Review: StereoPhoto Maker…

Well, I'm back, after a short vacation for myself. Ramadhan is over now and the total curfew or lock-down, but we are back to the partial lock-down. However, I might have given myself a little vacation from posting in this blog for a week or but I was still busy preparing a blog post about infrared photography (sort of a second part for an old post) for my Arabic blog.
Meanwhile, in this post, I decided not to talk about my photos but rather do a simple review for some amazing freeware (so far) which I've tried lately for making Anaglyphs and other options. I'm not paid to do this review or anything, but I will mention why I like it and what I think it needs further adjustments, but I still don't get many aspects about it yet. We'll come to that in few, but first I need to make an announcement here, though I'm not sure if anyone cares about it anyway:

As time progressed since my return to Instagram around November 2019, after stopping for one whole year, I've decided to stop it again and probably for good this time, as I realized that working with such platform is just a vain and useless (or maybe requires more of my time than what I'm willing to give). I did indeed disable my account (@tj_q8), however, I do have my other account which was dedicated to my conlang (@Ayvarith) and which logged me out suddenly and stopped me from going in. Sent many emails to Instagram to get back this secondary account but they didn't help much and I'm totally locked out. I tried to get it back by logging back to @tj_q8 and adding it from there but that was not useful. Anyway, I left a message there on my last post on @Ayvarith, using my first account @tj_q8, to note that I've been locked out and probably got hacked) and I have no plan to make a substitute account to post for the Ayvarith Conlang. Thus, I can't disable @tj_q8 now because if I do, the message I've posted there would be automatically deleted. Hence, even though the account is re-activated, I'm not going to use it or post in it, and I think this time for good (i.e. never again). One of the ironic thing about people in this platform is they are willing to check the "story" more than they do check and like the images in the basic account; Why? That's beyond me for now. And I don't want to understand it even. So, this is it for now.

StereoPhoto Maker

Again, before I proceed with this review, I want to announce that I'm not paid for this and I'm merely sharing my opinion here according to my own (simple) usage of this program/app, and out of love for this kind of art. I have to say that this program made making anaglyphs much easier for me for some reasons I will mention, but also there are some points that would make me in need to work further on images in Photoshop.

StereoPhoto Maker window and work space with two of my images open.
Click to enlarge.

First of all, the program is (so far) a freeware with a quite simple facade (as can be seen above) and can be downloaded here. Also, on the same context, there are related-programs that I really want to try at some point here and plenty of galleries that I want to inspect as well! In the About section, you can find the credit for the creators of this marvel: Masuji Suto and David Sykes, so all gratitude goes to their effort to create this wonderful program (or app). Personally, I've encountered the program by an announcement on Twitter and proceeded to try it out and see how it works. My aim was mainly to see how it works with anaglyphs, as I'm used to do anaglyphs manually in Photoshop. However, this little program (which requires no installation, it is a single executable file), proved to be higher in potential than what I would've expected.
I have to admit though there are some terms or names that I didn't understand but the overall usage is quite simple and straight forward. So, what I want to do here first is to go through some of these buttons and go about what they do as briefly as possible. Lot of these buttons do make anaglyph-making such an easy task compared to what I used to do manually in Photoshop.

Third Section

So, if you look at the big picture above you might notice how the buttons are divided into sections. The first and second sections are "self-explanatory"; Just hover the mouse over the button and you will get an explanation for what the button does and these first 2 sections are all about the usual operations (saving, cropping, etc). So, fast forward to the third section which you see its screenshot above. Here too, the buttons are quite straight forward, but I'm interested in the first (1) button, which swaps the left and right images. In Photoshop, I used to do that manually (changing the color channels to flip the right and left images and to test which one was better illusion of depth). All this process of flipping and testing the depth of the anaglyph is done with a click of a button here on StereoPhoto Maker!
The rest of the buttons in this section are about zooming in and out but button (5) here somehow perplexed me. The guide (when hovering the cursor over the button) says "Resampling ON/OFF," so it seems to be a button that controls the resolution a bit or the compression of the photo, so I'm not quite sure (I didn't read the help files or anything, I'm brutally attacking the program and experimenting here!).

Fourth section

Then we arrive at the fourth section where the bulk of the juice is located! This is the place where you want to play around and experiment, a LOT.

Interlaced Mode
Click to enlarge.

1. Here, this button puts the 2 images in "interlaced" mode. The look of the resulting image here is like ones prepared for usage with lenticular lenses! Which makes me wonder if this is really the purpose of this process here, and if not, would it help to be used in the process of making lenticular images?
2. This button would make the typical anaglyph for you, but it will convert the image to B&W or grayscale for better perception of depth (in fact it is recommended that anaglyphs be in grayscale to avoid color distractions). Here you can also see a little arrow for more options for the make of the anaglyph: red/cyan, red/green, and some more; But probably the newest option for me here is the Rainbow anaglyph! I've never seen such an anaglyph so I'm not sure if it just for artistic purposes or there is indeed a theory behind it, but nevertheless the red/cyan tints are given to the image with the general rainbow coloring.
3. This button is the conventional anaglyph making button; An anaglyph in colors. Again, you can click the arrow here to see more options for various ways to merge the anaglyph. There are some new names for me here, like Dubois, Suto (the creator?), and some more options. To my own observation it seems that these options control the degree of the red/cyan, because (in case you didn't know) anaglyph glasses vary in types and they are not of a single type of red/cyan. The Dubois option specifically gives that typical yellowish tint to the whole anaglyph which I typically see on anaglyphs on the internet and always wondered why it is like that! There are other coloring options like Yellow/Blue. Also, in this button you can control the anaglyph by choosing Ghost-Reduced anaglyph, where you can control the Levels and Saturation to reduce the ghosting in the image (ghosting is when your eye would be unable to merge the left and right images together for various technical problems). Finally, there is an option to optimize the anaglyph (make it better) either automatically or manually. All that in this simple button here!
4. This button is to spread the images on the left and right, as to be viewed as a stereogram (or stereograph?) and in fact once you open the left and right images in StereoPhoto Maker the images will be initially in this position.
5. Like No.4, but the images are placed vertically; Top and below.

   

   Sharp 3D LCD Mode
   Click to enlarge.

6. This button merges the image for Sharp 3D LCD display. In looks, this one here looks like the image in No.1 but instead of horizontal strips, vertical ones are used. Or so it seems to me. In fact, I do think that such option might enable people with the polarizing 3D glasses (those from IMAX) to be to view the image in 3D (without losing the color) just like in No.1.
7. This button displays the two images in Page-Flip for 3D shutter glasses. Personally, I didn't try such glasses before but I know they are "electronic" and depend on turning on and off images (according to Wikipedia). Anyway, I don't think this is of any concern to me (for the time being).

Fifth Section

Now, in the fifth section, we do have some simple, but beautiful, tools that made my job easier to some extent:

1. This button, called Easy Adjustments, is to adjust some aspects of the two images, left and right. Honestly, I didn't delve deep into this section yet, but a quick glance here shows a typical set of tools, like enhancing the shades of red and cyan for the two images, as well as rotating and fixing the perspective for any of the images composing the anaglyph.
2. This button is my favorite. It is the Auto Alignment where the program does mostly everything you need and so far so good for me; It just does it perfectly in a way that enhances the depth of the anaglyph. A quick comparison between this auto alignment and Photoshop's alignment shows a clear difference in algorithm; The two alignments do not match. Also, when doing the alignment, the alignment data are saved in a folder to be called later in case you need to use it later. 
3. This button is called the Alignment Mode, and actually it is just a manual alignment mode where the program allows you to pick a point from the left image and match it to a point on the right image and voila! The two images are aligned accordingly. However, only ONE point is picked. It reminds me of the manual control points in problematic panoramas when stitching them in PTGui.
4. This button is for adjusting the colors automatically, as simple as that.
5. In case you don't like the alignment work that you've done, just click this button to reset.

The rest 2 buttons are something, well, out of my usage and expertise. Anyway, as can be seen, the fifth section is specifically dedicated for aligning the two images.
Here also, I didn't go through the menus, which really are direct and right forward mostly. However, there are a number of commands and options in the File menu that I do need to experiment with. Some of these commands are dedicated to save the stereo-image (not an anaglyph) in a specific manner with a specific border. Anyway, my main interest here was anaglyphs, and to be more specific, the red/cyan anaglyphs. So, this is for the general options available, now I'm going to move to list the Pros, and Cons.

Pros and Cons

Well, as I've mentioned earlier, I do like this little program, but I can't isolate it from my workflow with Photoshop just yet. After all, Photoshop might be needed at least to do the sharpening if necessary, right? However, there is more to this. To organize things, I'll make a list here of Pros and Cons. First let's see the Pros:

• The program supports a variety of basic file formats: JPG, GIF, TIF, BMP, PNG, JP2, JPT. I've tried to work with TIF 16-bit format myself and it works.
• Obviously, the easiness of use and being direct. If you don't know what a term means, just try it!
• The alignment of the two images might (just might, not sure about this yet) fix the problem of perspective change when you have the object in one shot larger than in the other. This is something that Photoshop (ahem CS5 for me) still not doing quite well. In fact, I see in this parameter here the seed of fixing my problem with Anaglyph panoramas.
• Gives a wide range of choices to adjust the anaglyph in terms of colors (original colors of the image as well as the shades of the anaglyph).
• The ability to flip right and left images easily to test which version has a better depth.
• Simple, very light program. No installation required or anything. Simply, unzip, and run.

Now for what I think this program needs, or didn't quite work well for me. These are just my thought of course and I don't think they would fit other people needs of course:

• Support for RAW files in some way or at least DNG format beside the basic formats mentioned above. It's hard, I know, but maybe there would be some way around it?
• The support for color spaces in such a way that the final image can be "converted" to that specific place. So far, and because I often needed opening the file in Photoshop for further adjustments, the best way to work with anaglyphs saved in StereoPhoto Maker was to "assign" (not "convert") the color space down to sRGB which might be fine for an anaglyph for a grayscale image, but for a colored image it would pull down so much vibrancy. So, if you are like me, like to work in ProPhoto or Adobe1998 color spaces, there will be a big hassle to tone down the Red and Cyan tones to fit the tones of the 3D Glasses.
• The support of more than one matching (control) point for aligning the two images (in the fifth section mentioned above). I feel one point, sometimes, is not enough. Of course, the aim of having one matching point here is originally to focus the depth of the anaglyph around one specific feature in the image, but also multi-points would help with some stretching or resizing the two images if needed, I guess?
• Adding an option to "Replace" one image for another while making the anaglyph to test and compare maybe (or simply in case of an error by using the wrong couple of images, it would be easier to replace one and keep the other).

At this level I wouldn't go far as to imagine such a little program working with HDR or 32-bit images, but who knows! It might happen one day. So far, creating anaglyphs from HDR images requires me to tone-map the two images (usually via Photomatix) using the same settings for both images. Might be fine for images snapped quickly, but could be problematic for panoramic images.

Anaglyph panorama done by StereoPhoto Maker (top) and manually by me (bottom). Personally, I do feel and see greater depth in the anaglyph created by StereoPhoto Maker. Check it out for yourself.
The tones in the two images are different for some long story, but both are tone-mapped from HDR panoramas.
Click to enlarge.

Finale

Well, this is the post for this week folks. I hope you find this review useful, even though I didn't explore the full potential of this little program yet, as there are a number of sub-menus and commands, specially those dedicated to fix and correct the anaglyph. However, this little review, as I believe, does not do any justice to the creators really. I'm already looking for any donations venue to support their work. In the pages I've mentioned above around the beginning of this review, there are a number other solutions for the anaglyph-making process and some of them are related to videos; Something I tried to do long ago but didn't succeed, so maybe these little solutions would help me further when I do get the time to work again on anaglyph-videos. Give it a try and give them some support if you will! Till next week…

Na Deich…

This is a special blog post for this week. Some days ago, YouPic picked up my 10^th Inspirational image. And for this occasion, I've decided to make a story of some sort and post it on YouPic. I did that a week or two ago (as YouPic allows to post Stories, some sort of blog posts, for specific users only).
So, I've created a post with these 10 images and a short story for each one of them. Even though some more inspirational images were also picked by YouPic before I even make such a post on YouPic itself, but I didn't include these images that were added to the inspirational list after the 10^th image. In the following lines (next section) you will be reading the post that I've created for YouPic, and in addition to that, you can click each image title to head to YouPic website for that specific image.
So, I hope you are all safe (and home) and I hope this posts adds something to the boring time spent indoors (but it's a must after all!). Hopefully 2 weeks from now I'll be able to make a post about some of the images that I've worked on, and been working on. I leave you now with Na Deich (the ten).

Na Deich

Well, as I received or gained my first 10 inspirational images, as picked by the editors or admins, I thought of doing this "story" here talking about these 10 images and some background story behind them. I'll try to keep it as short as possible (fingers crossed!). Notice that after marking my 10th inspirational image, two or more images were marked as inspirational as well, but these won't be included in this list, as it is only dedicated to the first 10. Since I don't remember the order of picking as "inspirational," I've decided to go here with an alphabetical order based on the image title. So, I hope you like this post.

1. Cinematic Lady Nature 

Cinematic Lady Nature

This is one image in a series of shots that I've been training myself with to create a "cinematic" look, or what is commonly known as "cinematic photography". This is an old image in fact, shot back in 2010, in the garden of "Thornbrook House B&B" where I stayed in Cashel, Co. Tipperary, Ireland, when I visited Ireland for the second time. There were many beautiful settings in this garden and it was a subject for some panoramas as well. I was a beginner back then and even at that time I had more focus on panorama-making rather than single shots (and people know me mostly for my panorama work rather than single shots). Anyway, old shots (even those neglected before) are some good targets to work, for learning new techniques in editing, like this one. I've processed this image in various ways before and called it "Lady Nature," thus I've just "cinematic" to the title here. In processing the image (which involved a lot of work with colors), I've decided to sharpen the statue only and leave the rest with a dreamy look in hope to add some depth and dimension to it.

2. Enlightenment

Enlightenment

This is a full panorama (or equirectangular panorama), encompassing 360 degrees horizontally and 180 degrees (almost) vertically. This panorama was shot inside the Chinese temple in the Scholars Garden of Staten Island, NY. I was visiting the state to meet some online friends back in 2012. Two major things that gave me a headache here: The strong highlight (meaning wider dynamic range) and centering the tripod. Despite the fact that I shoot most of my panoramas by bracketing and then merge the images into a single HDR panorama, yet, the dynamic range here was problematic as I didn't set up the range of the bracketing correctly. Good thing that some details can be observed still through the door, in the outside, but the sky should have been blue in fact. Centering the tripod for panoramas is quite essential if the place bears some symmetry like this one; And of course, I always screw that up. Few centimeters off, and you will be spending hours in Photoshop trying to balance and restore the symmetry of the place. Which I did here, though I'm not sure it is perfect still.

3. Good Morning Kuwait VIII

Good Morning Kuwait VIII

This image dates back to the time when I was more "capable" of going out alone in winter nights and shoot. The shot was taken right after I've finished working on a panorama at that spot; A spot that I've been checking for 3 months to plan for the shoot. This spot specifically was down at the beach and the only way to it was to get down some rocky slope (artificial) and to do that in the dark, with Retinitis Pigmentosa, is a great risk. Also, I had to wait for a proper time since this spot gets covered with water at high tide time, and because of that as well, I had to work as fast as I could working on the panorama to avoid the next high tide time, and the sunrise. I've finished the panorama just in time and the sun started to rise few minutes after I've finished. So, I hated to leave the place without shooting a "memorial shot" here. This shot was also printed and sent as a gift to a friend in the US. As for the title, this is the 8th image in a series of images I've taken in the morning here in Kuwait over a span of some years, and this just happened to be the 8th.

4. Greenery Lines

Greenery Lines

I remember this shot back in 2012, some weeks after coming back from my vacation in Staten Island, NY. I was then a member in a photography group and we managed to go to some mall (the Sharg Mall, a.k.a. Souk Sharg) after getting a permit. Having a permit here is somewhat hard if you are not a well-known personality or something. So, I didn't want to miss the chance. The first thing I did was to shoot a panorama inside the mall, and then headed outside trying to find some targets. This building was on the other side of the street and just behind the marina. It was under construction back then, and little did I know back then, that this building is the new headquarter for the Central Bank of Kuwait. The original shot underwent a critical work of cropping and perspective fixes to get it in this shape.

5. L-Orizzont

L=Orizzont

This is probably one of my most beloved shots. A short panorama done with a telephoto lens (Sigma 70-300mm) from the roof of Dar ta' Żebbi B&B where I was staying in the town of Qala on Gozo island, Malta. It was my last evening there as I had to leave the next day and the owners allowed me to go to the roof. I have to say it is such a magnificent view full of magnificent details. My aim was to capture the sun setting behind the church or chapel but I was not lucky (such shots need planning). The church is supposedly in the next town, either Xewkija or Nadur, but some followers on Instagram saw other images I've shot from that angle and said it is Xewkija. Originally, this panorama was wider, and colorful after tone-mapping from HDR (it had some blue tints in it as well). However, I've made another version which is seen here. I'm proud to say that I've even printed this panorama and submitted it as a gift myself to the Maltese embassy in Kuwait, and they called back to thank me. Originally, the title was "Nżul ix-xemx fuq Xewkija" (sunset over Xewkija) but I had to change the title in order to submit the photo to some contests.

6. Nox Salmiyah

Nox Salmiyah

Just for the records, Salmiyah (or Salmiya) is a city (or an area as we call it) which is mostly commercial by nature. The city overlooks the sea and probably famous for its corniche or plage road which goes up to the capital passing through the eastern coastal line of the country. At this spot many fast food chains reside and I think in this panorama Burger King shows up. It was my first nocturnal panorama ever, done back in 2012. I still remember that cold winter night. I was wearing 3 layers of clothes and because of my bad calculations and estimations, the water level started to rise as I was working and covered my feet completely. The panorama finished in around 2 hours, and the first thing I've done after finishing was to turn on the heater inside the car and point it downward to warm my feet up. This didn't stop me from doing another one later, though. The shoot was done in ISO 800; quite high for my cropped sensor. Thus, tone-mapping and processing this panorama was somewhat of a hurdle. Some stars did show in the dark night sky despite the city light (I did realize some patterns) but they got mixed with the digital noise in the image. Thus, when I tried to clean the noise, many stars were washed away as they were identified as noise grains.

7. The Multi-Tasker

The Multi-Tasker

I have to admit here that I wished I've named this shot "Houdini." This shot (and some others in the series) were made during a mood swing merged with boredom. I had a rest on my recliner and placed the camera in front of me with the a speedlite on its top (580EXII) and started to test the stroboscopic or multi function. I was trying to find some idea to do and shoot using this particular function in the speedlite, beside studying the relationship between the shutter speed, the number of flashes, and the frequency of flashes. I was continuously making shots moving my hands in front of my face or covering my face in a peek-a-boo movement. When I checked the images on my computer, the movement of the fingers looked mesmerizing, despite not being exactly the shape I wanted (I was aiming for symmetry). However, the background was problematic with details. Luckily, my wall is green, so I converted the whole image (and the rest in the series) to B&W and worked on hiding the details in the background by toning down the green tones and other colors. However, a special treatment for the eyes was required; I had to convert them into B&W separately to keep them glowing as they are in the color version (somewhat), because toning down the Red and Yellow tones turned the skin dark as I wished but it affected my brown eyes as well.

8. Toothache

Toothache

Never, ever, in my dreams, did I imagine such a quick selfie shot with a mobile would gain popularity on YouPic, and on Instagram and Facebook as well. It was a hard time for me when I shot this, as I had some nerves issues in my gum. I've covered my mouth with this scarf and shot a selfie merely to be posted on Facebook. I'm not an addict of selfies but I do like to take self-portraits, and I have to say, the easiness in which a smartphone is used is seductive somewhat. After loading the image onto my computer I spent quite a time to process it and convert it to B&W. The highlights and shadows had to be re-built (if I can say so), and the noise or grain level was quite high (and still). Shot with Huawei Mate 9, which is at the time of shooting this self-portrait, was indeed an "old" mobile.

9. Upper Ways

Upper Ways

This shot was taken at the "360 Mall" here in Kuwait; And I have to say that I really, really, hate this place. I don't find anything interesting about its architecture, but yet here is one that apparently people liked a picture of. I shot this after doing a panorama there in the early morning hours before visitors would come in (and yet some people were already doing their "daily" walking routine there!). After finishing the panorama, I didn't want to just leave. Thus, I've made this shot with my then-new modified camera for full spectrum shooting. I shot this using Rokinon 8mm f/3.5 fisheye lens, which is completely manual and has no pocket for for infrared gels or filters at the back or front. I had to fit the infrared gel filter to its back through some grooves in the lens' back. I've placed the camera on the ground and raised the front of the lens using my mobile or some other object and made the shot. I think it was a bracketed shot but I didn't merge it for HDR and rather used only this single exposure after all.

10. Xemx ta' Qala

Xemx Ta' Qala

Another shot from Qala, in Gozo island, Malta, which I've visited only once, in 2015. Visiting Malta was tricky a bit since I'm used to a certain system in my visit to Ireland (3 times), which involve a lot of walking and taking pictures along the way, but this system was challenging with the terrain and with the ups and downs of the narrow roads of Qala. Thus, I usually don't wander far away from the B&B to take pictures, but it was that day that I've decided to really take the leap and wander off towards the seaside of the town. One thing captured my eyes there is the "fields" of cacti. Cacti is really a crop in Malta and not just some random plant growing here and there. I've took some shots at this location, through some broken brick wall I remember and I've lowered the camera down to the ground level. Made some horizontal shots but I didn't like the feel of it so I took some vertical ones, and I had no plans ahead that the sun would be in that position. Bracketed shots were taken and then HDR work had to be done of course. This image was subjected to some critique when I was a member in a photography group and I was asked to remove the sun to keep the focus on the raising cactus on the ground. However, when submitting this image elsewhere, and on YouPic of course, I didn't want to remove the sun because I always imagined the cacti on the ground making a leading line towards the sun in the sky. However, it might appear that there is a contrast and a distracting attention-seeking between the cacti and the sun. Nevertheless, I'm absolutely happy with this shot (and happy that I didn't get any thorns!)

That's it for now folks! I hope these stories added something useful or at least been amusing to read, specially under the current situation and circumstances of self-quarantine and home-stay. I'd love to give my appreciation and gratitude to all of you who appreciated my art, either by liking, sharing, commenting or starring. Thank you.

Success…

Phew! It's over! What an exhaustive 10-days time! I barely had time to do anything else; work, home for lunch and then out again to the expo, then back again home for a little work with some photos (if any power was left) and hitting the sack so hard with exhaustion. I think it did make some toll on my health too. Anyway, the expo which accompanies Kuwait's 40^th Arabic Book fair is now over, with brilliant success, and what is left now is some reflection and thought, as well as analyzing some events.
It was a gamble in fact. I didn't know how the public would perceive a display of 3D images in a photography expo, but my bet was on the fact that it is a new and a weird idea which people are not used to in here. The fame was obvious when I saw some people advancing directly towards our group's booth and heading directly to the 3D display. However, I did have to follow every visitor possible (not in the first opening hours in the morning though), just to check their reaction, and also provide any help needed.
Among the audience there were many types: The analytical, the ignorant, the surprised... etc. It was fun noting these types down. Probably the most mysterious type was the one which looks thoroughly through the 3D glasses, for some time, put them down calmly then, and walks away without a single facial expression to note any feelings! Some other types surprised me as well, like some of them who said they don't see any difference at all when they look with and without glasses; Not quite sure what's the problem here but noting how other people perceived it, it seems such people did have a perception problem. The most annoying type was the one which puts the glasses for a second and puts it back; apparently not interested in the first place but probably the hand has a brain of its own to move! The majority of the annoying audience was composed of kids, kids, and kids! Even though I kept tracking my glasses, still some of them just disappeared into thin air! Adding to kids, some irresponsible adults.

Images displayed in the expo.

Now, the mess is over with, it is time to re-think and re-schedule my life as much as possible. I have many ideas I'm trying to apply and test... and some will cost me some precious pennies. I do have as well some scattered ideas for making some photographs, but let's hope I get the opportunity and time to work on them seriously! Aside, there lies a long abandoned project: The Geltani conlang. I was supposed to make a web version for the conlang, and there are still some screws that need to be tightened, specially in the transliteration notation.

On the other hand, there are a number of plans and tasks to do, like making test prints, and thinking of new ways to make prints for upcoming exhibitions. Presenting prints in some unusual way can be one of the points to keep us afloat in the world of art and photography altogether. It is a matter of presenting something new to the public. However, there are some other ideas on the waiting list, like the concept of the 4D image. I'm not sure how to apply this yet but it surely needs some practical work and trials and errors to examine how good this idea could be. I did give it out a try in few months back from now, but the subject needs more testing to come out with a concrete conclusion! 

ن (Nún)

In the meantime, I'm keeping myself a bit busy with some cultural activities, like visiting the theater as much as I can since it is Kuwait's 16^th festival, and working with panoramas acquired from the Den Gallery during the Arabic Book fair back in November. I'm still trying to extract more projections and styles from these 5 panoramas as it can be seen in ن. There are plenty of possibilities, yet I cannot simply form just any projection and stitch it without a specific goal or aim in mind - something I'm learning to master from visiting such galleries and going to the theaters to understand how to read emotions and in between the lines. In The world of artists, do what artists do!

Welcome to Den!

QTVR

Speaking of a documentation of such gallery naturally brings about the topic of QTVRs. In fact, We had some lengthy discussions about the properties of QTVRs and how the gallery would make use of these. There are methods and ways to introduce QTVRs but they do require some quite a knowledge in coding or building webpages (like using Java and Flash) which I'm not acquainted with. In this blog, I do usually use QTVR (.mov) files and embed them to be viewed in this page. Learning such methods for website building with QTVRs can be quite useful, but it might be a headache trigger as well - and after all, I'm just a photographer. Anyway, I've decided to make one QTVR out of one of these 5 panoramas (and two of them are not complete panoramas in fact).

However, it seems it is about time to learn these new website techniques, but I'm not ready for it yet, as my schedule is getting tighter for the time being even after the end of the exhibition. In fact, I was waiting for the exhibition to be over with just to do other activities on hold. 

These activities within the Den Gallery were done voluntarily, as I've discovered that an old friend's brother and their relatives are involved in this prestigious gallery. Now, I'm hoping that my surreal projection styles would be inspirational to them as artists as well!

Ring of Arts

Finale

Now, I've talked a bit about what's in my list of activities, specially those related to photography, but I still have more. Well, excluding the daily routine and the bills, as well as cleaning my room! 

I'm already enrolled now in a special 3-day workshop discussing High-Speed photography and using the HSS mode in the Speedlites. In the plans as well, searching for classes for KSL (Kuwaiti Sign Language) and if ASL (American Sign Language) if possible. I really loved to learn this language in a long time now and I had some trials, but with time gaps in between trials, everything is forgotten easily! Maybe it is time to get something concrete like I did before with the German classes about 9 or 8 years ago!

I'm not sure how necessary is this; I mean going into activities like that. However, it is probably an unconscious trial from my side to escape my reality? Trying to find myself a name? I don't know. One thing for sure though: my tired body will take the toll for sure; but I'm hoping it will be like the case with muscles: The More weight you take, the bigger the muscles grow! 

I was wishing to display my panoramas from the my first commissioned work in Bait Al-Othman museum, which got me a tiny stream of extra income, but unfortunately, I cannot do much right now until they publish the images on their own. They didn't buy the right of these images (which should cost more of course!). Now I'm thinking of how to expand the circle of customers, and probably my work in Den Gallery would be a spark in that road.

Golden Times

Alexander 5, V2.

I'm almost sure now that a Sunday, must be a bad day regarding anything related to driving. I had to pick up my brother from a garage and yet, I was going to make an accident as I was going to pick him up! What is left for Monday as a typical bad day? I don't know!
This said, and beside some tiny lab work, made me exhausted somehow to complete the usual translation of 2 verses. I made one so far only.
I spent a big portion of the first hours at work trying to organize and figure out a way to send over the pictures from Ireland to many contacts. The HTML work and the copy-paste routine was exhausted and yet, I had to flip from one program to another trying to figure out the best fit and how to copy contacts. After all, I settled this down in FrontPage and sent it over from my Hotmail account. An option that I don't like so much, but most of my contacts are saved there.
However, since I did not do much of experiments yesterday with my camera and not new stuff are to be put in here, and since I don't make this post plain, I decided to put the images here. This is packet 4 (IV), and I don't think it would be the last yet. Some folders are waiting to be processed yet!

Click any thumbnail to view a larger version of the image, and to read a comment or description for the image.

__________
25. in the morning he was still thinking
26. how to come down to people like this?
27. and who are they and where do they live?
28. he remembered then the word Ayvar
29. some where it was in the middle of Earth
30. should he turn back or head to the south
31. when suddenly a light arrived from heaven
32. and stroke down the earth and made glass
33. and when Alexander wanted to take the glass
34. the glass moved further away from him
35. and he kept moving after it with his men
36. until it disappeared before an old village
37. it was so old that like time forgot about it
38. and the fence barely stood up in face of winds
39. and the hero thought that God drove him here
40. amid the adversities he did not lose his faith
41. he went to the wooden great gate of the village
42. so huge that it counted the length of thirty men
43. and its width was the count of fifteen men
44. then he kocked on the gate by the knocker
45. so heavy was the knocker that it needed ten men
46. and they knocked several times but no answer
47. and they almost gave up hope for a living there
48. and when they moved away, the gate was opened