+5…

Did I pass 2 weeks already without blogging? I guess! I really didn't count the days. I've been under pressure lately which made me unable to do much even with editing my old photos. The largest portion of this stress has passed (somewhat) already, but some deal of it remains still. More about that a bit later.
I don't think I will be posting much in this post except for an announcement, and as I go on, I might think of posting a bit further about some of my latest edits!

Announcement

I think I've mentioned in previous posts about new uploads to Mostphotos. So, here it is, I've uploaded about 3 new panoramas (plus 2, adding to 10 panoramas uploaded months back). So, the total right now is at 15 panoramas at large sizes, suitable for printing as fine art pieces. I think I didn't post much about these extra 5 panoramas, so I'll try to do so here right now. 

Failakan Sunset

Earlier (as in last month or before!) I've added Failakan Sunset  to Mostphotos (exclusively), and it is an old (half-way) panorama shot over a ramp, which is used to slide boats to the water, on Failaka island. It was taken in 2012. I say "half-way" here as it was not a full panorama, but merely 2 rows was shot, and the third one was not shot (probably because at that time it was getting pretty dark on this depopulated island). Originally done in HDR, but this time it is done with singles of RAW files; All edited and stitched. Of course the colors are edited here and in fact they caused me a problem because when merging layers the appearance of the image would change drastically. I had to re-work the colors after merging (and at 100% zoom to ensure the accuracy of the colors). At 300 dpi, the panorama is close to 102cm by 36cm. I think if I was to print this panorama I would print it on a glossy material, preferably metal. Just one must be careful about the reflections from light fixtures. 

Entry
(Slí Isteach)

Then I added Entry, or as I like to call it in Irish: Slí Isteach. This is a panorama shot in 2014 inside a little defensive tower in the remains of Aughnanure castle in Oughterard, Co. Galway. It was my 3^rd time in Ireland, and my 2^nd time in Aughnanure (the first being in 2009). Generally speaking, this projection is relatively new for this panorama. I did many projections and styles out of this panorama, but this is the first time I do a simple vertical one like this, and centering it at the door. At 300 dpi, this panorama is almost 33cm by 75cm. I had to crop quite a portion to balance the image here and remove unnecessary or incomplete details. I would consider printing this on glossy metal but one has to be careful with the lighting surrounding this; Otherwise it would turn just like a reflective mirror with such dark areas. If one would want to go safe with this one, matte never hurts anyone!

Solar Towers

Then, we have Solar Towers, which took me quite some time to put the keywording for, and I'm not sure why. I think I was passing through some "mind-boggling" phase or something. Anyway, I did the keywording after all and here it is. Of course this is an old panorama and it was done in HDR before but this time, like the rest in this series, it is stitched out of single RAW files. The projection here, though, is the new thing as I didn't do such a projection before out of this panorama specifically. I had some struggles of course with the tripod and its shadows (like in the original) and I had spent quite some time fixing it. At 300 dpi, the size is about 42cm by 76cm. I tend to think that glossy printing of this one would add to the vibrancy of the blue tones and adds more overall contrast.

Beyond Abzu

I rolled back in time and checked some of these winter adventures I did back in 2012, and found some worthy stuff (but with a great deal of post-processing work and fixing), such Beyond Abzu here. Beyond Abzu was one of my first night panoramas and I still remember that cold winter night when my feet got frozen by the cold water. As the processing went on, the general tint of the image got green and that inspired a sense of mystery in me, hence the name Abzu (also Apsu) which is the name of the primitive waters, supposedly, from which the world was created in Sumerian myths. In some way, the whole surrealism in this panorama was pointing to that meaning in my head so I gave it that name. At 300 dpi, the panorama is about 37cm by 85cm, and I would go with a glossy print for this one though I would fear for the level of noise here to be exaggerated. I worked on cleaning the noise moderately because there is a limit, after which details might disappear. However, this panorama still bear some dark aspect and dark areas might work as mirrors in glossy prints,specially metallic ones. But I would imagine it would be so vibrant if printed on metal!

Return to Nammu

Lastly, there is Return to Nammu which I consider like Part-2 of Beyond Abzu. In time, these two panoramas are not far off; Both were shot in the same winter, and both in January of that year. However, with Return to Nammu, the sky was a bit darker than in Beyond Abzu specifically because I shot this facing the sea and the moon and the city lights were relatively further away. This allowed for some star constellations to appear in the sky in the original shots and here I tried to process the panorama and clean the noise without touching the stars. Thus, they appear in the original panorama, despite being shot within the vicinity of the city, but only when zoomed in at 100%. Unlike Beyond Abzu though, this one looks quite colorful, and yet mysterious a bit because of the dark night element and the stars, and that moon that shines like a rising sun (but in the middle of the night!). At 300 dpi, the size is about 85cm by 38cm. Print-wise, I guess it would do good in glossy as well as matte. The green hue here, as I see it, would be a vibrant one on a glossy media, specially a metallic one. 

Well, this is for now 5 new uploads to my Mostphotos, which are exclusive to Mostphotos. The links are up there to visit the profile or the specific images, in case you are reading this and wish to get one of these.
My capabilities right now are not quite aligned to provide such printing services and shipping, so I let these images to be purchased on their own as big original files in JPEG format to be printed on whatever the client would like.

Finale

Well, probably I can't get on so much with this post but I believe the announcement above and the details mentioned are just about enough in length for this post; Let's not make it longer!
I am currently on a leave from work for 2 weeks but not for resting or fun, but rather for stress and tracking. After a long wait, I've finally received my "disability certificate" which took a bit more than 2 weeks actually, and finally I was ready to submit my request for a grant of medical retirement from my workplace. But things weren't easy as I hoped for; Suddenly, solving a problem 2 or 3 more problems would occur and some more responsibilities regarding my work are added to the mix, which made every single passing day count. As I'm typing these words, I've finally submitted my papers by email (after a little adventure in going to the new campus, my future workplace supposedly) and a recent phone call confirmed to me that my papers had been signed and ongoing in the process. I just hope the big part of this is over with just before my two-week leave ends. Bureaucracy is not in a friendly terms with my time.
For this reason, and because of all of that stress, I don't think I would be blogging on a regular basis, but surely I will try as much as I can, at least once every other week. Who knows, maybe by the next blog post here, I would be completely free…

Kika VI…

Busy weeks, and Ramadan is already in. It seems that I do have to start typing my blogs very early just when one post is published! My busy schedule, by the way, includes helping and studying for my brother's sake as well as trying to nap intermittently to do these chores. I, too, have a new load of images that I really need to process further and make ready to be uploaded to the stocks. All that while there is a list of images to be uploaded to the stocks already! I wonder if 24 hours a day are still enough.
I've uploaded previously 10 panoramas and made them exclusive to Mostphotos, and I do have plans to add to them. However, because of this hectic life I'm leading right now, this won't be any time soon I guess. I've been trying to promote these panoramas by sharing them over, but seems this method is not working well. Or maybe people are just not interested in such things anymore. Ah well…
I've been struck with an allergic attack out of nowhere this week and my health is kind of up and down (again) but seems things are getting better, though slowly. I just hope it doesn't relapse to something worse!

Kika VI

As the Retinitis Pigmentosa project is over with, I'm going to jump right into Kika's photo-challenge this time and then continue with other shots that I've done before or after or during the running of these photo-challenges (which are over by last week by the way). So, the theme of the 6^th week's challenge was Growth.

 

The Two (re-make)

In the beginning I was quite blank about this idea and tried to brainstorm and come about with some unusual ideas. I did in fact come with some sort of idea but the execution failed. For this reason, I thought maybe I should just re-work some old image resembling something about Growth and I did find this image indeed; The Two. A shot I've taken around my workplace back in 2019. I've posted this shot on Instagram long time ago and in order not to be repeating myself, I've decided to edit it in a different way, pushing more on the artistic side rather than the "proper" photography side. Thus, I didn't care much about removing that brick on the right side and the photo was edited in a trial to mimic the pastel colors style. I've tried this editing style in a number of photos but honestly I didn't go deep with such experiments. I think I still need to do more about it.

Anyway, after posting the photo on Instagram, I found out that I still have time - I was too busy with other things that I've doubted I could do my idea in time, specially that is an idea that requires a lot of Photoshop work (or magic, if you will!).

 

صَدَقَة (Alms)

 

The idea came about from a Hadith (reported speech from prophet Mohammed, PUH) which goes like: Never did the money of a servant gone less by alms-giving. Meaning that when someone gives charity, his or her money grows back and do not get lesser.
The execution was a bit clumsy in terms of the hand movement (I don't have flexible muscles). I've used a table covered in black cloth and made the gestures behind the far edge. The lighting though was a bit problematic and I had to struggle with it to get some proper angle. I was too lazy to use more than one and in fact the idea would NOT require more than one. Whenever you think of "drama" always think of "one light". This is my tip for you! The position of the lighting was quite critical to avoid lighting the wall behind me as much as possible. I would be able to merge the photos in Photoshop after all but it is just wise I guess to reduce the workload and the problems as much as possible in the shooting phase. The rest of the tale is, of course, a Photoshop tale; Merging various shots together (and discarding unneeded ones) and playing the game of layer masks, and adding a touch of lighting effects. Luckily all of this was done and posted on Instagram before the announcement of the next photo-challenge by Kika! (which occurred typically on Thursdays on her Youtube channel). I consider myself lucky for finishing this little project in such a short time, with all the mess that life keeps throwing at me! The question remains now as whether I should upload it to the stocks or not, specially that it is such a large image file. Anyway, I better put that on hold as there are other batches of photos that needs to be uploaded first.

 

Gesture
One of the shots that I've liked in my first attempt with this little project.

 

Rolling Back

After indulging so much in these photo-challenges as well as with RP project, it does sound a bit hard for me to roll back to where I stopped with my random camera working! Among the little announcements that I've used to post for a while, it seems that the latest post of some real camera work was done back in November 2020 or so when I used to stroll around morning times and snap some images around my area. So, What I'm going to do here is to roll back to February 2021.

 

Meditative Behind Bars

 

Typical for such a lockdown (or without it honestly), I often look around to look for something to shoot and back in the day I've picked our poor bird (which I think is a canary). I say poor because, well, I really hate to see birds behind cages but I'm forced to let it be so since I don't own it; Yet, I'm trying to take care of it as much as possible since no one in this house would. I don't actually think anyone here thinks of animals like the way I do.

A Concept of Freedom

The shoot was done using Sigma 70-300mm lens, and my old 7D camera (i.e. the normal one not the modified one). It can be noticed though that I've focused on the pinkish theme here to add some softness and gentleness to the harsh reality of being behind bars (and no, it has nothing to do with feminism nor the feminine side of the bird). There is, supposedly, a trick that would hide the bars but I think I would need special preparations and another lens. I've picked this lens specifically to be able to stay away from the cage and shoot, and the minimum aperture here is f/4.5 (goes to f/5 when zooming). All in all, it was a good practice for motion handheld shooting with AI Servo drive!

Canary (3D)

One of the benefits of shooting a bit further away from the cage (even though the bird does not have much freedom here) is to keep the bird moving and follow him in a close-up. I think it would be such a good practice for people who are into wild-life photography at some stage, but for me it does not exceed the limit of enjoying and practicing the camera and the hold. Since I was shooting in a continuous (burst) mode, there was a great build-up of images with chances for creating 3D anaglyph images as in Canary (3D) where the movement of the camera OR the bird was subtle, but the difference is capable of creating a parallax difference and hence a 3D illusion; This is mainly because of zooming in. In addition to that, some artistic rendition can be made later on (with a tick of inspiration when that comes) as in Desperado.

Desperado

I guess you can see how much I feel sorry for the bird. In fact I've tried to let it go but I've discovered that he was not able to fly and feared it would be devoured by some cat out there, thus we got it back to the cage. In Desperado, the collage was made of images shot continuously for the bird as it was trying to clean itself or something. There was a load of images to check out as well as a load of them to be deleted for the apparent shake. So, again, I consider myself lucky here to have these successive 4 in order.

Finale

Well, Ramadhan is here and I'm absolutely grateful to the fact that I don't have to go to work. Even though, I do have personal troubles and setbacks on the other side of the spectrum here, but well, trying to keep looking at the bright side of things.
I've got here load of things to do (beside typing these posts every other week), mainly helping my brother and attending to Mom a bit. In this mess also, I'm kind of swept by astrology, as I'm trying to learn few tips and bits from here and there. Well, mainly to understand myself really but I do dwell on other aspects from time to time as well.
I really wanted to talk a bit about my "bubbles" project in this post but I thought I should roll back and make things a bit chronological as this project is just recent and worked with in the past few weeks of April. So many images I've processed in this project that I'm going to need some time to prepare them for the stock (and let's hope they accept them as some works of abstracts). I've even made a video for a quick view for all of them. This said, there are a number of them that I've set aside to be processed later (not sure when) as they didn't quite get along the others. We'll see about that.
Days pass now, and my isolation increases by the day. An isolation that strikes in the mind and the heart before in body itself. And this has nothing to do with COVID and the lock-downs, though related in some way, but it is something bigger than that. I wouldn't mind if this isolation was somewhere out there, somewhere green, somewhere with fresh air and singing birds. But here? I just don't know how long I can stand this…

 

Announcement: MostPhotos…

Well, this is another short post of some sort. I want to announce something and in fact I'm barely having the time to type this! Things just started to get busy suddenly! Home, work, health... mood swings, you name it. With all this mess, some ideas had been building up in my head, and I will talk a little about them down below. But first, with the announcement.

Announcement

As I've posted some announcement in my previous short post, here is another one and this time for something a bit more than just stock photos.
I'm actually providing some of these new panoramas that I've been "re-making" with their original size at the time of stitching. What does that mean? Well:

Typically when I set my images to be stitched and make a panorama, the stitcher would take the original sizes of these images by default, and the resulting image by default would be somewhere around 22k pixels wide! However, when I stitch, I reduce the size to about 10k pixels wide, and from there I do even minimize the size further usually before uploading to the stocks because usually such websites do have a size limitation.
Right now, since MostPhotos does not have a cap on the size, I've decided to upload these panoramas at their 10k pixels wide size and put them in a special gallery on MostPhotos for sale. They would be perfect for large prints, being up to 86cm wide (or more), that is about 2.82 ft, at 300dpi. Meaning, the size can still be enlarged further with proper DPI reduction, if needed.

So far, 10 panoramas had been uploaded to MostPhotos and hopefully more to come. I've been spreading the word across social media and now, in this post. In case you would like to follow up, you can also mark this page and check if any new panoramas been added. Worth noting that these panoramas are exclusively available on MostPhotos, alone.

A glance at the gallery in MostPhotos. Clicking each thumbnail would provide more info about the panorama.
Click to enlarge.

Now, the reason I'm doing this is for the technical (and financial) hardships that I'm having concerning printing and sending prints (even before COVID). Things are worse now because of COVID of course (specially with technically a non-existent postal services here and relying heavily on private couriers which charge much). Thus, I've decided that maybe I should offer those for sale with a suitable price online for people appreciating arts, and leave the choice of printing (and sizing) to them, instead of doing the whole work of printing and sending. As noted, this is a first batch I would say, and hopefully more will be added when I get the chance to make some more (I have some ready but wouldn't upload them for various reasons, but only display them, on smaller sizes).

Finale

Well, as you can see above, I've been busy with the issue of creating panoramas (and still with that in fact), and in the same time busy with new ideas that I'm still trying to figure out how to apply them. In addition to that, I will be preparing another batch of single shots to be uploaded to stocks (mostly some old shots re-processed).
All this work with preparing photos for the stocks makes me think seriously of checking for some "keywording" software to aid me with generating relevant keywords instead of thinking about them from the top of my head! I do use some websites already but I'm guessing that they are not too advanced. That's another story for another time.
On the other hand, I've been surprised by 123RF, which rejected ALL of my previous 25 uploads! The reasoning for 90% of them (if not 99%) was set to "Pixelation" or "Pixels". I deem this completely a non-sense, as I know that the images that I've uploaded were reasonably sharp and clean. Setting this reasoning for mostly all the images makes me think that there was another reason behind the rejection, probably not technical at all. Meanwhile, Dreamstime did accept about 11 out of these 25 uploads (and these 25 are also available on MostPhotos).
February is on the way, and I'm trying hard to squeeze my mind for some ideas regarding my annual shot for Retinitis Pigmentosa; If you are reading this and don't know, February is named as Retinitis Pigmentosa Awareness Month. I used to do a shot every year since 2017. For this matter, I'm trying a bit of brainstorming using some websites for random word generating in order to spark something in my head, beside surfing Pinterest but so far no chain of thoughts had been established yet.
On the other hand, some ideas visit my head concerning drawing inspiration from my daily (or semi-daily) readings for Quran; A habit that part of a resolution I've made some years back and got fulfilled during COVID and lockdown till this very day (and so far I've read the whole of the holy book for 3 times and doing the 4^th nowadays). That would not be an easy task of course, specially when trying to avoid modeling (which brings me back to selfies). Anyway, since I read one part of Quran almost every day (Quran is divided to 30 parts), then initially the idea is to create 30 images, with each image being inspired by some line I do read in each part. I don't see results pretty soon for this but let's say it's a goal in itself and to be achieved with an open time limit. But I do have to put this aside a bit and focus on my Retinitis Pigmentosa project for now.
Now, all I'm praying for is, some peace of mind, and less mood swings, and yet further some quiet place. Maybe I would be able to recollect some of my thoughts that way…

Athdhéan…

As promised some 2 or 3 posts ago, I wanted to talk a "bit" about re-making some old panoramas (specially that I'm not shooting any panoramas lately, even before COVID season!). I almost abandoned the idea and thought it is somewhat useless, but I proved my own self wrong in fact. In this post I'll explain the story a bit further.

Remake

As a starter, the reason that I'm visiting some of my old panoramas to remake them is that I want to change the processing. Most of my panoramas are done in HDR and then tone-mapped (typically), except for few "special" panoramas which were done using long exposures.
Anyway, as I'm learning new editing techniques (in RAW), specifically those considering dark exposures to add more drama to the scene (instead of making a normal bright exposure), I've decided to try and stitch some panoramas using the dark exposures, or reducing the exposure if needed. All was to be saved as TIFF 16bit mostly (to keep as much as data as possible in each image), and then a trial to stitch was set.

Inchagoillic

The beginnings were not quite "easy," starting with Inchagoillic which is a panorama shot inside Inchagoill church on Inchagoill island back in 2014. I picked this panorama specifically because I didn't really like the version that I've made out of it using HDR technique and it was hard to fix the looks:

The older version

There is a problem also with the perspective apparently. Anyway, my focus was on the colors and the general looks. The process was not easy because of some change in exposure (brightness/darkness) of the images specially of the top row images. This row specifically mostly comes dark in most panoramas (that is the set of the same image order in the sequence of HDR shooting, which happens to be the 2nd image here from each set).

The preview of the initial stitch in PTGui. Notice the dark arch and the dark splotches on the tree and elsewhere, all concentrated on the topmost part of the image.

I've tried some solutions here, but eventually, none did work out properly:

• Make a stitch of the first images in the set of bracketed HDR shots, editing them to be darker, for the general mood that I wanted to achieve here.
• Make a merge between the original set of 2nd images, and picking the top row from the set of 1st images.

Both of these solutions didn't work out well for one reason or another, and generally speaking the exposure was not uniform or smooth in some way. My last resort to this problem, then, was to cut out a portion of the blending for the top row of images (i.e. reduce their contribution to the whole image).

The borders of the blended portion of each image in the panorama as seen in PTGui. Notice how the dark splotches in the top row (14-25) are mainly accumulated in the lower part of the images. By reducing the "blending priority" of these images, the lower portion gets omitted and would not contribute to the overall looks.

Despite this "fix" for these dark spots, the solution itself was really dependent on the panorama here and the nature of the scene. Also, the final stitch was not free of more work with dodge and burn to enhance some areas, specially whatever remained of those dark spots. Going through some of the old panoramas trying to figure out a number of these solutions made it clear that it is not the solution I was looking for and in fact it became lengthier than working with a HDR panorama itself. On various occasions though, it was possible to cut the panorama short (crop from the sides or top and bottom, etc) to make a somewhat good looking panorama, like Gnomes Asleep.

Gnomes Asleep

Gnomes Asleep was a panorama that I've shot back in 2012 for the Victorian B&B but I've never stitched it before because of the troublesome contrast when it was shot. The gap in exposure values exceeded 2EV and even though I've shot it for HDR stitching, it turned out that the highlights were out of the range still. Adding to that, I didn't quite like the perspective and the angle of the shoot. Anyway, there was a final shooting trial which made its way and was "proper" in terms of exposure and perspective. This forgotten panorama did have a chance though through editing the RAW files and stitching them (after converting to TIFF 16bit) but the problem remained with those dark areas and splotches. To solve it, I've simply cut out the panorama short.
Those who are familiar with PTGui probably do know already that there are options and controllers to adjust the exposure of the panorama and fix few issues related to that, and I did indeed give it a try. However, the results were catastrophic and nothing really worked. I do believe now though that these options are there for HDR panoramas specifically. It would have been a good option if I can just stitch the RAW files and save the outcome as some sort of DNG, where I can edit this stitched panorama like I do with any RAW file and hence do the effects and the split-toning required for the looks I want, but this is unfortunately unavailable and the RAW files MUST be edited and prepared for the stitch. This fact, forces me to convert RAW files into TIFFs and stitch from there.

In The Grace Of The Cormac

All these limitations made it clear to me that there is no easy way out, and I've really started to lose heart with it. It wasn't all bad though. In panoramas like In The Grace Of The Cormac, for example, I've stitched the panorama twice: One time as a normal stitch, and another time with exposure adjustments or optimization done inside PTGui. I've noticed that with optimization, some areas are better in exposure than the normal stitch (which was either too bright or too dark). In Photoshop (of course!) the two versions were merged and enhanced with layer masks combining the best of the two as much as possible. It was flattering indeed to see this panorama being marked as "Inspirational" on YouPic as well!

Fothrach Órga
(golden ruins)

Still, despite the progress a bit with In The Grace Of The Cormac, it was inevitable to do the lengthy hard work: Editing all photos of the panorama in RAW, each to its own, to fix the exposure, because I was not lucky all the time. Apparently, the whole thing was more time consuming than working with HDR panoramas, but it is worthy to try if it was about adding drama to the panoramas that I've done in the past (specially that they usually look bright and shiny with HDR, and getting them dark a bit sounded a bit romantic at times!). For this reason, I've developed a routine to make things as steady as possible (but it is not really):

1. Pick a focal image (focus of interest) and do all the editing needed on it. Typically this would be the first image in the set, but it can be another image in the set at times.
2. Synchronize all these edits for all images.
3. Now, go over all these images and check how bright or dark it would be in comparison to the edited image in the beginning. At this level, I try to not touch anything except for the exposure slider, and if that didn't work then I would adjust the tones with the parametric curve section. 
4. Usually a sub-set (e.g. the images of the top row) would have the same problem, so I synchronize them all to the adjustments (in exposure) done to the first one in the sub-set. 

As it can be seen, it is such a lengthy work. However, the goal of adjusting the exposure is to be close in brightness and not absolutely pin down the exposure between the slides. PTGui still do some good work (though limited) when it comes to equalizing the exposure among the slides of the panorama, but apparently fails when the gap in brightness is great. So, it is enough to just get them close, visually.

Ceann Scríbe
(destination)

With all that hard work, it was still inevitable to do various versions of the same panorama but with changing the exposure or optimization in PTGui, just in case it was needed. Usually, one version (the regular or normal stitch) would be enough but there were times when I've used 2 versions of the panorama and even 3 versions merged together, as is the case with Ceann Scríbe, where I've used the topmost portion of the bright version, and the ground for the normal version, and then used the darker version just to enhance the sun flare as it was too bright in the other two versions. It sound like HDR but it's not; In HDR, the images are combined in a special format and technically it's like "painting with light in the image" but in this work we are getting a bit picky about what pixels do we need and not. However, many panoramas remake so far were done using only one version or the regular stitch version from the RAW (after editing them) without any need for the other versions, but I keep stitching them just in case.

Don Eaglais
(to the church)

Along with these new stitches or remakes, comes a change in perspective. Many of these panoramas that I've been doing (and will keep on for some time) had been altered in terms of composition or changing the center of attention (which was typically placed at the center of the panorama). Panoramas like In The Grace of The Cormac above, was done keeping the human element (the lady photographer at the center) which was originally removed when I stitched this back in 2010, and the point of interest was shifted left or right as is the case with Don Eaglais (and even adding a touch to the sun there to make up for the dramatic look), or as is the case with Ceann Scríbe where another point of interest is placed at the center (and I think it is even better). I would have posted the old and new versions of each panorama for comparison but it would make the post even longer than it is already.

Finale

So, this was my story with the remakes of panoramas, old and new; Well, all are old in fact. The work is still going on with more panoramas and I've been quite amazed by the results. They are kind of astonishing more than the original HDRs that I've created in the past. This said, however, that does not mean I will not be shooting HDR panoramas the next time I'm on it. Better play it safe and do the routine and then think of other choices, like the thing I'm doing here already.

الأَنْدَلُسِيْ (The Andalusian)

As for the reasons behind all of that tedious work, the answer lies in the looks and inspiration. Generally speaking, we have to admit that many of our inspirations as photographers do come in the processing phase rather than at the shooting phase. Not to say that there is no inspiration at all during the shoot or prior to the shoot even, but processing sometimes yields results that we didn't imagine at times or simply did not think it was possible. Viewing things in the viewfinder or on the LCD at the back of the camera is not the same as viewing an image, on a monitor, using a wide color space such as ProPhoto (just an example). The colors are simply beyond the simple rendering of the LCD and the human eye even at times.
For such reasons, I've decided to cross the mile and try to do the lengthy work with the RAW files instead of the HDR as it was done before. I might be able to produce the looks using the HDR indeed using many adjustment layers and many layer masks, but the knot that needs to be tied here lies in the fact that I'm not sure what I'm expecting and what is that I'm really seeking out of the looks. There are some panoramas that have changed completely in looks, not only by colors, but also in composition. I've even created 2 separate versions for some of these panoramas and published them both, and I might try a trend with "bright" panoramas whenever it is possible to do so.

An Castán Dorcha
(the dark chestnut)

An Castán Geal
(the bright chestnut)

 

 

 

 

 

 

 

 

So, this is my "little" story with the remakes of many panoramas, and many to come further, hopefully. By doing all this, I've been actually giving myself a dose of confidence even at some level here, specially with the success of stitching the nadir point in The Andalusian. It was one of these rare panoramas were I would usually take a nadir shot and try to stitch (with few procedures on-location and in PTGui); A practice that I didn't perform much really but this seems promising and for some reason, seems a bit easier to be done when stitching from regular files like TIFFs, instead of HDRs. 

On another plane, I think I've been getting back my appetite to work with the camera further, rather slowly, specially with the weather change here (we already had the first rains of... winter?). I had my first stroll outside, which hopefully won't be the only one, and I might blog about that the next time!

Quick…

Well, I think I'm going to wrap this quick for the time being. The time to turn back to work is close by and I think my soul is not yet ready for this! My time table and schedules are in a real mess, testified by the traveling luggage case that still laying around on my room's floor! But the real annoyance is yet to come; my first day at work is in fact my appointment day for some regular eyes examination - and I HATE those examinations.

Disaster

Meanwhile, I'd like to note what happened here as a "miracle." I was almost going to delete all the folders of images from my laptop since I've copied all the folders into my PC. In a glance, then, I've noticed that one folder which contains several single shots and one full panorama was not copied (specifically dating October 3^rd). I'm not sure why and how this folder was copied with the rest, but I've noticed the folder of this date specifically had no shots, except for 2 selfies! (yes selfies, self portrait done back in Ireland). Anyway, this is a lesson for me right now as to go through the files and folders after any session or travel, and never to delete any file right away after copying. I think what mainly happened here was caused by the fact that I didn't change the time on my camera when I traveled to Ireland (I did later though) - this affects the way files are organized and to what folders specially if the shots were taken before and after midnight time according to the homeland time (Kuwait's time), while it's not midnight in the destination (Ireland's time), and thus making one apparent session be split in between 2 folders without knowing! The panorama in that folder, on the other hand, is kind of problematic because it was not centered correctly, but that would be another topic to be discussed later maybe.

Processing-wise now. The work with my new arsenal of images from Ireland had been somewhat slow this week; mainly because of the bad sleeping pattern and the busy mind with other things, which made me dull with inspiration and imagination when I work with photos. However, I've got into the second phase of processing my panoramas: surreal projections. Which means, mainly, planet projection beside other stuff.

Táim Suas ag Dul
(I'm going up)

However, my very beginning with the second phase of panoramas was actually a vertical panorama and not a planet projection. Saying this, there is already a panorama that I've neglected on purpose because I can't work my mind with it or decide how it should be, and that is the panorama from the lounge.
Anyway, it is typical of me to do a vertical panorama out of confined elongated places like corridors. The surreal view of up and down in one image just fascinates me (call me a psycho, I really don't care). Here, in Táim Suas ag Dul we can find the typical mistake that I do, always. A non-central position which shows drastically later on when the panorama is stitched (and there other panoramas which got it worse than this!). Despite all the trials to remind myself of the importance of centralizing the tripod on location in relation to a specific feature in the space, I just fail to adhere to my own advice. You can see the effect here clearly in the bad alignment of the lamp in the ceiling and the stair case: you make one straight the other would tilt, and getting them together in one alignment is impossible. However, the dramatic scenery that was done in planet projection brought me some condolences for this mistake…

Beidh Solas Tríd An Dorchadas
(there will be light through the darkness)

The panorama taken in front of the Waterfront, Beidh Solas Tríd an Dorchadas, was my first target for such planet projections where the clouds can be extracted for details. The hard part in processing this image is the color tint as a whole. The blue sky you see here was actually bluer than this but I had to put down the tint a bit just to make it reasonable (fearing "bleed" of saturation). Originally, the sky was white with some dark areas. At the end, I had to achieve somewhat a manual contrast control by dodging and burning specific areas. Of course all of that was done AFTER tone-mapping the HDR panorama. Luckily, I've saved a stitching file for all (or most) of the panoramas that I've done in flat format. Thus, all I have to do is change the perspective and few options and then stitch (no need to go on and create control points and align images all over again). However, the really dramatic view which I really liked is not here, but somewhere in Co, Mayo!

Réalta an Ashford
(star of Ashford)

I really love this panorama specifically, the one taken in front of Ashford castle (and hotel). Despite the fact that it wasn't quite centralized and it has some unbalancing elements, yet the atmosphere and the colors of this location specifically give me delight. Here, I've tone-mapped using Photoshop (like I did with Aughnanure's panorama) just to control the aspect of the sun. No worries about matching the left and right edges of course (i.e. the seam) since we are not going to make a QTVR out of this one. I've already tried to contact the staff by contacting them on Instagram (no response so far as I'm typing this) about using these panoramas - at least for contests. The situation would have been different if Ashford was a landmark managed by the state instead of being a property owned by some private companies. Anyway, I can do nothing but to wait and see!

Finale

Well, I've skipped here a lot. Some QTVRs were made but I think not much to be said or done about them, except of thinking of doing a specific page for large format QTVR maybe? Saying this, I look back at all the things that I'm supposed to be doing beside photography but they are on halt so far. Gives me a shiver down the spine.
In the meantime, I've been active with the group in preparations of an expo related to the Book's international fair here, some time around 23^rd of November, beside running after Al-Thani contest. Let's hope no fuss this time with the catalogs (we didn't get the previous ones for Austria's contest yet!). But all of these activities don't keep my mind busy enough into other realms still, nor they are able to keep my nightmares away. My life is a real mess for sure and one thing is needed for sure at the moment: to travel again. Alas, this won't be any time soon…

An Caisearbhán Mór
(the grand dandelion)

Ready, Get Set, Go!

Here we are back again to the homeland, after a tiresome trip back and fro. Surprisingly, my friends in Staten Island told me that once I've left New York, the whole weather got screwed up, and now they are waiting for some hurricane! Luck? Maybe...

I had many ideas and many reflections since I was there and till this very moment in fact. So much that I have a problem organizing my thoughts. Life, going on, societies and dealing with people - and of course the world of Photography.

Even though it had been days since my arrival back home, I think I still have some sleeping problems. Awake all night and sleepy at daytime, and would that help to work with the camera at night? It should, but I'm too lazy to do so!
Anyway, as soon as I settled down, I've plugged in my external HD and started to work on arsenal of photos. Even though my new laptop is relatively upgraded and faster (with 8GB of RAMs) yet working with my desktop PC is a must even though it is slower. However, during my stay I've used the laptop to create small panoramas and other still images, mostly in black and white.

Meditative Cleve

Of course, one of the first things I was handling is the matter of the panoramas, specially those that I've promised to send as a gift. Meditative Cleve for one, was down experimentally with my laptop during my stay just to check for the level of the light (and back then it was a Little Planet projection). After arrival though, I worked on a bit more to achieve the HDR panorama I'm seeking. My experience now says that even though PTGui can link images and achieve a HDR panorama directly from the RAW files (specially the new PTGui) but apparently it is still better to work with HDR files (i.e. HDR slides prepared with Photomatix for example and plugged into PTGui). This way, the list of the images is shorter and easy to handle the various angles (instead of dealing with more than 120 images you will be dealing with 40-45 images). Also, many problems concerning the exposure overlapping and the exposure curve - and some errors or smudged areas because of that - all of these problems are reduced when merging HDR files instead of single RAW images in PTGui.
In Meditative Cleve there was a tiny a problem during the shoot and that was after shooting the full panorama, I've asked Cleve, my friend's hubby, to take a pose. Because the altar was close to where I stood with the camera, I had to adjust the tilting angle to -30 instead of the conventional -45 degrees that I usually use in my workflow in every panorama. Only at -30 degrees, I was able to include the whole body of Cleve in one shot - otherwise, I would have to take several shots and tilting in different angles to include the whole body. Funny thing that later, and after one long day working on this panorama, I've realized that there was a blending error causing Cleve to lose part of his head and his right shoulder! And then, the work had to be done all over again with adjusting the blending options and then hiding the traces of my tripod again.
Because I didn't take all my equipments (naturally!) the nadir point in my panoramas are hard and easy in the same time. Easy because I don't have to worry much about it - I don't have the tools with me! But hard because working around it is a tough one specially if I want to achieve a QTVR.

The Victorian B&B Lounge

The easy way around this nadir problem is the typical logo and title at the bottom, or, rendering the QTVR file with limited vertical viewing angle (tilt). However, because the lower angles do show some pieces of the tripod head, I've decided to adapt to the logo approach to hide these traces as much as possible. Now, I end up doing a double file for flat panoramas, one with a nadir point to plug it into the QTVR machine, and a cropped one (like the one above) for regular viewing and printing.

QTVR

In this travel I did take a lot of panoramas (relatively) and working on them will need some time. For the time being I'm just checking my chances for flat panoramas and QTVR as they are a priority to send as gifts as promised. Even though panoramas like Meditative Cleve is done in a vertical form, but rendering the QTVR is easy once the stitching file is saved and I will get back to it surely - but I'm hesitant if I should include Cleve in the QTVR or not (remember that I do have the full panorama without Cleve originally).

Anyway, here you can find a QTVR done for the Victorian B&B lounge and I have to say that I do really like the place and its simple architecture. Comfy, and not so complicated. Don't forget, you need QuickTime installed!

This QTVR is also available on a large file with 800x600 window which I plan to send over in a CD to my host, Danute Garlach, along with a print of the same panorama. Anyway, since I did take some panoramas outside, I don't want to rush and I need to check which panorama would work best as a gift.

Well, This is just the beginning now with this post. I'm trying to head back to my usual routine of posting every Thursday. I've done lot of single shots before leaving New York and after arriving back home, but I don't want to put it all in one basket.

The engine needs greasing, with hope now, I will start a new approach to life after this travel. Not sure how, but I need to knock down the clouds of melancholy and depression. I have to...

Kuwait, again...

Here I am, back to Kuwait. My sleeping time and habit now is a mess and trying to enjoy as much as I can (with my photos from Ireland) before the beginning of work by November.
I was planning to go to Failaka today, but my sleeping habit isn't helping for now. Today was the perfect time supposedly, as the ferry sets off at 8:00 in the morning, while other days coming after will always be later than this time. The earlier, the merrier. My aim in Failaka is to take a panorama for the inner structure of the bulleted house that I've been visiting every time I go there. I don't know if I can do this before November now, but I need to work more on my sleeping schedule. In fact, I get more excited about my photos and work that I simply forget all about sleeping and stay until the morning, when I sleep usually.

Been working on few images and some panoramas, but the work on one panorama takes such a long time, and almost feels like one day is spent for one specific panorama, so far. One of the first panoramas I started working with for now is the Thornbrook House garden panorama. I'm planning to email the images to my host, Mrs Mary Kennedy.

I did have some hard time working with panorama, as usual, because of unexpected stitching errors. Small in size, but with close inspection they were obvious. Despite the fact that I've used a VR-head here for my camera, but seems there was some shake in the tripod or some rotation in the tripod's plate itself while rotating the VR-head itself, and hence such errors were produced.

The Thornbrook House (B&B) in Cashel town. Spherical Panorama.

The sky was colored with Photo Filter layer in Photoshop. It was grayish and to give it a bit of life, I decided to go and put some bluish hue in it and the scene turned somehow like it is an early morning scene in winter, although the panorama was taken around noon or afternoon of that day.

I've made several sizes of the same panorama for different purposes that might come later. Also, I stitched the panorama all over again, and had so much trouble with memory, this time changing the projection style into my favorite little planet style...

Thornbrook House (B&B). Little Planet projection.

The nadir (bottom) point was not a problem in this panorama, mainly because I picked my location carefully to do this. I picked up a grass land so that mimicking and cloning in Photoshop would be relatively easier and more gradient into the already existing background. Another type of problems occured for me while doing this panorama however, and that is because the PTGui stitcher, was in fact connecting and stitching irrelevant images in the low row of images taken at -45 degrees. This happened because part of the VR-head was apparent in the lens view and at that time I was thinking "not a big deal since we have grass and I can clone it out easily," but the problem proved to be more than that. PTGui started to assign control points from one image to another thinking they are points in the scene itself while the fact it was just my VR-head rotating around itself! The next time I do this, I think I will have to gauge the elevation and limit it to around 30 degrees top and bottom. At the moment though, I don't think this is a good solution. Despite this problem, I did in fact stitch the panorama at the end without doing an optimization for my control points, because every time I do it I get results as "Bad" or "Very Bad" and hence, I decided without optimization, the panorama looks good for the first glance.

Of course that was not enough for me. Still something is missing. QTVR of course! I made two of them, one sizing 4MB in moderately large image and another one sizing around 300kb only with a smaller version, for web purposes.

Along with this panorama, which is the first to achieve so far, I did some simple single images. I might post them at a later time. This time my travel consists of so many panoramas, more than I did take last year in Oughterard, Co. Galway. This means more hard work for now. One of the single images I've processed today was a scene taken from St John The Baptist church, which I visited in my second day in Cashel. The image, although I've saved it and uploaded it that way, is still not what I wanted to achieve by the HDR. I'm reluctant to upload it to stock sites even because I'm almost sure, it will be rejected.

St John The Baptist Catholic Church - Side. Cashel, Co. Tipperary.

Maybe what I like about this image is the crisps that I made in my trial to make it more sharp. Other processes involved here is a fisheye distortion fix, since the image was taken with a fisheye lens, rotation, and chromatic aberrations fix (which was not a perfect fix anyway).

Although I'm still in a vacation, I do feel like something is missing from my life yet. I don't know if this is just an effect of my holiday in Ireland, or it is simply a psychological effect for now repulsing my work start by November, or it means indeed that I'm missing something! I have some books to read still and I have to think of what to do next in my Ayvarith and the project of building a webpage for it. In the same time, I will keep working on my panoramas and images most of my time at home I guess...

Alexander 6, V84.

 I've determined to break the spell of Mondays this Monday, but I'm not sure I'm succeeding with this or not! So far, not much annoyances!
I've finally signed for my leave, for 33 days (including holidays and weekends, which will be added back to my leave's account later on). It shall start from September 26th till October 28th. I will be back to Kuwait, hopefully after spending the vacation in Ireland then, by the 16th, and hence I would have 12 free days to spend around here before starting to work by November. Just like the last year. It was a real mess to ask for this leave because of the stupidity hovering over this place; some people do it by paper and some people (like me) must do it electronically in this damned system. Last year, when I signed for such leave from work, they dropped down the salaries of 3 months in advance into my account, and that made me some troubles in some aspects. All the fuss was to make sure that I get my salary regularly as it should be. I really don't know who makes such stupid laws!!! Be sure if I knew him or her, I'm going to assassin them.

Spent my day yesterday downloading the pictures of the panoramas taken from the labs and my office. Also, I took several free images from the outside of my building which is now like a battle field with all the reconstruction work going on and all the bricks been thrown away and made into piles and hills in front of my work place! The total number of images exceeded 300!
Coming to measure it:

• Each row needs 12 angular shots.
• Usually, 3 vertical angles needed.
• Not always but count it in, one zenith and one nadir shot, total 2 (and can be 4).
• We have here 3 rooms.
• Going to shoot into HDR, means we need exposure bracketing, and that means 3 shots in each angle.
• Total: 12x3x3(HDR) + (2x3) = 114 shots. For one room. All 3 rooms then are 114 x 3 = 342 shots.

Adding also those tiny shots I took from the outside which I can't remember how many, then I would say it easily exceeded 350 shots. All in RAW format (to allow me for more manipulations before merging into HDR, specially when it comes to the White Balance factor). Because of this, a 8GB CF memory card is essential!

The process of stitching was fair and went smoothly, even for the narrow lab or what we call here the "anti-compton" lab, after a device of this time. The main work now is to enhance the zenith and the nadir, which are naturally, almost always hard to stitch. In fact in the 2 labs panoramas, I've taken the nadir but I decided not to put it on the stitching process. The best thing to do probably is to clean the nadir BEFORE the stitch. I find cleaning AFTER the stitching process is over is a bit hard to do because of the wide are and the stretching that occurs naturally for the bottom of the image (because of the spherical projection of course). Usually what you see in QTVRs is that the artists put or fix some sort of a label including the name of the artist and the location and/or the date of creation. Maybe I should do this and spare myself the headache, even though I don't know how, still.
So far though, I got 2 tiny problems. The first was that in shots taken at a lower angle (pointing the camera downward that is), parts of the tripod shown up and hence, we have to do some cleaning and cloning job here. The second one is some weird artifacts occured in the Gamma Lab panorama, and they looked very much like parallax errors, but some inspection into that revealed to me that for some reason (and maybe it is even my own mistake when the shoot was on), some slices of the panorama were having a lower range of exposure (i.e. darker) from the other slices surrounding it, thus when the computer blends in together all the slices and trying to find a suitable blend, you get smudges that would look like more like breaks or like some ink plots. To fix this problem I opened those slices individually, and opened some adjacent slices for comparison, I then raised the exposure value for these dark slices to match the adjacent slice, as much as possible. The process was "fine" but issued some noise that I need to smooth out later on, after tone-mapping.
There were also some weird noise not related to the problem above, appeared as some pink spots on some various areas. This problem occured mainly after tone-mapping, but hopefully it is easy to eliminate.

Can't wait to leave this office and get back to work on these panoramas. The real challenge now is the office panorama, in which I included myself in. A moving object in a panorama shoot is not a sweet topic, at all!
__________
1993. Alexander felt a headache and looked around hime
1994. he recognized that he is in a small house made of wood
1995. then he looked at Kaliván and said: where am I?
1996. Kaliván replied: in my humble house O hero!
1997. then Alexander asked: what happened?
1998. Kaliván then went on telling the story
1999. "you made the Mikanazzar fly away from the tree,
2000. and when it got angry it attacked you with rage,
2001. thus it passed through your heart and body,
2002. and took some of your power and made you weak,
2003. and you fell down and fainted with no power to move,
2004. thus Aramramátáníth chased after Mikanazzar,
2005. and she banished him out of the valley for now,
2006. then she endowed you with some power to heal,
2007. you will need some time to rest for now,
2008. she ordered me to take you home and care for you,
2009. until you become sound again, she shall talk to you,
2010. Oh! what a great honor is that to have her talk to you!
2011. you must be someone special O good king!"
2012. with a little headache Alexander asked Kaliván
2013. "you brought me to your home? how that is possible?"
2014. and Kaliván answered him with a laughter
2015. "thank your Cadid, he is a loyal servant for you,
2016. I released his chains and he helped me"