Speed Gambling…

Somebody, anybody, just tells Winter to come over, please? PLEASE!? It's officially the fall season, so they say, and it is actually worth than summer itself even. Stinking humidity, allergies everywhere, and the worse of all, malfunctioning ACs and cars. Aaand let's not forget the boiler's problem at home where everyone still thinks that the water is "hot" while my body shivers violently when I take a shower and they refuse to turn it on because they think the weather, or the water, is still hot.
Anyway, I was going to post a bit about some photos I've shot from the Geology department, in my workplace, and I've edited these photos later on my PC. However, I think I'll skip that. It's just one photo which I've uploaded to the stocks already (you can click the stream at the end of this post to check my stock), and another one which I've turned into a 3D anaglyph. Not sure if I'm going to upload or do anything with the latter though. Anyway, Let's jump right into the experiment I talked about in my previous post.

Speed Gamble

In my previous post I've talked about some idea, using all my speedlites in a high speed photography set, like in the sketch on the left. Well, things weren't easy at first because, as usual and typical, I ran into a battery crisis and I had to give up on most of my rechargeable batteries that I've stocked for such work and got myself a new set of alkaline batteries, which are not rechargeable but hopefully more reliable. Another trouble was to set the table and stack the speedlites side by side and pointing at a specific point. It's a minor problem but it was quite vexing specially with connecting 3 out 7 speedlites with external power-pack (I have three 430EXII and one 420EX and these models do not accept external power sources unfortunately). All along the work process, I've changed the height of the tripod, the angle and few other settings; Most importantly from all these settings, maybe, would be the shutter speed, the ISO, flash zoom, and the flash power.
Now, flash power (for all speedlites of course) was set to manual and was controlled via the main speedlite which acts as a trigger as well (the one on the camera). I have to do this, since this is the only way to work with HSS mode AND control the rest of the speedlites wirelessly. I don't have a special trigger for that purpose. I lowered the power down, in hope that I can shoot in burst mode continuously (as this would reduce the recharging time). However, I was wrong. It didn't work that way and technically, I was limited to one shot. Anyway, I was also limited in raising the power too high up for the speedlites, because it might make my work with post-processing harder than it should be (by eliminating unnecessary parts from the metallic black tray I was using for my set).

Slow motion during a session.
For some reason I'm not sure of, the image turns black
when the flashes burst out.

As you can see from the video above, I had to work manually as usual. I've tried to set up my laser gate later on in fact but till this moment, it didn't work quite well. I'll explain the reasons below but first let's see some of the results that I've got in this way (and remember, all was manual, nothing was automated). The following images were, of course, edited and adjusted like a regular photos and they are not right out of the camera. So, there are adjustments and cropping involved; This is beside changing the lens from 100mm macro to 50mm:

The Falling One
Canon EF 100mm Macro, f/3.2, 5000^-1s, ISO200

Fallen Luck
Canon EF 100mm Macro, f/2.8, 4000^-1s, ISO160

Левитация
(Levitation)
Canon EF 50mm, f/6.3, 8000^-1s, ISO200

 

 

Let It Go
Canon EF 50mm, f/6.3, 8000^-1s, ISO200

This is a sample for some shots. Some of them had reflections on the water surface clearly and some (well, most) did not. I've used my polarizer to enhance such reflections (and also to protect the lens front). If I remember correctly, there were around 347 taken (the majority were dark frames) and been sorted down to 91 or so, and the process out is still ongoing. At the moment of typing this, the editing is still ongoing and I didn't check all images. Out of the camera, many of the images were dark in fact and did need a push in exposure while editing in RAW; Sometimes +1 and sometimes +2. Not much editing was done in RAW beside setting the exposure and controlling the highlights and shadows in various manners, including Fill, Black Point, and Contrast. As can be seen also, the shutter speed was fluctuating between 4000^-1 and down to 8000^-1 of a second, trying to freeze the water motion as much as possible. I've also changed the flash head zooming for most of the speedlites here, and in the final stages of shooting, I've settled down with 14mm (by pulling down the diffusing panel over the speedlite head) in order to spread light as much as possible on the tray, as it was hard to point the heads down at the water surface.

Not Enough Speed

Now composition-wise, I was not very happy, and probably using the 100mm Macro lens was the perfect solution, but still then I do think using 50mm was a good choice to add some elements around the action and fill the space with something; But my arrangement was a bird absurd! I did indeed try to fix that in some shots but recomposing, cloning, and cropping. At this moment, I think using 1/8000s is the perfect speed (and it is the maximum allowed by the camera).
After finishing a session or two with the manual work, I've decided to try and use the laser gate (from Ubertronix), which I got long time ago and I've seldom used it sucessfuly; In fact, never used it successfully! And this time, was no exception. I've tried at this point though, and according to some old advice from a professional, to connect the trigger to the speedlites instead of the camera because this will reduce the lag time significantly and would yield better results. This method, though, requires opening the shutter for second and allowing the speedlites to be triggered and then close the shutter (either by using timed shutter or using Bulb mode and a remote, which I kind of prefer in fact). That means, working in a dark environment. The location I was in gets considerably dark actually, but I'd have to wait till evening to have a darker atmosphere. Anyway, a quick glimpse at it (after hard work trying to align the laser beam to the receiver to form the laser gate) - told me that it's not going to work; Not the way I like it at least, for a number of reasons:

• The distance between the laser and the gate is wide across the tray (even after changing the orientation of the tray), making it almost impossible to precisely drop the dice across the beam. Thus, the gap must be narrower to drop precisely.
• The height to which I was able to set up the laser gate was relatively higher than required, as I guess. We are talking about microseconds here if not nanoseconds, thus things should be properly close to the water surface as much as possible without showing in the lens's field of view.
• Without finding a mechanism to adjust the level of the gate, it might be a quite troublesome way to use such a gate to capture the moment. If for instance the dice is captured in motion before touching the water surface, then adjusting the height of the gate is required to capture the perfect moment; Otherwise, all shots will be similar. 
• Part of fore mentioned points, I think this keeps us at the level of macro shooting.

Personally, now, after checking the situation and how things work, I think I do indeed prefer using the manual method despite its drawbacks. I think it also gives various results and unexpected results that makes the work amusing to some level. All that hassle with the laser gate is really not required unless I need to work with something quite delicate (like droplets) in the future. Otherwise, I think I will stick to this manual method for the time being. Now, there are a number of things that I think I want to try (planning to but didn't have the time before typing this blog post in fact):

• Try to merge my workflow with stereoscopic flashing, if possible.
• Use variety of lenses if possible other than 100mm Macro and 50mm.
• Try different angles as much as possible.
• Increase the power of the speedlites and use single shot method since the burst mode doesn't work here.
• Maybe change the container or the set to something smaller to give out a better composition and background, and have better control.

Finale

Now, this is it for now. Let's if I can post more about the new trials that I'm going to do with this experiment of high speed photography. Let's hope I get the time and the mood to work! This week has its toll on me already and I'm trying to hard to slow down and simplify my life.

Lately, and after closing down some settings on Duolingo website which makes me theoretically out of the "leaderboard" or whatever they call it, which is about contesting and doing more exercises for more points - after closing that down, I think I'm having more time to myself to do more useful things, specially in the Arabic section of that website. Beside that, I'm thinking of typing a blog post for my Arabic blog about this high speed photography experiment. So, my next week will definitely be busy, but I'll try to manage my time here and there - Let's hope!

Is it weird that I'm fascinated about astrology these days? Well, I had my interest in that but it's been a bit more than before nowadays. It's all just some trials to re-discover and understand myself further. Maybe forgive myself for some things as well? Well, absolutely not wasting much of time with this though (otherwise, I wouldn't be typing this blog post right?). I think all of this condensed work and thought is part of my efforts to forget about my pains and disappointments. Nevertheless, it leaves me just exhausted… Now, if only I can jot down these words that roam my heart into some poem hmm…

Touch Down
Canon EF 50mm, f/6.3, 8000^-1s, ISO200

Colorado…

Well, Ramadan is here and boy ain't I happy to have a leave off work during this month! Despite my usual troublesome sleeping pattern during this month, yet I feel refreshed at some level and I'm eager to work with my camera more often than before (specially with me doing my experiments near my room). With May project with the group, which is about colors, I've started to re-kindle an old passion for high-speed. The work is still going on as I'm typing this, as there are a number of issues I need to fix still and some more ideas in hope I can try later.

Colorado

The May project was a priority, so I spent some time thinking about what can be done in that venue. It is easier said than done, as colors are everywhere but it's hard to get some concrete and unique work of art involving colors. In the beginning, I was trying to follow my typical steps in creating an idea: Find a deep emotion inside myself, and cast that particular feeling on the subject at hand, be it color, shadows, or whatever. However this step seemed hard and technically I was so mentally confused that I couldn't realize my own feelings or how to organize my thoughts! Thus, I had to shoot for mere fun and I started mumbling with my props and gear to find something colorful.

Colorado I
Canon EF 100mm macro, f/29,
250^-1sec, ISO100.

After playing around with some props and accessories, I decided to use the refraction power of water to create some colorful abstracts by using colored Popsicle sticks placed in a separate glass jar behind the glass of water. Later on, however, I've decided to add corn syrup into the water during the shot (putting the camera on timer while pouring already). This was just to add some action to the scene instead of plain silent colors. There was no need to high-speed mode as 1/250 of a second for the shutter speed was enough to kill the ambient light, but the greater hardship was in having a proper framing for the shot since I was working inside my room and could barely have a proper distance to stay away from the set with my 100mm lens, while using 50mm lens would require me to get closer beyond the nearest possible point of focusing.

Colorado II
Canon EF 100mm macro, f/29,
250^-1sec, ISO100

Distributing the light was not so hard to do but it was rather hard to adjust (as I usually work in manual mode). I've used 2 white boards on the sides to reflect off the light and later on I've placed a shade on the top of the set to reflect any astray light from below and reflect it back (and it did a great job!). While shooting, there was always something going off which made the power sometimes excessive or too low without even touching any flash settings. Not sure what is causing this but the first culprit in my mind right now is the fact that I was working in LiveView mode. Some professionals always warn against using LiveView mode for serious shooting. However, with my back problems, I find myself often forced to work that way!

Colorado III
Canon EF 100mm macro, f/32,
250^-1sec, ISO100

After shooting Colorado I I decided to increase the amount of action and pour even more corn syrup to fill the frame (while some were already accumulating at the bottom of the glass) which created such a mess as seen in Colorado II, but oh well, I guess this is much better than having much plain space as in Colorado I. There was one last shot I needed to try, and here, I've replaced the colored sticks with colored pencils and filled the glass with corn syrup instead of water as I loved the looks of the bubbles in the bottle of the syrup. To add something to the scene, I've placed a small cut from a branch of some plant I've found here (no animals were killed to try this!). At this level, I wanted to step further and try the risks of using f/32 with this lens which I've experienced some weird behavior before at this aperture value. However, after several shots I did get something stable as seen in Colorado III, and even created a 3D Anaglyph out of this scene. Now, I'm creating the habit of documenting the set every time I finish one experiment. I guess it is a good practice?

The set used for Colorado I and Colorado II. A reflector was placed on top during the shoot.

The set used to shoot Colorado III.
I used 2 small candles on the sides in hope to excite the fluid and produce more bubbles inside the syrup but that wasn't useful!

Cherry Boom

I thought I was over with the Colorado experiment above, but then I thought why not implement high-speed onto the project, specially that I'm trying to work in a space near my room (even though no proper table for me yet, as you can see from the sets above). Implementing the idea of colors here emerge from the concept of the color circle and complimentary colors. Thus, I simply googled "Cherry Red Color" and I got the code #a61f34, and starting from there I got the complimentary color which is some degree of cyan. I picked cherry specifically because it was available, and because of its distinctive red color and tiny branch which typically stems out of it. I could have gone with grapes but I think grapes do not have a distinctive shape or color (and the red variety would be typically larger than I need them to be). Thus, the choice for cherries seemed legit!

Final look for the set of the project.

Ubertronix Strike Finder Elite.
Source: B&H

I used watercolors here to color the water and later I've added a bit of milk to kill the transparency of the water a bit. As seen in the set above, I've used here only 2 speedlites (580EX II) and didn't want to use my third speedlite (430EX II). I used here also my UV filter over the lens front just to protect the front from water droplets. I should have protected the flash heads as well with plastic bags but I skipped that actually. The big hurdle was to get my old Ubertronix trigger to work, specifically with a laser-gate. Without detailing the troubles, at the end the laser-gate method proved useless to me because of the shutter lag and the cumbersome laser pointer I was using. Thus, for the rest of the experiment, I went on doing a manual job, holding the cable remote in one hand and dropping the cherry with the other.

Cherry Boom I
Canon EF 100mm Macro, f/9, 3200^-1sec, ISO200.

It was apparent from the beginning that I'm having a problem and probably should have used a larger bowl of some sort since the white edge of the plastic dish was hard to remove. Some problems did not show up till later on as I was inspecting the images like Cherry Boom I. Beside the shallow depth at f/9 (which was not enough), it seems that 1/3200 of a second was not enough for the shutter to freeze the water movement! However, during the experiment, I've raised the speed a bit more without really knowing the final outcome that I will be getting later on. Good luck? Maybe!

Cherry Boom II
Canon EF 100mm Macro, f/9, 4000^-1sec, ISO200.

The speed of 1/4000 seemed just enough to freeze such a fall! In total, out of 20+ shots, I got merely 2 useful shots and one or two shots for splashes without the cherry(ies) which I simply liked for their shapes but I don't think they would be useful as stock images or printed and displayed. As for Cherry Boom II, the cherry here fell upside down and my brain being in love with illusions, I've decided to rotate the image 180^o and thus the water came up and the cherry down, but standing up. What annoys me about Cherry Boom II is, like the other shots, the white space from the plastic dish edge which cannot be removed or substituted. I continued the work further in the next day and going manual too with 1/5000 shutter speed, and changing the camera tilt little bit (and pouring some water into the dish) to hide the white edge as much as possible. Again, out of 20+ shots, I've one suitable shot here.

Cherry Boom III
Canon EF 100mm Macro, f/20,
5000^-1sec, ISO320.

Beside enhancing the looks, I went on enhancing the depth of field as well pushing it to f/20 (to have greater chance of having the cherry sharp wherever it falls), but that of course called for an increase in ISO, as I didn't want to use my third speedlite still. Water splashes now are more stable and live! In Cherry Boom III, seeing that the two cherries fell on their side, I've decided to rotate the image 90^o clockwise to add a surreal feel to it.
In all of these shots of high speed, there was always a problem with the noise level when processing the images, despite the ISO being relatively low. With my Canon EOS 7D, I'd say that the ISO is somewhat easier to handle up until ISO 800 or around that, but in these images the processing was cumbersome and I do have my doubts about being accepted for exhibitions with the group (if they pass the aesthetic critique). However, some stock websites did already accept these images without a problem and they are up for sale!
Finishing from this cherry project I did proceed to another one, involving high-speed shooting as well, but I will keep that for a future post, as I'm still trying to work on it further.

Finale

After kindling my passion again for high-speed photography (adding to that the lack of locations and ideas for panoramas), and after the failure of my trigger, I've emailed the company asking about the reasons for such time lag and after some discussion, it seems that the reason is my shutter and not the trigger itself. I was advised to connect the trigger to the flash instead of the camera but in my working conditions this is not possible, as working with triggered flashes means opening the shutter in a dark environment while the flash becomes the only source of light. However, reading about some aspects of my camera, it seems that I do have also to adjust some of my photo-shooting habits to reduce the time lag in shutter release (depending on LiveView being one!).
Though I'm on leave without traveling but seems I do have a busy schedule here (beside taking care of Mom), but I feel some satisfaction that I didn't feel in a long time now since I could work with my camera and really think of something to do with it, without feeling exhausted like everyday after coming back from work through the traffic jam. Meanwhile, the idea of traveling is still ticking and tickling my mind, despite the fear of the hassles that I might have to face outside because of all the madness going in the world today, specially for a guy like me from the Middle East.
In the meantime, August is getting closer, my birthday that is, and I'm preparing to have some big order (well, not so big, but a bit big maybe?) of some gear and maybe some books. I would have to place the order before August I presume since there are some items that are considered "special order" (i.e. need time to be prepared and dispatched). This is to be a gift to myself, since no one around give such gifts except of perfumes! On my mind is a 4^th speedlite (and probably another 580EX II if available still) and maybe some filters. I feel so excited that I want to place the order right away in the coming few days, but my financial situation and the course of Ramadan makes me hold it back and wait. Thus, I might be placing my order by the end of June or so! I need to miss my camera so much to work with it with passion…

Webbology...

Another week now without any success with my camera. But hey! at least I've tried my best with it! Well, maybe I will explain a bit about it later. In the meantime, I'm still coping with my disturbed sleeping schedule which drives me to more naps in the office (yes, in the office). On the other hand, I had my own trials with Geltani a bit, but I'm wondering when it is the proper time to publish this work?

Emergency

The family had to face some hard time last Thursday when Mom is said to have low blood pressure and shortly went into coma, or she might just have slept as she said, during the dialysis process. The doctors wanted her to be transported to the hospital ASAP but she told them that her son (me) is waiting outside. Thus, I had to drive her myself to there amid some crazy traffic. They got her into the observation room for a while and it wasn't till my sister arrived that I could leave the place. Later on, my sister called and said that everything is alright and they wanted to check her in for 2 or 3 more days but Mom and my sister refused and they got back home that same day. Talk about exhaustion all day and not being able to think of something to do. In fact, I tried to sleep most of that day, while headache stroke me later at night. Wondering how to even enjoy my weekend amid this turbulence.
The load had increased even more, with Mom preferring me to drive her to the dialysis center in an early time instead of my (freak) sister who used to go out late into the traffic jam and drives Mom's nerves into a panic status. And of course, I'm the one who picks her later from the dialysis center 4 to 5 hours later. I do have a family that I can depend on as it seems. Then everyone is wondering: why do you like to do things alone?

Dine-In

Saturday, it was the time for the dinner invitation that I've set up for the group members and some friends.  I can't hide my surprise and disappointment here, for the 19 guests who were initially invited, only 7 showed up. Imagine booking a whole restaurant for that night, to find yourself with such small number of people. I did take some photos but they are less than 10 probably and I didn't even bother processing them.
The invitation of ladies into this was another comical matter. Despite the fact that we used to gather in meetings and occasional gatherings in specific events (like the last week before Ramadhan), yet they found it embarrassing to gather with the guys in a restaurant to have dinner, even though it was possible (and I did) to separate the seats to accommodate males and females separately. When she heard the story, the owner of the restaurant laughed and wondered about such a strange mentality.

Lingua Geltani

On the Geltani front I've decided to change the previous statement for occupations from (-ji) and (-jin) suffices to something a bit far away from Japanese. The masculine occupation title would be (-árí) wile the feminine would be (-ází). The Geltani character is the same still but for the feminine title it would be flipped upside down.

-árí

-ází

Been working some time as well on the possessive articles (my, our, ...etc), and they were a bit tricky for me actually and in the end I had to formulate special characters and wording with loose connection to the original pronouns. At this point, found myself changing the plural as well (which was a repetition of the last syllable). Possessive articles come at the end of the words just like in Arabic (and a bunch of other languages as well), but their characters are not related to the transformation from Arabic orthography as I've planned Geltani in general.

Click to Enlarge

As for the reformulation of the plural, it is generally looked up again because of the fact that some words would up with nasalization and it might be hard a bit to repeat a nasal sound at the end, thus I thought it might be better just to stick to the regular method: adding a fixed suffix, with special rule for words with nasalized ends:

• If the word ends with consonant (without counting the regular schwa) or if the word ends with a vowel, then the plural is -(a)no.
• If the word ends with a nasal, then the plural is -wo. 

And these were the basic rules that actually affected the make of possessive pronouns in the beginning. The character for plurals is not changed and it is the same for both cases, as it is supposed to be a logographic script and has nothing or let's say just a bit of connection to the spoken sounds. How ironic that I'm doing all of this without even fixing the final vocal values for syllables! I think this is a mistake, and probably a big one, but my work pace is slow and nothing to published so far. Thus, I have the freedom to change anything for the time being. All the news about Geltani come from this blog, I presume. On the other hand, I shall work a bit more on syllables for foreign words as I've stated before because some characters and their strokes seem to be not suitable or misleading (for me). Shall see about that later.

Laser Point

I've finally got me a laser pointer to do some experiments with the trigger. My initial happiness with the toy was not complete when I, out of curiosity, scrolled open the pointer to see what type of batteries it uses. BANG! Two out of three batteries jumped out of their place and got lost under the car's cushion. Took me some days to find a replacement in some watches stores (yes, I was that busy and that much tired).
I've looked up settings for laser triggers on the internet and they seem quite easy like what I had in my mind. However, doing the setup for my own simple idea, was not something simple at all!
I didn't take pictures for the setting I was trying to use, but generally my idea was to catch a flying sugar cube over a mug. Thus, the pointed (after some really hard work here) was fixed pointing to the trigger, with the laser line passing over the mug. The good news? The set did work indeed and the laser pointer with the trigger did indeed trigger the camera. Bad news? Here we go:

• I've used a paper clip to press the button of the pointer and keep the laser beam on at all times. Later, however, seems it is either the battery or maybe for the sake of safety, the beam became fainter and fainter, till finally switched off. To turn it on again I had to remove the clip and wait for some time and put it back again (and adjust the position of the pointer all over again to fall on the trigger's sensor). 
• All my trials didn't catch a flying cube. I've changed the height of the laser beam and made it higher but to no avail. Not sure if the problem was the high shutter speed (reached 8000^-1sec) or is it the delay in triggering. I have to add here that because of the long wire connecting the trigger to the camera, it probably does propose a significant delay in the process when the signal has to travel.
• The place was hot and I was sweating waterfalls!
• Lighting from the speedlites were just enough and I didn't want that type of lighting actually but this is the best I could do. It is such situation that makes me wish for a 3^rd speedlite.

On the other hand, I was still struggling with the make of a silhouette image for my brothers. Despite the fact the Redbull contest is over already, but I had the idea alive in my mind still. I was planning to take pictures of different poses and all in silhouettes. Yet, working with family members is always something I don't like because no one is really reliant. Well, I guess I have to forget about the idea and just do something else more (useful) for the time being. Probably make a silhouette profile of Mom? Just an idea.

Webbology

With me being like a grounded boy now and not having the ability to work much around my camera, beside of course the empty mind and the flying ideas out of this head because, as it seems, my brain has lost its field of gravity - because of all these matters, I've had the internet to look for solutions and inspirations as the only thing that might spark something in me.
I've found some plenty of websites with tips and so on, typical, but few of them did really help me through and just loved to share them here.

1. Creativity Games: This website will be used a lot in the near future. It has a random word generator and some other stuff related to words (and I think it expands further than just words, but I didn't go deeper). From time to time I would seek this website for some random words (8 to 12 words usually) and just stare them and try to make some connection between few words which, hopefully, later would be translated as an idea to photograph. There was some old website that I used long time to write poetry but unfortunately it's not available anymore and in that old website you would type some words and in some way by some algorithm the computer makes you connect words together. Anyway, this new website is completely automatic if I should say and the words are completely random. Beside the single word generator, many words can be produced at once (up to 8 words a time) and there are plenty of creativity games (duh! hence the website's name!) that ask you to force a connection between some words. Quite useful for writing processes I presume, or maybe for business as well.

Screen Shot (with the damn ads pixelized!)
Click to Enlarge

2. RANDOM.ORG: This website offers many random things. However, my interest was in random numbers. Why? These random numbers in combination with random words from the above mentioned website, makes me reduce the range of thoughts into some specific words only and from there I try to imagine some photographic project. For example, if I collected 12 random words from the website mentioned above, I would write them down in a specific pattern (let's say in 4 rows with 3 words in each), then ask RANDOM.ORG to give me random digits from 1 to 12. After collecting 3 random numbers (of course this is my choice, otherwise it's free!) I would go on the words from the list with these orders (the order can be vertically arranged or horizontally as well) and jot down these words and try to make up something out of them. I'm not expecting success in every session of course yet it is some way to start and to break the boredom around!

Screen Shot with the generator on the right side
Click to Enlarge

Brainstorming trial with the help of Random.org and CreativityGames.com
Click to Enlarge

3. LightingDiagrams: Generally, I was looking for something that would help me imagine the effect of lighting on location. Anyway, this website was cool enough to provide the ability to make a diagram (but without the effect of lighting on subjects). From there, after making the essential diagram, it can be exported then to some formats like JPG or PNG. Quite useful! And I was doing it all by myself in Photoshop!

Screen Shot
Click to Enlarge

Finale

Trying to break the routine around me and force myself into things I want and like to do, despite the limitations in my physical status. All of that is driving me to even lesser sleeping time and more exhaustion. It feels like if my world is falling apart and I, myself, am the only thing standing. Many people I had to stop thinking of depending on even. Partner and Love? That was forgotten long time ago and I guess no back to that anymore...
As for now, all what I'm going to do is rest a bit, and listen to some Greek Music, and keep dreaming of some vacation...

Drowsy...

Back to the rhythm of the week. I really don't know how did I reach work with such closed eyes, but I do remember that I was driving with 170 kmph. I arrived to work bringing nothing of the usual stuff with me from home, namely, the envelope which I use to put Alexander's story in. Hopefully, I'm going to concentrate my power on writing something for the other story though...

Been working last night (literally speaking, I should say till today's dawn) on fixing the panoramic shots that I had last Friday. I made it out and had to play around with the colors even after the formation of the HDR image (which is supposed to give nice colors from the beginning when converted to 16-bit and fixed with Local Adaptation's histogram). The image, as some said, is nice in general, but I didn't like the dark areas of the stress, and the high red saturation in the image in some areas. Tried to fix some exposures and saturation but that did not work out greatly:

You might notice the red beams on the far left. These are the "laser-beam" effect that I talked about last time, when cars passed me by and the camera was still in "shuttering" mode. Looks like if Flash, the superhero, was just passing by this way.

I'm starting to use the PNG format for my images upload since it is the only way to put the images on the net with 16-bit format. I'm not sure though whether the format is converted automatically when I upload the images, but I hope nothing is changed. The JPG images can be saved only in 8-bit format, thus making less number of shades for each channel in the RGB system.

It was one heavy nap I had in the office today. Although I woke up to type this but I can hardly concentrate without tilting the image in my eyes. I have to do something with this drowsiness.