Alright. I'm supposed to talk here about my last stroll so far for this year, which was back in February. Exactly, on February 2ⁿᵈ, just the next day from the stroll before, which I've made my previous blog post about.
As I've stated before, I was going to make it all into one post but I realized that probably the post would be too long. The main goal for this stroll was actually to take some pictures of some wall with graffiti that I've noted the day before. Thus, as variation goes, the images shot that day were not varied much. However, there is one shot or scene in particular that made me call it a "day"! I'll come to that later.
Unlike with the rest of wandering for this year so far, and as I've mentioned in my previous posts, the lens in use here was Rokinon 8mm f/3.5 Fisheye lens, which is completely manual, and of course no way to fit the flare filter on the front. This lens had been always my choice for creative endeavors and one of my favorites, despite the somewhat hard control and other lens issues (e.g. chromatic aberrations).

Westward, Again

غَرْبْ
(west)

In the beginning, as usual, I've started to take some test shots in the neighborhood, which later were processed. The time was about sunrise back then. However, strangely, the western horizon had a slight glow as if the sun was rising from there. Anyway, as I typically do for such times, I've set the WB to Fluorescent, thus the final image (tone-mapped from HDR), West, had a nice blue-pink tint to it. Now it's time to go!

My World 2

Test shots were not limited to West, but I've also shot some on my way to that wall with graffiti, but nothing important here. Luckily, though, the puddle that was there the day before, was still there (and it was quieter than the day before). Shooting this puddle with 8mm was a bit of a challenge though. For a starter, I had to rely on my instinct concerning the hyperfocal distance and adjust the lens to that (and putting on more f-stops in aperture to make sure things are within the depth). To shoot My World 2, I had to get so low (almost touching the water surface). Despite its small size, it does somewhat look like a pond or a lake (thanks for the wide field of view and distortion). I was surprised that some of these houses still have antennae on the top!

The Wall

Coming to the wall, I've started to shoot many images for it and on various orientations. However, when processing these images, it did prove to be a challenge on various levels. First of all, the distortion of such fisheye lens didn't serve the purpose and the nature of the subject. I've tried to rectify the images (manually, which consumed a LOT of time), but such rectification would chop a big portion of the wall. In fact one of the problems when shooting this wall was to get a decent angle to have fine details with some interesting view instead of shooting a boring head-on shot as if I was simply documenting the place.
The second problem arose with the WB, as the blue tint from the Fluorescent WB kind of killed the image and its tones, which contained some warm tones.

The Wall 2

However, I did find that the landscape orientation is way better than the portrait orientation, and rectifying the image in this orientation was somewhat a success (despite some areas or angles not being fit I guess). It was clear, in the process of making HDRs and tone-mapping these shots, that Fluorescent WB wasn't a good choice for this particular subject, so I changed the WB (when merging into HDR) into Daylight WB (or maybe Cloudy WB) and added some blue tint later while tone-mapping and editing in Photoshop.
This wall created in me the desire to shoot a panorama in this place, but alas, that didn't happen until the moment of typing this. 

天堂之下
(under Heaven)

Probably the most ironic thing in this short stroll wasn't related to that wall, the main goal of that stroll. Rather, it was a random scene that I've shot on the edge of a big pool of rain water. Shooting low and bracketing for HDR, I've made several successive shots just to make sure I have some workable images. Even though delicate handshake don't quite show clearly when using such a wide angle lens, but I wouldn't have that for granted. At the time when Under Heaven was shot, I've already set the WB to something else other than Fluorescent (maybe Cloudy or Daylight). In the process, I've stitched 2 HDRs and composed a composed (panoramic) image from the two to complete the scene (specially the sky), as depending on one image would have forced me to crop a lot and lose some details from the edges. I'm so happy with this shot, that I've created 2 more versions of it!

Two extra versions: (Left) Color reversal, (Right) B&W.

Despite these versions, I think I still prefer the original one. Alas, I don't think it would good to print this image unless on some rough texture, like canvas, to "swallow" up the noise in the image. Otherwise, I'd need a considerable time to manage these noise zones in the image on a micro level to avoid significant loss of details. In fact, de-noising the image(s) on one go failed to remove the noise or grain from some specific areas; Not sure why, but this is typical actually when dealing with HDR tone-mapped images. I've encountered such problems a lot in the past when I was active with panoramas.

This shot was probably the "last" in this stroll. There had been some shots afterward but I don't think they are that interesting, so I won't be talking about them here.

Finale

Ramadhan is almost over here, and along with it I'm hoping to get some relief and some stability with my sleeping schedule, a bit. The weather is getting warmer and warmer though and I'm not sure I would be able to go out to shoot anything. We'll see…

Maidin
(morning)

Meanwhile, since this is the last post for my strolls since the beginning of this year, I'm not sure that I would be able to post further despite the fact that I'm indeed taking some pictures here and there (mostly with my phone actually), but they are a bit chaotic and random with no specific theme. That reminds me of the time when I was a member in a photography group, when there was a monthly challenge for members to participate. Would I be able to imply the same discipline on myself, though? I greatly doubt it. So far, most of my trials to create some sort of a discipline for many things I'd like to do, had failed miserably. Yet, probably I should give it a try and see.
This said, if you are a reader to this blog on a periodic basis, expect some gap as I'm not sure I'd be posting anything in the coming weeks from now.
On the other hand, I'm also still on the look out for any new topic for my Arabic blog as well. Thus, I might invest a bit of this time to think of something and actually post it there. In fact, many things in y life had been on hold, specially during Ramadhan. I've realized just recently that I didn't add anything to my list of writing and quotes (which I keep on Writing.com) for the past month or so. I think this is reflective of how busy had my mind was and is, beside the exhaustion. At times, it feels as if it is one long nightmare, and I just can't wait to wake up…
 

Unconventional II

With the sudden surge of such a busy schedule and load of work, I don't know if I'm going to post this in time, but here I am trying. I'll to make it short as much as possible. Well, kind of. I want to continue a bit about my last blog post and the "unconventional" trend and then move to something that I thought I'd leave for now but curiosity got the best out of me and I think, just think, that I've made a breakthrough!

Unconventional II

After posting my previous post here with the "unconventional" representations of photos, my appetite for collages, or let's say, "unconventional" art was ignited a bit. The field of work, of course, was the yard again where most of my inspirations are drawn. I also prefer to work during the daytime to have a faster shutter speed; The night view of the yard is also awesome but at such time I'm usually lazy and tired. Also, at some point, as I'll go through some images, there would be a need for speedlites (and all are packed and in need to be installed!).

3 Suns 1 Wall

Benro MP-96
My monopod

My first trial was with the wall in the yard (facade) which I think I've posted a panorama of at some time previously in this blog. I'm just so happy that the swimming pool had been removed so I could move easily here! Anyway, to make things systematic as much as possible, I've used here my monopod with 3 tiny legs and at a low level, and of course, with a fisheye lens on camera (my beloved Rokinon 8mm). The shoot went on for HDR, and HDR did I tone-map, and tone-mapped images did I blend together to make 3 Suns 1 Wall. I had to save the main file as PSB since it did exceed 2GB in size.
The shooting ran relatively smooth, but I had to squat a lot to minimize my shadow in the scene and also to drag the monopod on the ground slowly (taking the lines between the tiles as a guide and a measure). The plan was not to make a panorama-like image but a collage. However, I've found myself drifting in that direction for no reason (yes, really), and blending the images that way did help with eliminating my shadows. The image above still has errors because shooting in such a lens do distort the perspective a lot, and it's hard to make ends meet. Anyway, it was a lengthy work and such a worthwhile experiment despite the "stitching" or blending errors. 

إِرْثُ آدَم (Adam's heritage)

However, the real trial was not for that wall, but for the side wall which extends along a narrow corridor leading to the side door into the house and another one into the kitchen. This long wall is the most greenish and it's longer, and it was my target in the first place before shooting the other wall with the window. The narrow place made it hard to move (with delicate movements) to stabilize the camera's direction as much as possible. All in all, squatting and dragging the monopod across the tiled floor in a straight line as much as possible for the two session provided a good exercise (and pain for days!). I remember working for about 2 days or so placing the shots; I tried to do my best to seek balance between systematic and chaotic placement for the shots in their positions together, or if I want to rephrase that, to make the collage random yet reflecting a full wide image. Also, with tone-mapping the HDR slides, I've tried to make the images look sunny, warm, tropical somehow; All that in purpose.
To add somewhat a 3D sense also, I've picked some specific shots and moved them the stack and used the layer effects options to drop shadows. That way some slides are supposed to appear "floating". 

The Grand Mulukhiyyah

I do like how Adam's Heritage turned out. It was saved as PNG of course with transparent background (and it should appear as such here I suppose). Some places like Facebook would still fill the space with white and apparently the image, being PNG, converted to some sort of JPG when posted. Anyway, this was not the end of the story with collages and composite images, as there was something even "bigger". This is what I called The Grand Mulukhiyyah. Well, in case you didn't know, mulukhiyyah [ملوخية] is the Arabic name for Jute (or Mellow jute?).
The shooting of this "stack" was done using 50mm lens this time at f/2.8 and quite randomly (handheld). I was just holding the camera tight to my eye and following the main stem of the plant (from the bottom of the pot) and going along the branches and then back to the main stem and up a little and then along another branch and so on, until reaching the top.
Processing this set of images came on stages, with editing the RAW files (collectively, copying settings from a single image to all). Maybe some images in this set did not appear "correct" per se (e.g. the pot at the base because it's too dark) but nevertheless it was a surreal job to be done.
The next step was to minimize the over all size of the frames or images to something around 1000 pixels in width. However, I had to pull back and restart again when I realized that the final result would not produce a big body of an image. The size is kind of important for me here to have more control over the final result. Also, I've realized that manually placing the pieces like a jigsaw puzzle was NOT a good idea, so I've sought help from Photoshop's Align option, using Relocation method (using the Auto mode did produce distortions that I didn't like). Anyway, it was apparent that I do need to work with the original files with no resizing, so I'm back again to working with PSB files, with a range of sizes between 2-4GB! In order to make some "illusion" of depth or 3D, I've applied white frames on the slides and applied shadows to some (or all?) of them.

The Grand RGB Mulukhiyyah

This did not end here though as my juices were still flowing and I hated to end the adventures just at putting some photos (33 of them) together. I started to divide the stack into 3 groups, and assigning a color from the RGB palette to each group. I've called it The Grand RGB Mulukhiyyah - well, a name fitting the funky looks I guess; And there is more to come by the way. With this method of coloring the slides, it seems there was no need for white frames to visually separate the slides, so I've removed them. Also, the red tones were too saturated (working with ProPhoto color space mainly) so I did a little tweak of Hue/Saturation to the whole image. Looking at this image through the anaglyph glasses almost gave me a headache! Don't do it!
Again, things didn't stop here. I decided to do something I didn't do before "at all". And that is: Working in CMYK instead of RGB.

The Grand CMYK Mulukhiyyah

I don't have much experience with this system (if any) but I do know that it is the common system in use in presses for mass production. Besides, there were many options in Photoshop for such a system to convert to! I picked one which seemed to be the "default" in Photoshop, and I don't know what the heck does that mean or how it is different from the others (the one I picked says US, while there are others related to Europe and Japan). It was a complete dilemma to me. Anyway, I did it.
In this instance, and because CMYK, apparently, is composed of 4 rather than 3 channels, I've had to group the slides into 4 stacks instead of 3, and assign each stack a color from the set of CMYK. Thinking about it, I probably was able to do this within RGB system but it would be a lengthy process somewhat. My method for assigning colors to the whole stack or group is by controlling the channels of the group (via Group Properties) where I turn off all channels save but one.
Now, there is a minor setback and that is, images cannot be saved as PNG when in CMYK system, so a conversion back to RGB must be done. I won't go into details here but there are certain options must be activated to ensure that the looks of the image won't change when the image is converted.
Personally, I do like the CMYK rendering more than the RGB, and who knows, I might do more of such "art" in the future. It is just colorful and more vibrant as I see it more than RGB is. Also, I might try to discover other systems, if possible! But for the time being, I've been busy with many things (work, home, other photo ideas). So, I'm not sure when to try this idea out.

Finale

Well, it seems that the post had gone longer than I anticipated already so I will keep the other part, about panoramas, for a later time. Hopefully in 2 weeks time from now. There had been some images also that had been marked as "inspirational" on YouPic, but I think I will keep them in time (and one of them would be in the next post hopefully). I'm now 3 images short of completing my next set of 10 inspirational images. If that happens at any time now, I will be preparing a special post about these 10.

I've been going through some busy times (though at home) lately and some upheaval combined with mood swings as usual. It is as if I'm hitting a new ebb every few days. On the darker brighter side (as ironic as it sounds), I was able to compose a poem after some long time of dormancy. No need to post the poem here, but in case one is interested in reading it, it can be found here. I've called it Lion's Heart. When I read it, again and again, I do somehow find it hard myself to follow my emotions through it, as if I cannot connect with my emotions with which it had been written. All I'm sure of is that it was written at a time of a severe mood swing that made me otherwise stunned and paralyzed except for writing this poem. Now, how many mood swings do I have to endure to write another poem? God only knows.

As a direction, I don't know where am I heading with my camera, or with my life as a whole anyway. Trying to take each day as it is and trying to think of a new project that I can bear with, with my camera. There is no lack of ideas in fact, but a lack of power and will from my side to just get moving. Probably I'm better just sitting behind a desk and do the ordinary office job? After all, this is how I did make some money to get what I have right now of gear (though it's pretty old right now compared to the new stuff coming to the market).
Thoughts, thoughts, thoughts... and all my mission is, every single day, is to fight back and stop them as much as I can…