Showing posts with label university. Show all posts
Showing posts with label university. Show all posts

Thursday, January 31, 2013

Festum Culturalum

It had been a slightly busy week, but a tiresome one too. I'm typing the opening of this post at the location of the expo of Kuwait University, entitled Cultural Festival, and in hope that I will get some time later to do the rest.
The situation in the morning is quiet relatively but it was a busy at the time of the opening ceremony despite the humble preparations. The time was not on our side, and we had to do everything in the haste; even the TV set the I've planned to use for our advantage to display videos of the group and maybe some QTVR directly from laptop, all these ideas were abandoned facing the technical problems and the unavailability of technical items (specific wires and cables).
However, the opening ceremony was nice and I was the first to explain my photos for the vice president of Kuwait University. My photos were already framed and printed since last year for last March's expo; Mawahb 2.
Back at home, during the second day of expo (and I told the group members that I can't be there afternoons in the rest of days), I've noticed that on TV they showed the expo, and then to discover that I was shown while I was explaining my photos to the vice president. No interview was done with me (but with other members of the group) and I was shown with background music playing... better if you ask me, as I hate my own voice!
I'm currently looking for an online source of this program but so far, nothing useful.

I leave you now with some coverage of the event. The total number of images is huge and I need some time to sort them thoroughly, but I've sorted out some snap shots. Of course such shots are documentary and not aesthetic in any way: Please give some time to load as some of the images are 1-2 MB in size.












The main part where and when the bulk of the documenting took place was at the end of the ceremony when the TV musical band started doing some folklore songs and dances on stage outside (beside a swimming pool). The main problem was that I couldn't get any help and everyone was putting responsibility over my head. I needed someone to shoot videos while I work on documenting with still images, but none wanted this job and I went on doing videos and still shots. Videos were shaky of course since I didn't bring my tripod there, but only a camera and 2 lenses: 50mm, 18-55mm; while the guys who got tripods already, didn't use the tripod and didn't want to shoot videos as well! However, I was fluctuating between the two missions and I've recorded some short movies (but large in size).


The video above is just one of a total of 7 videos. However, away from the technical thoughts, there was also a mental process on the side that sparked my thinking about the local folklore and music. My mind was completely absent from such arts and always concentrating on foreign music and arts, specially the Irish folk. It's just amazing how it sounds and looks like I've discovered something new and exciting, while the fact is, it is my OWN culture.

Compressor!


The new logo for the group
With the expo at Kuwait University more pressure is building up and weighing down on my shoulders, specially after the last meeting with the group. A new system for the membership as well as a new logo and a whole load of some protocols. Further more, I was appointed as a responsible persona for competitions and organizing for them. Also, after asking the leader about giving some info to the members about the concept of the workflow and the color space in order to enhance their work (after serious and bad surprises in preparation for Kuwait University's expo). He asked me if I'm able to give a lecture about that, and I agreed. I've created some outline for the type of lecture I would be giving but of course it's only a draft so far and I would need to check up with him further in order to make it efficient. Yet, more expos and events are coming on the way and another load of pressure shall be prevalent soon! I'm afraid that the group is spreading itself too thin in all directions.
A main issue at hand right now is to organize for a library with ready-made prints for any coming expos in the future in order to avoid all the hassle and the technical problems.

Mr Coffee!

A History of Coffee 2
Canon EF-S 18-55mm @40mm,
f/5.0, 1000-1sec,
ISO 100.
Last week I've been working on some shots for some local coffee brand as part of a competition for making an ad. After making some of the shots with an old map as a background (posted in my last week's post) I've worked out on some photo with my brother as a model.
One of the hard things to work out with a model who is a relative (or a friend) in the same time would be the inability to control the situation as it would please you. A professional model, for example, would just do whatever the artist (photographer) want him or her to do without interrogating about the usefulness of the pose. One the other hand, the fact that I'm not owning a proper place or studio props and tools, made my work pace sluggish.

Mr Coffee
Canon EF 50mm, f/5.6,
400-1sec, ISO 100.
One of the first things to ask from my brother was to wear black clothes in hope that the steam would show in contrast to his clothes (however, the effect was weak as it showed later), as well as wear a turban made by my scarf and beanie for more comical look of a guru-like appearance. My idea in the beginning was to have flying books but he emphasized the idea of adding a table and books. An idea that proved to be a focus of criticism from some criticizing groups on Flickr - and I agree with them as well. My brother looks like in a balancing act instead of levitating in the air!
Technically, the problems were abundant starting with the speedlites. Apparently, two speedlites aren't enough right now and I do need a third (and even a fourth). I can imagine this now in high-key technique - something hard to be achieved with only 2 speedlites, if not impossible.
After taking a shot of my bro with a mug and beans bag, inclined on two chairs with pillows to make an angled tilt (to break the usual levitating look), I asked him to remove the chairs slowly out of the scene and I took a shot of the scene being empty except of the books and the table. The rest was a Photoshop work to layer the two shots and clean the chairs off while enhancing the lights of the background and contrast of the foreground (my brother's).
On the side there are other problems, like the floor and some light spill on the right, the harsh shadows a bit on some areas, the tiles and lines on the ground are not so proper for the scene as well. I'm going to submit the image anyway - if any time limits is extended, I might re-do it again without the table and the ground.
I wanted to do another idea expressing the eruptive energy of the coffee, which required some splash to be happening in some unusual way - not the usual dropping something into liquid. I was trying to use a paper cup and blow some air on the side with a thin hose but this idea is not secure enough and water would keep dripping on the side. Finally I've tried using a vacuum cleaner which can be flipped back to be a blower, but I got stuck with my speedlites not being able to direct enough and suitable light beside making harsh shadows. It is times like this that make me think of another speedlite!

Eerie:

It was last Friday's morning, January 25th, and the fog was so dense that I could barely see for 50 meters in front of me while driving. It was a surprise in fact as I was supposed to go to Al-Salmy for some star-trailing the night before but the plans got canceled. However, they say the fog was only close to the seaside, but the sky is clear far from the sea side.

Eerie
Canon EF 50mm, f/16, ISO 100
HDR
Despite the apparent fog, I've decided to head out since I've been sleeping on and off all night and found myself quite awake in the early hours of the morning just before the sunrise. I headed to seaside to the (usual) gazebo. As I was walking to the gazebo, I've noticed some scattered clouds even though faint ones, and I thought they are a good target for long exposure with the gazebo in the foreground.
Ironically, however, as I was settling down with my stuff, the fog accumulated by the time I've finished the configuration for the camera. Slowly, my thought developed and decided to do a HDR but in a long exposure format. The configuration was as follows:
  • White Balance is set to Fluorescent, to add that bluish-pinkish atmosphere. My favorite WB for early hours of the morning and evening.
  • A polarizer was used to darken the sky (t this point I didn't notice the fog was accumulating).
  • An adapter ring for filter was fit upon the polarizer and a 3 stops ND filter was fixed on top. I've used only one slice of ND filter in order to avoid any unnecessary color tints with such experiment.
  • Several shots were taken with different exposure times: 5, 10, 20, 40, 80, 100 seconds.
Banding while tone-mapping
Source: B&H
When merging this HDR, however, I had to face other technical problems. It seems that the usage of a polarizer with HDR is not a good idea of some sort. As tone-mapping process went on, the image showed some hard banding in shape of circular or semi-circular lines all across the image. Having in mind that my new polarizer is of a circular type (as the specs say), I do feel that such banding is caused by the polarizer and not the rising sun behind the fog (and it was faint light after all!). To overcome this problem, I had (and probably for the first time in my life ever) to use the Highlight Smoothness slider in Photomatix when tone-mapping; and to the max.
This image, Eerie, after being over with, did send a chill through my spine. Maybe lot of people would call it a failure because of the blurred appearance, but the atmosphere and the blur itself made me remember the mysterious aspects of life, those Agatha Christie's novels, and Jonathan's The Last Crown game. I was simply not in Kuwait for moments. I'm in love with winter even more.

Geltani:

The work, or should I say, the thought, is still going on to digest and produce some aspects of the new conlang. I've decided that since Ayvarith, as a conlang, is already a conalang based on memorization of words at most, so may Geltani be. This is the resolve the issue of confining the word into either one or two characters altogether. It would take a trial and error to find a suitable division for the characters I believe - and both might be suitable as well. Also, I'm not intending on explaining how I did derive these strokes of lines from Arabic, thus I think there is no need to systemize the conlang in the eyes of foreigners.
One big issue now, which stands off like one big rock on my way that baffles my thoughts, is Arabic words of similar letters and different vowels. As an example:

Root: R J L
RaJoL = Man
RiJL = Leg

The vowels are in minuscules here, since usually they are not written in a regular Arabic text in modern times except in times where some elaboration is needed. Since Geltani is based on the letters (consonants) without the vowels, how am I going to implement a method of differentiation between the two words? I might go around this problem by substituting one word for another that has a similar meaning but how long I can keep this practice with a vast language like Arabic? Digging for answers in my thoughts seems to be a hurtful process for the mind!
Another idea occurred to me is to add sounds to Geltani that are Semitic in nature, and this might help a bit for making more diverse sounds giving chances for more different dual-letters (as I called Leading and Driving in previous posts) combinations. It might also create a weird sounding language and might, just might, attract some attention when the language is Chinese sounding but with Semitic sounds in between.
Plural, for the time being, might be composed by a repetitive mean of the last syllable in the word. Meanwhile, on the grammatical front, I think the first step is to start a sentence with a verb only. 

Finale:

Source: Amazon
A book that I've ordered since 2011, has finally arrived few days back. There were some delays in its publication which was supposed to take place in 2012. Anyway, the new book arrived in a time with so much pressure on my schedule, and since I'm a book-worshipper, I find it as just another obligation. I'm trying hard to divide my time at work to read and to work on Geltani, and sometimes chasing after some other duties, specially those for the group.
Seems, however, that being busy most of the time is good somehow. Making my mind busy with ideas and plans rather than daydreaming, or even using daydreams to organize my thoughts and enhance my planning - even though I get those limitations with my exhaustion and my body's behavior. It is, however, times like these that I'd wish for a patting hand or a supporting shoulder. Even a German engine needs some rest from time to time...
Sometimes though, I would stop and look back and see all the things and the steps taken alone. An ecstasy of pride occupies my mind at times, with a sense of pity deep at soul in other times. How would it sound or feel, if I did have achieved what I've achieved already, with someone holding my back? Am I really strong enough?...

Thursday, January 17, 2013

Infra Me, Infra You, Infraday...

Things are getting busier and busier! Not sure how long it will last but seems that January is a season for many events locally. The photography group seems to be chasing lot of butterflies in all directions, which makes me fear a bit for its well-being. However, I'm not forced to go to all of these events, but I do have my own share of load of things to do for the group already.
Kuwait University (Kuniv) presented a personal offer to me to represent myself with some of my photos in a special expo dedicated to the youth with the beginning of the second semester at January 27th. However, I've informed the organizers that I'm a member in a group, and it is better to have a group of photography presenting itself rather than a single photographer; that will provide a high potential and provides a greater number of photos. On Tuesday we paid a visit, the group's leader, the chief organizer and myself, to the place and the leader seemed to like it and we are in already. What's left now is a burning engine work to filter and provide photos (and print) - and who knows, maybe add some digital media since there were some usable flat TV sets hanging.
The location is awesome in architecture and I'm really considering doing a panorama inside when possible.

Infra:
It had been almost 2 weeks since I got my infrared filter and I'm still doing experiments on this venture. The experiments done so far were mostly... silly, if I should say.

InfraCandle
Canon EF 50mm, f/1.4, 5sec, ISO 100.
One of the simplest trials was just to light a candle and try to snap it. My aim was generally to see the type of patterns, if any, that a flame might produce under infrared. The image was later converted to black and white and some adjustments followed. Probably a significant attitude for such images when converted to black and white is the abundant of the gray tone - and sometimes a fuzzy feeling to it related to the focusing shift when doing infrared photography (did you not notice a red dot on the focusing ring on your lens?).

InfraCoal
Canon EF 100mm macro, f/5.6, 30sec, ISO 100.

Long story short. When talking about infrared filters (with unconverted cameras), then we talk about tripods as well. One night after coming back home I've encountered the family gathering around a typical coal tray and grilling (or frying) chestnuts and hamburgers and sausages. Since it's hot, I've directly brought my camera and fixed the infrared filter and tried to capture something with it. The view is abstract of course and my aim was to try, and not to create art by any means.
You might be wondering why 100mm macro lens, well, simply put, this is to stay away from the coal and its heat and also to frame the coal only. I've tried the 50mm but I couldn't achieve the same framing, while it kept me close to the coal and its heat. After uploading the image, first thing was to settle the white balance to the completely red image. After doing some reading online (specially at www.infrared-photography.co.uk), I've started to formulate some workflow aspects for such type of photography. After the white balance is set (which sometimes doesn't change much) I've reduced the red saturation which left some areas as white while some as magenta or orange. Contrast and Vibrance were added slightly too.
In Photoshop I've tried to swap the channels (red and blue) to create a look that is similar to those colored infrared landscape shots, but here, with no sky or anything, the red was simply replaced with blue, and I didn't quite like the new look, so I kept the original as is.

Meanwhile on The Moon
HDR

The journey with my infrared filter continues when I tried to combine it with the polarizer and also do HDR on the beach one morning. Sometimes I would face hard time focusing so it is time to raise the ISO to max, focus and measure the exposure and push it back to ISO 100 and do the calculations, but in early morning hours when the sun did shine already it won't be much a hassle after all - yet it is considered a long exposure of some sort.
When processing Meanwhile on The Moon, I've tried different approaches to the RAW files taken in brackets to produce the HDR:
  • Merge the originals into HDR and tone-map them then.
  • Convert each RAW file in a similar way as it was done to InfraCoal, and save the files into TIFF, and merge into HDR from there.
Seems, however, that the second approach is more feasible and more pleasant. I have to do more research on this aspect. That session from the beach still has some (normal) images that I didn't process yet - I've just remembered that while typing these words!

Blind Me!
In some effort to create some new images, specifically as a homework for the Philosophy of Light workshop, I've tried to create something; anything.
Many ideas raced through my mind and eventually settled down with an idea of a light bulb and a water drop. I had my plan for the water drop specifically to make it hanging in the air but I ran out of possible capabilities to make it so, and hence I had to drop it for the time being.

InfraLight
Canon EF 50mm, f/11, 0.5sec, ISO 100.

Since I'm at it, I've decided to take a picture of the light bulb with infrared filter. It was not much of a design or anything, and when I tried my 580EX II speedlite, it didn't quite effect the lighting drastically. I had to work a bit with dodge and burn in Photoshop to emphasize the edges of the light bulb. Significantly though, the infrared filter reduced the halo around the filament of the tungsten bulb without the need to use a high-shutter speed, as it was done later in Lighting Through.

Lighting Through
Canon EF 50mm, f/3.5, 8000-1sec, ISO 100.

After playing around with the infrared filter, it was time to get serious a bit and start my speedlites: 580EX II and 430EX II. In the beginning I've tried to use the manual mode, but I've realized it is hard to control it in such conditions, specially with such high speed. So, directly, I've moved to E-TTL. mode. The 580EX II being master and 430EX II being wireless slave, I've tried to change the power of the speedlite by controlling the aperture, after finding that a slight change in the shutter speed had some catastrophic effects from both, the speedlites and the bulb itself. The location of the 580EX II was fixed on the right side of the bulb while 430EX II was carried by hand and always changed while taking many shots and trying the polarizers to reduce the flare on the glass. In the final result, Lighting Through, I've cloned out some flare as well. Using the polarizer filter with flashes is hard specially that it does not have an indicator of the direction of polarizing, while using the polarizing sheet on the flash head while not on-camera, it is even harder to judge to what angle the polarizer on the lens should be. Anyway, the final image was emphasized in contrast in Photoshop by setting the Black Point in Curves layer to eliminate some light noise around the bulb (and had to use layer masks to confine its effects). Dodge and Burn were used again to emphasize the edges of the bulb. In this final image, the 430EX II was on top (and close) to the bulb and tilted little bit toward the camera's direction (to avoid casting light on the black board as much as possible).

Lingua Aevarica:
In the meantime, I'm trying so hard to organize my time but to no use. I think I should probably finished reading some of those books before I get my time re-ordered in order to work more with Geltani and Ayvarith. As for Geltani, it is a not-yet-finished business with its syllables and some basic grammatical structure of the language and its script, while for Ayvarith, there is always the matter of establishing a website capable of holding my media files (images and sounds) and also working further on creating something new out of it. My love for fantasy and conlangs is almost a match for my love for my camera and photography - it is the first thing why I've created this blog in the first place after all! It is just sad that I can't do much about it for the time being. I have to make some plan, but how, I'm not quite sure. I think photography did suck me in greatly that I've paralyzed other areas of my life, like the conlangs and the poetry. Now imagine how my life would be if I was married already. Simply, dead.


Thursday, March 5, 2009

Writing Stopped

Couldn't keep on writing with continuous work, at home and at work!
At work, I'm trying hardly to understand some of the basics and trying to push my way through some aspects of my work. I made a print out of some data sets (some were without the aknowledgement of my experienced co-worker). It is nothing serious really, but I need to do it quietly.
With that, at home I'm busy trying to find more and more information through the net about the excavations in Failaka, past and modern. The net in this aspect is not a good source of information and yet I can get my hands on any journals or articles. The library in Kuwait University isn't a good source for obtaining journals. I tried to get something from them and all what they do is divert me to someone else or ask me to call them and speak to the main head of that departmentl... and they don't have registered accounts in Springerlink or JSTOR archives like some other institutes here. Anyway, I guess I have to depend solely on the internet and whatever comes in my way.
Thus, writing the story shall be postponed for now until I can gather some of my mediocre imagination back!