The Walnut…

Here i am with another post, and I was going to take another break for a moment, then I realized that I should talk about the walnut high-speed experiment. I'm typing this just days before my birthday (and it will be posted after my birthday), so Happy Birthday to Me!
Anyway, this might be rather a short post actually, as I gathered the shots in a video which I will be posting below. Unfortunately, i didn't manage to take a shot of the settings, but maybe a drawing would do?

Before I heed, I'd like to announce that most of the images from this experiment are available already on my Canstockphoto. They were rejected mostly from other stocks I deal with (maybe accepting 1 or 2 only) but the majority (if not all) are available on Canstockphoto.

The Walnut

Well, first let me post the schematics or chart, or plan, whatever you like to call it, and sorry for the lousy drawing here; I'm not the best artist out there you know…

The working area: (1) Silver small car shade, (2) 430EXII with globe diffuser, (3) The working area, (4) A group of speedlites; 2x 580EXII and 1x 430EXII, (5) Camera with controlling 580EXII speedlite.

Impact's oval diffuser
which was fitted
on 430EXII

Worth noting that the shooting here was done with Canon EF 100mm f/2.8 USM Macro lens. Also, the car shade (1) was placed there in the beginning to reflect off the light coming from the speedlites at (4) but I realized it's not enough. The speedlites at (4) in the drawing are placed on the table but in reality they were beside the working table on stands. Anyway, since the reflection was weak, I've decided to place (2), a 430EXII speedlite with globe or oval diffuser on top, and I've made several test shots to gauge the power of the speedlite here; All work was done in HSS mode (or high-speed mode) of course.

Canon EF 100mm
f/2.8 USM Macro

The lens in use here was just about right for the perspective that I was aiming for. However, working with this lens in particular in LiveView mode is quite challenging for the change in the exposure in each test shot despite the fact that the powers of the speedlites were not changed. Finally, I've fitted a blocker on the eyepiece and it seemed to work fine but still some shots were off (probably this time related to the power of the flashes this time). Not sure why, but this problem doesn't happen often with other lenses when I work with them in LiveView; only this lens!

Initially, I started with f/16 for the aperture, but eventually raised it to f/22 (maximum for this lens). Strangely though, there was some apparent shallow depth (out of focus areas and sharp in-focus areas) in some shots despite this high f-number! It seems to me now that high-speed and macro are a No-No combination. All in all, there was of course a tweak in ISO and other things, and even the shutter speed was eventually raised to the maximum; 8000⁻¹s

Cokin's special
effect filter

Also, related to the lens in use, I've decided to place a special effect filter which I purchased from a friend (actually they belonged to his brother). These Cokin filters are apparently old and I don't have the needed adapter to fit them on the lens, but still I could hold them in front of the lens with the help of some paper clips. Before this time, I've never used these special effect filters in a shooting except for testing. You'll notice the flare in the image of the filter on the left here, and I made it that way intentionally to the show the texture of the surface, as they won't show in direct shot upfront. The filter added some touch to the images but not quite dramatic as I hoped actually.

 

The Sinking Walnut

Now coming to the actual experiment and work with the walnut shells. The main idea was to capture the impact of a water droplet on the water surface or just above the walnut shell. However, this proved to be challenging. First of all, I don't have the proper Gate gear to trigger the speedlites or the camera for that moment of impact, so I had to do all the work manually as usual, relying merely on my senses and coordination between eyes and fingers on the shutter release (using the cable remote here).
Another hurdle was the shells themselves, as I thought  they would sustain some water, and they did for some time, but eventually, started to sink, as it can be seen in The Sinking Walnut which was a test shot but I kept it just for that sparkle in the droplet (thanks to Cokin's filter here!). Apparently the walnut shells are porous naturally. Trying to keep some luster and reflection off water, I've exchanged the bowl of water with some can, put it upside down, and rely on the shallow edge to keep some water. I've also placed play clay (or whatever they call it) to stabilize the shells which proved a bit annoying in the editing phase later on, but it was a must.

Anyway, I will keep it short here and let the video do the talk. You can click the button to view it on a larger size. The whole process ended up with about 220 shots (mostly test shots of course and failed attempts) and sieved down to about 34 shots and finally, probably around 11 shots that were properly edited. Actually of the images is a composite of other shots that I deemed unusable; Not going to tell which!
I've realized during the work that I don't really have to shoot water (was using a head-less syringe for that), but at some point I've started to blow air from the syringe into the shell that had been filled with water just to make a turbulence and it worked just fine! So, a lesson to keep in mind when working in the future that the goal can be reached in more than one way, and some might sound a bit unconventional… I leave you with the video now.

In addition to these, I've created some extra pieces, just some artistic composition from one of the shots. Not sure why but I just felt like it really, but these pieces are not uploaded to the stocks like the rest. The two were saved as PNG to preserve the transparent background; So, even they are rendered as squares, but in reality they form a "X".

Vortex Pac-Man

Gluttonite

Finale

Now that I'm done with the walnut experiment post, I'm not sure what would my next post be about, but we'll see. For this reason I might even take a little vacation off from blogging until I do something significant with my camera, or maybe to put a little announcement here for some new photos uploaded to the stocks. Meanwhile, it seems that I'm already breaking with the resolution of making an Arabic post for my other blog once a month, as it is already August, and I literally don't have any idea what to post about there. About this same topic of this post? Maybe. Even though I wouldn't know how to render it up because that blog is dedicated mainly to beginners, so a lot of instructions and explanatory must be involved; Tedious, and might be overwhelming for a beginner. I've done such a post about high-speed photography before though, so this is another thing which makes me think what is the use of a new post about the same technique (almost).
Artistically speaking, I do a lot of editing for old photos but I'm not sure if i want to post them here since they don't have any specific category or theme, or belong to some project I'm working on. But I'll keep them on the side just in case…

Eagerness for traveling is back at me again even though I know that it is even harder than before with all the crazy world around me and me being the weight of Retinitis Pigmentosa. Those travels I used to do were the only reminder for me that I can survive and live alone, doing my own business, and above all, with some peace of mind. But that's something farfetched for the time being. I think no escape from facing these mood swings and coping with an environment that feels so strange to me as if I wasn't born and raised here.
Meanwhile, I've been thinking about placing some orders online, and among the things I wish to have is some soundproof panels or anything like that to give me some peace and quiet atmosphere in this house. But because of the bad postal services, I have to think it over, as ordering is not as easy as before when I used to order my camera gear all from stores in the US. Things had changed for me. For this reason, I'm planning to check if such panels are available locally here and again, I might need someone to pick me up to and from. Sounds pretty much like begging… and just to think that some people envied me for retiring early…

Kika VII…

This is somewhat a sad post. As I'm typing these words, our canary (which I've posted about in the previous post) had died after some weird illness or condition. It's a perplexing feeling really; Part of me is sad and part of me is happy. I'm sad because he is dead, and happy because he finally left the damn cage which I wanted to take him off from but couldn't; Because no one cared, and no one liked the idea. I didn't give him a name (and I don't even know if it is a male indeed), but all I can say is, RIP Canary, I'll miss you…

 On a side note, I've also been under some allergy attack, which is gone by now but a slight cough remains. The cough, though, leaves such an awful taste sometimes; Something metallic or like breathing through some plastic pipe! I just hope I won't be needing Seretide for this. I think I had just about enough for 2 weeks of time of my life!

Little Announcement

Just before proceeding with the main post, I wanted to state that I've finally uploaded ALL the batches of images that were on the queue! And now, it is time for me to work with some NEW images that I've shot recently and prepare some of them to be uploaded the stocks. 

The new uploaded batches

 

Typically, and as usual, the selfies were uploaded to Mostphotos exclusively. The rest are spread across Canstockphoto, Dreamstime and 123RF. However, at the moment of typing this, 123RF uploads are still under review (typical) while the rest had been accepted in the same day (with few rejects). Not only that, but also one of the images (1^st in 4^th row) had been sold already via Dreamstime! I remember in the old days when Dreamstime's reviewing process used to take a considerable time but things had been faster now and even more promising!
There is still one image that I didn't upload and it is ought to be exclusively on Dreamstime and that is Killing Evil (1^st in 2^nd row) which is actually a PNG with a transparent background, and thus considered a vector. I've uploaded it several times but it is not getting through and I need to check back on that later. 

Kika VII

So, we arrive at Kika's photo-challenge for Week 7, which had somewhat a weird title for it, and in fact it was not possible to put it all in a single hashtag. The challenge was about combining unexpected items or objects. I have to admit I got my head spinning around and I didn't know what to shoot here, thus I referred back to my arsenal of shots and started playing around. I didn't want to skip a single challenge at this point!

Red Escape II

The shot was taken back in March 2020, where I was working with some random ideas of mixing feathers and water, so I thought it is the right mix for this photo challenge. I've shot many in this series of feathers and water, using both high-speed and stroboscopic flash (Red Escape is apparently shot with stroboscopic flash). The problem (kind of) was that, that I did post this photo back then when I've created it. So, just to make things a bit different I've decided to make a little edit and change the jar color to blue, which I thinks adds even more contrast better than the original (where the water was reddish). All these shots in the series are uploaded to my various stock accounts (you can check one of them by clicking the frame at the end of this post).
Things though did not stop at this photo for this challenge, just yet.

Through H-Alpha

Funny thing is that before the announcement of this photo-challenge by Kika, I did some photo-shoot in the yard at home as I was experimenting with some concepts, as well as trying to practice some editing techniques (those related to creating pastel-like images). Along the way and since I was carrying my two cameras (regular and modified) with some filters, I've shot Through H-Alpha using my H-Alpha filter holding it in front of my (beloved) Rokinon 8mm fisheye lens; By hand of course! I think this raises this image of combining unexpected items (a filter and a fisheye lens!) but also combines 2 scenes into one; A normal one and a filtered one. It did require a considerable work with layer masks and levels to correct the colors outside the circle and enhancing those within the circle as an infrared shot should be, somehow. The shot was, of course, taken with my modified camera, thus even the area outside the filter was tinted because of the infrared coming from the sun. The image originally was all shades of red!

Pastel-ization

As I've mentioned already (in this post and probably previous ones), I'm trying to work on some new technique in editing, but so far, I didn't practice much of it. Most probably I would need to work on old shots from my arsenal instead of working on new ones. However, here are some shots that were relatively new in fact and shot specifically for this edit.

عَـطْـفْ (Bending)

The work here is actually inspired by a Portuguese lady artist and photographer which I, unfortunately, can't recall her name; I've seen an article (interview) with her in one of those Google suggested pages on my phone. Anyway, looking at her images and reading swiftly through the interview, I kind of managed to take the main points of such a style:

1. Saturated colors.
2. Somewhat happy colors.
3. Bright colors.

Thus, I was working on these key features. Of course, the heavy work relies on editing rather than in-camera work. However, I guess not all subjects are suitable for this type of style. Nevertheless, one wouldn't know unless one tries!

Bougainvillian Curve

One of the key points in "shooting" the images, as the Portuguese photographer stated, is shooting when the sun is high up (noon time). However, I did shoot when the sun was just rising on the yard at home, and I think I do now understand why did she mention this point specifically; Shadows and dark tones are not good candidates for such a technique! Not only shadows in fact but darker tones in general so it is better to avoid them as much as possible I guess. As can be seen above in Bending and Bougainvillian Curve, the dark black pots of the bougainvilleas are hard to render in such technique and they feel much like being obtrusive. Just to aid the image a bit here I've added a tone or two to the black or the shadows in these images. It's clear  now why the midday sun is the best for such a technique of "editing".
As I've stated, I didn't work with this editing technique much still and maybe I did some photo here and there (one of them was posted for Kika's photo-challenge). I've been swept away with other photo-shooting and, as usual, domestic issues. Hopefully I will attend to this technique further in the future and try to have a grasp on it.

Finale

I consider myself lucky to finish this blog post actually. With all the tired body and the stack of "work" to do (not related to my actual job nor to photography) and I managed to finish this blog post - but I had to start earlier than usual! Ah well…
I'm having an idea of starting a blog post in Arabic for my Arabic blog, which I didn't post in for a long time now. The post would be about my experience in shooting bubbles, which I will post here in time, as I'm trying to go chronologically here in this blog with all the images that I've taken in the past few weeks. The bubbles shoot was a big deal and I've come out with loads of images (some of them even uploaded to stocks already). However, the bulk of them are not yet prepared to be uploaded. I'll keep that talk for another time.
I've been also taken by astrology lately; An old passion and interest that got re-kindled for a while now (even before COVID time) and I've been reading texts here and there and watching videos about topics and all that. But this is a bad habit actually and I know, because there are priorities I need to tend to. This also brings to my mind the passion for Conlangs which I didn't attend to, and specially after the lock-down of my other Instagram account, @Ayvarith. Funny how this blog was first started to talk about the Conlang of Ayvarith but then changed to other topics completely. Despite being taken over by photography, Ayvarith still has a place in my heart, and it might get re-kindled after some time, along with other Conlangs and Conscripts. Who knows?
On a domestic level, my isolation is getting tighter and tighter and I barely leave my room for few minutes (mainly to make me coffee). The mental disconnect is getting quite hard to fix in this house and nothing seems to make sense to me, neither I make sense to anyone else. On a mental level, ghosts from the past keep visit me unexpectedly with the thoughts "Why did it happen that way?" or "How did it happen that way?". Quite useless thoughts and there is nothing I can do about them, but the stress that loads on my mind because of the house keeps recalling these memories. How I wish I could just afford my own place and stay alone… At least if such memories come, they would visit without a stress…

Drowsy...

Back to the rhythm of the week. I really don't know how did I reach work with such closed eyes, but I do remember that I was driving with 170 kmph. I arrived to work bringing nothing of the usual stuff with me from home, namely, the envelope which I use to put Alexander's story in. Hopefully, I'm going to concentrate my power on writing something for the other story though...

Been working last night (literally speaking, I should say till today's dawn) on fixing the panoramic shots that I had last Friday. I made it out and had to play around with the colors even after the formation of the HDR image (which is supposed to give nice colors from the beginning when converted to 16-bit and fixed with Local Adaptation's histogram). The image, as some said, is nice in general, but I didn't like the dark areas of the stress, and the high red saturation in the image in some areas. Tried to fix some exposures and saturation but that did not work out greatly:

You might notice the red beams on the far left. These are the "laser-beam" effect that I talked about last time, when cars passed me by and the camera was still in "shuttering" mode. Looks like if Flash, the superhero, was just passing by this way.

I'm starting to use the PNG format for my images upload since it is the only way to put the images on the net with 16-bit format. I'm not sure though whether the format is converted automatically when I upload the images, but I hope nothing is changed. The JPG images can be saved only in 8-bit format, thus making less number of shades for each channel in the RGB system.

It was one heavy nap I had in the office today. Although I woke up to type this but I can hardly concentrate without tilting the image in my eyes. I have to do something with this drowsiness.