Speed Gambling II…

I'm typing this in a very short time so I guess it will be a short post. Many things are going on and big part of that is vexing me, but some good things are happening (or happened actually by last week) when I posted my Arabic post about high speed photography in my Arabic blog.
I was not going to type anything here for this week and call it off, but I'm gathering my power (and mood) to do so. The whole week was busy and amazingly annoying with many things caused mainly by people not being able to regulate their timing and don't really know the value of time. I thought I was guilty of that myself but with this passing week, I guess I'm far way too wrong to judge myself like that. Anyway, among these tasks that I had to do, I had some time to process the last bits of my dice images which I've started 2 weeks ago, and also had the chance to filter some and even tag them (put information on these images) in order to upload them to stock websites. And there were strange events there but I will recount them later. Let's see first the Phase 2 of dice photography here.

Stroke-Stroke-Stroke

As I've posted the week before last, I was working on some high speed shooting for dice falling into water, and I've been fluctuating between the macro lens (100mm) and my trusty 50mm. However, the bulk of the work later on continued to be with 50mm since it was easier to deal with mistakes with this lens, while the macro 100mm lens needed precision (lot of it) to throw the dice exactly in place, in the viewing field of the lens.

Picasso's Dream

However, with 50mm lens, I do get the privilege of cropping the image and place the dice almost where I want in the frame. The drawback though is that the details in the water movement is not quite clear at times. Nonetheless, interesting shapes can be produced at this level. However, after some time, I thought why not speeding up the flash strokes instead of the shutter speed? In other words, what or how it would look like if I used the stroboscopic (multi) flash option? Which I did, and the results were pretty interesting here.

ارتطام (Collision)

I've started as usual with 100mm macro lens but soon I've changed to 50mm again. I realized right away that to get some nice images somehow similar to the high speed shots i can do this work alone by using regular shutter speed (far slower than the sync speed even) and simply go around that by using the stroboscopic function of the speedlite. Unless, of course, having a multiple occurrence of the object is not the aim, then the typical HSS methodology is the thing to go for, even though some shots I've made with the stroboscopic mode do look similar to HSS, as in the case of Three and Two Threes below.

Three and Two Threes

I'm guessing here that to get a closer look to HSS and eliminate multiple images is to quicken the shutter speed a bit. In the speedlite's manual, there is actually an equation to calculate the appropriate shutter speed required for a combination of flash frequency and the number of flashes. However, I've actually played around with these numbers and if there is one thing I've learned in this experiment is the fact that one should not lose oneself to the technicality and just do it. Things are not supposed to be perfect and things are not supposed to be taken with a single shot only; So, there must be a trial and error and experimenting. Calculating things can be useful as a rough estimation but NEVER decides what the end result should be nor the final outlooks.
Also, one more thing I've discovered here is the fact that increasing the number of strokes is not necessarily a good thing. Sometimes having 5 or 10 strokes of flash in a single exposure is just about enough to record the movement in a clear way, while too many strokes can or might stabilize the object more or even congest the scene.

Dice Race

Another thing I've learned, the hard way, is to keep cleaning the lens after each drop of the object! As you can see in Dice Race, there are some octagonal flares caused by some water droplets on the polarizer filter over the lens. I was able to crop it out in some images but the majority persisted and it was not easy to remove them, and the best I could do to some is to reduce their "weight" in the image by cropping, and sometimes eliminating them by adjusting the curve and contrast.

Now at this level, I think I'm done with the dice experiment and I do have some ideas to further experiment with other objects and ideas. Anyway, I've taken the time to fill in the information for these images which I've prepared to upload to the stocks (31 in total). To do so, I've prepared a list of keywords and 2 descriptions to use (one for HSS shots and one for stroboscopic ones), while changing the name of the images only. It was a long process to edit these info with every image in Photoshop and I'm not aware of any software that does the work in an easier manner. However, I've uploaded the files to my main outlets: Canstockphoto, Dreamstime, 123RF, Mostphotos.
The weird story here comes from Canstockphotos. If you click the stream at the end of this post to get into my gallery (at the moment of typing and posting this blog post) you might notice 2 images being accepted ONLY. The rest were rejected for "inappropriate keywords". This took me by surprise because the keywords are the same for all images, so why accepting two of the series and rejecting the rest? This is something beyond my "intelligence". The other thing is that they don't specify really the keyword(s) that caused the problem so it is like a gambling game to adjust and re-upload and wait and so on. Thus, I've decided to delete all my images and leave only these 2 which were accepted for reasons I don't understand yet. Meanwhile, the whole collection of 31 images is available on my Mostphotos (they don't review images), which is a relief. Now, it is just a matter of time and waiting for Dreamstime and 123RF to either accept or reject. They usually take a long time; Sometimes, pretty damn long time…

Stop!

Another week without much activities with photography, but I've finally got my new notebook for conlangs. I've started pinning notes about basic elements of Geltani for the time being. Along with Geltani, there is a syllabary that I had to develop to write foreign names to Geltani. You can imagine this as being a Japanese writing Katakana along with Kanji. Will discuss that later.

I do have my own plans and pace for my own photography venue. With Mom's schedules taking 3 days from my week for dialysis and also because of my fasting right now for the month of Rajab (which I hope it would continue till the month of Sha'ban and then into Ramadhan), I barely find the power and the time to work with my camera outside or even think of something. Under these circumstances I've decided to abandon the Redbull project. Despite the fact that I've already prepared a plan to take 5 images telling a simple story for a A Day in Kuwait, yet the deadline is on May 20^th and I barely did something. However, there were other reasons that made me neglect this project:

• The deadline is too close as stated above and I don't have enough time with my current responsibilities.
• Some of my plans might require permissions and I'm absolutely in no mood to have a conflict with authorities or any hardships concerning that kind of activities outdoors.
• The conditions of Redbull were not so clear and frankly, I don't feel safe to submit my work to them.
• I had enough from time pressure and contests.

However, just for the fun of it (and who knows I might do these ideas later) I did sketch a plan for the process with 5 images and each image telling some phase in a typical day in Kuwait:

1. Morning: Sunrise; the beginning of a new day in Kuwait. This idea is already reflected in one of the panoramas I've done back in 2011.

   

   Towers of The Rising Sun

2. Traffic Jam: This is the phase of going to work. My plan was to shoot some traffic jam from a pedestrian bridge over some road, but having the problems I had in the past, I think my chances that this would pass safely is like 50% of even less. In periods of traffic jams cops are usually spread over the place and a person with a camera is not a favorable spotting.
3. Busy at Wok: For this phase, I was planning to shoot some office with a busy look (scattered papers, scattered furniture...etc). In fact, thinking about it right now, I might as well use one of my own panoramas which I've done in my own office in my work place including myself in the shoot!

   

   Busy at Work!

4. Evening: This is the period of family and friends visiting and the typical Diwaniyyah I'd say. For this idea, I was planning to do silhouettes by the help of my speedlites and some colored gels to light the background blue (reflecting evening time) while people laughing in the foreground. Might do this later even after abandoning the whole idea of the contest.
5. Night: This particular time I would have used it to reflect the safe atmosphere that we live in despite all of our problems. Initially my idea was to take a shoot of someone sleeping with the Towers of Kuwait in the background, but if this is done in the public, God knows what hurdles I have to put up with, specially with unnecessary people in the scene. I'm not a people's person and not so social, beside that, I might need a special permit to do such a thing in the public. The only alternative here is to do it with props in some studio or a room; yet, that won't have a great impact on the viewer I believe.

It was quite a brainstorming session for me to get out with some of these ideas, but I can't say I'm completely satisfied. Moreover, in the current time, I'm trying to prepare a dinner party if I should say, as a gratitude for friends in the photography group and out of the group as I've promised before - Just a tiny gift for Mom being out of the hospital. It should be on a Saturday, but apparently it won't the coming Saturday as there is no time for any kind of preparations right now.
Meanwhile, I'm looking further for other agencies of stock photos to submit my images to. I've long abandoned Fotolia and Bigstockphotos, while things are going smoothly with Canstockphotos and Mostphotos. One of the targets had been 123RF and Featurepics, but still looking for more outlets. I'm not that optimistic about Dreamstime, but I might try it again just for a change. Here and there, who knows what might come next from such websites.

Geltani Glossa:
As I've mentioned above, I've been working lately with Geltani further more and recording notes and trying to establish some basic elements of the conlang. Plurals, numerals, and many other things are all on papers right now, and when it's all over, I would need to do those digitally somehow but for sure without any fonts. It might be scanning all the way (and I'm having hard time with the scanner already!).

Scan of my notes with some scribbles of Geltani.

There are still though some basic stuff not settled down, like the sound of some driving letters (sorry folks, can't explain this all over again, it's in other posts already!). Some innovations and some regular rhyming must be added to the list to finish this task, I believe. On the scan on the left you can see some of the basic grammatical cases that I've been trying to settle down with. They had been changed from time to time and I think it is now the time to finish it one and for all. The plural is achieved by repeating the last syllable in the word, and drawing a special character for plurals. I'm not quite happy with repeating the last syllable method but this is the best I could think of for the time being. Would there be a change? Maybe!
One thing to be dealing with as well is creating a suitable transliteration system for pronunciation.

Primary Geltani Syllabary

On the other hand, I've sketched a primary syllabary for writing foreign names into Geltani. I say primary because these shapes are still under consideration. The system is like a mix of syllabary and abugida. I didn't want to put on more loads of vowels, thus I've pinned only 3 types of vowels and whenever the vowel is to be long, a marker is added on the syllable, while if the syllable is to be still (i.e. without a vowel) then it is done as in abugida systems; a marker is added below the syllable (as you can see in the scan). If there is a vowel in between (e.g. as "A" in way) then it is approximated to the closest vowel(s).
To make some twist in the whole conlang of Geltani, I've decided to make it sound like Chinese, yet with more sounds and consonants that aren't originally in real Chinese, mainly of Semetic origins like ħ [Arabic: ح], and there is some thought about adding the sound of Ayn [Arabic: ع] as well, but not now.

The complete picture of the grammar and the order sentence is still fuzzy in my brain but for some reason I'm not sure of, I do like the order of the sentence used in Sumerian and Akkadian (notice that those are REAL languages!), which is SOV (subject-object-verb). But I have to see further into this matter after the basics of the writing system are settled.
I've avoided, so far, working on several other conlangs (like Betenic and Bulughman) just to concentrate my efforts. Multi-tasking won't work here I guess, specially with such time schedule in such a mess.


Finale:
When life gives you lemons, make lemonade. This is what they say. It seems for the time being that I would conduct more experiments in the field of tabletop photography and product photography. Even though I've never considered it before because of the equipments that I must have with me most of the time to take most of such shots, but it seems the only solution available in my case; to try to innovate something and avoid being outdoors too much unnecessarily - in locations that bring problems. On the other hand, who knows, I might as well make a good idea and impression with such field to open up the fields for some financial gains in the future. However, I don't tend to be over optimistic in such matters. I just need to think of what to do next.
Some of my plans for the near future include shooting a censer, a silhouette (as mentioned above), objects dipped in water with some special effect and maybe custom bokeh effect. This is some of the ideas that I've been noting down in my photography note. Would there be someone interesting and interested in what I think, what I do, and share? That, gonna take such a long time as it seems... if any.

TJ Prints...

Been one busy week. I could hardly touch or even think of the camera. In between my work and my projects, and the exhausted body and turbulent sleeping, my inspirations for new photos was lost amid this atmosphere.
However, not everything was gone in a thin air. I've been trying my best to represent my photos already and I've managed to build a website and register my own domain, as well as working on a catalog (which is not over yet).

I've got some up and down comments about the prices that I've settled already for my pieces, but I wouldn't know the public's opinion until I try to show them myself. Everything will be evident by the time when the expo comes. So far, I'm not sure how good they are still. I'm not sure how I'm going to cope psychologically, because I'm sure there will be much stress, either I sell something or not, the stress is there.
My daily schedule for the time being is, go to work, come back home, and work on something; no exercises as I was planning, and sometimes I can't even stay awake in the afternoons because of the exhaustion, with the return of the traffic jam into the streets of Kuwait (with school return) and the erratic behavior of drivers on road and the stress coming with that. Sometimes I don't even feel like having my lunch and all what I look for is my bed. To keep it even busier, some car issues and meetings pampered me this week.

Back to my projects. As I've mentioned before, the projects with Geltani and Ayvarith recordings are on hold for now. I've made a model catalog but not being able to print it yet because I'm waiting for the next week to get some framing samples to photograph and put in the catalog as well (so customers can choose what framing they would like to have for their prints).
In the beginning I had to design a sample page, and thanks to my Bulgarian friend (you can tell she's a multi-talented) who worked with me to put the final touches to the overall look:

Sample catalog page. Click to enlarge (large image). And please don't be shocked for the price!

Ten pages of that kind were designed for old and new images, six of them are from Ireland and four of them are from Kuwait. There will be a cover page and some introduction page just before the beginning of the catalog itself.

The cover page. Seems final even though I'm not sure that it is to my satisfaction.

As for the website, I've been working the whole week (along side with the catalog), but the work seems far from finished with it, but the basic layout is there. I've registered the domain for a year so far, which was relatively cheap in fact and in hope that it will be so for some long time to come.

TJ Prints

I've included the catalog in the website already, but I had to turn off the Portfolio section after some technical problems. Typical with me. Nothing goes right easily. However, the work is still on.

The whole thing with the sales and selling my prints, makes me think of reducing my contribution to the stock photography websites like Mostphotos and Canstockphoto, as well as Bigstockphoto. I might keep my work uploaded in these websites, until revoked.

I can't wait until the national day here comes in and I might have some time to relax and sleep as much as I want (and stay awake as much as I want). Maybe new opportunities to use my camera are to come soon...