's just hope this won't stop me from doing what I love to do. I'm growing accustomed to be living the life of an estranged person; No connection to anything, and almost no emotions. Where to does this lead me? I don't know, but one thing for sure: I'm tired.