Schnell…

Messy, messy, messy. This is how my life is right now. Thus, this post won't be going long for the time being. Good thing is I'm doing some new experiments with my camera and trying to capture some still life, applying some ideas out of imagination so to say.

In the air there is a chance for another commissioned work, to be gotten via a friend. On the other hand, I'm surprised that the client of my first commissioned work (back in October) doesn't want me to spread my own work. The agreement first was until the calendar they are going to do is produced, I have to keep custody of the images. Now, however, the calendar is made and the client doesn't want the images to get spread. I'm wondering about the legality of such action since the rights of these images are not taken. I'm trying to consult some people in the "know" but yet no reply so far. In the meantime, I decided to make a glimpse about one the panoramas done for my first client! Well, this wouldn't count as spreading the image, would it???



This is one QTVR only (and there is a larger version for it). I'm planning to do more from this location on QTVRs, but it would need further work with composing a nadir stamp or logo. A somewhat lengthy task.

Kbir Qaddis Ġużeppi - BW

On the other hand, I've started the process of converting some of the new panoramas into B&W; mainly those from Oman and Malta, but the start was with panoramas from Malta, as it can be seen with the first one to experience that: Kbir Qaddis Ġużeppi. Under this impression, it struck me with a surprise that I did not even think or tried before, to do a QTVR out of a panorama in black and white! Most of the QTVRs Ive made or even those I've encountered personally online, were in color. Panoramas in black and white would probably give an atmosphere of what I like to call now: Jonathan's Style, in reference to Jonathan Boakes and his famous game "The Lost Crown." Probably the only problem here would be with the seam line between left and right edges of the panorama; because this was usually done by Photomatix in the tone-mapping process for the original HDR panorama altogether. I'm not sure I've turned this option on when processing most of these panoramas (if not doing them in Photoshop already instead of Photomatix).

My mind now is so busy with many ideas. Visiting some art events like the famous Den Gallery (here in Kuwait) and the 16^th Theater Festival - these visits did spark my mind a bit and this what made me turn on the camera and work on bits of ideas (while abandoning some old ones). I wished to spread the results here today, but there is much to be done still and a long sorting process must be made to these images. I'm trying to extract every bit of possible angle for the set.

Time to post this and head to bed now… I'm not sure I want to see tomorrow though, but the only thing I want to do for tomorrow is work with my dear camera…

Goodbye Tamron...

Here I am, after 2 weeks of being almost idle. As much as I hate to admit it, but seems my mood swings were at apex. The material I was trying to prepare for this post wasn't much as I couldn't work much with my camera. I was too lazy to touch it and prepare stuff for more nadir shots. Disasters didn't stop at this level yet, as you will be reading further!
On the other hand, I've started with the beginning of last week to do on some eye checking. From one clinic to another, and then to the eye hospital here (and let's not talk about the procedures and the hordes of people in the queue line). There is a big chance that I do suffer from retinitis pigmentosa just like my eldest brother and one of my sisters, but I'm not sure how dangerous my situation is. It was supposed to be a regular and a routine check up in fact, but oh well... I'm trying to cool myself down and enjoy my time as much as possible, with games and the camera when possible. I'm now waiting for November 25^th to do some eye testing and check with the doctor.

Nadirology

There were many struggles to take nadir shots (or shots pointing downward) specially that I don't have much means to handle the camera and make it hanging in a vertical position.

Source: B&H
FAIL!

One of the "toys" that were supposed to help me with this such task is the (crap) Delkin Fat Gecko Gator Camera Mount which caused me a disaster the last (and it was the first) time I used it. I left it unused after that failure but with my limited hopes in such tasks like taking nadirs inside rooms I've tried to work around it somehow, and the result was another failure and the device totally disintegrated, piece by piece. I'm simply amazed how come I'm the only one who made a negative review on this item on B&H website (or so it seems)!

Above Hall
Rokinon 8mm fisheye, f/16, 1.3sec, ISO500.

One of the trials to take such shots, like in Above Hall, I tried to improvise something: a hard paper bag with a hole at its bottom for the camera lens. However, this method didn't work out properly because the body of the camera is not uniform and the result is a tilted camera dangling from the light fixture; a situation that persisted in all situations almost. The camera could hardly be balanced straight. Probably it is time for more of DIY solutions with some metal work - or simply order something! I already had some hard time doing the same procedure in my bathroom. Anyway, I did take a twisted picture but I won't post it here for the time being.

Shots like Above Hall aren't something that I applaud but it did teach me some aspects about taking such shots in terms of composition. Probably a congested place is a good thing for such shots, because in Above Hall, the hall was empty almost and not many features are presented, making the shot somehow boring, unless you appreciate the minimalistic approach!

Geometrical Amuse
Canon EF 50mm, f/16, 8^-1sec, ISO800.

Not all shots, however, were for rooms (and I think I presented some 2 weeks ago). This time though I continued my work with the stairs but since shooting was awkward from upstairs to downstairs, this time I decided to put my monopod to some good use. However, using such a method and dangling the camera (with the portable monitor connected in hot-shoe) calls for a higher ISO to fasten the shutter speed ad get a stabilized image as much as possible. Geometrical Amuse is one portion of an image taken this way (with others being shaken and blurred). The crop changed the perspective of the whole image from landscape to portrait. Again it is a combination between abstraction and minimalism I suppose. Still, I didn't get enough amuse from such shots yet. Probably I should consider doing "zenith" shots frequently as much now with the hardships taking such nadir shots. I have to concentrate also on doing nadir shots on objects and other minimal features and not necessarily rooms or landscapes. Landscapes, however, are a good target for a monopod raised up with the camera!

Micro Macro

After such many failures doing nadir shots, I've decided to move my point of interest into another field: Macro photography. Or maybe I should say, Extra Macro Photography.

Source: Amazon

R.I.P.
Tamron 70-300mm
Source: B&H

This change of interest in fact resulted in a disaster in the beginning. My Tamron 70-300mm lens got broken as it was connected in reverse with the Canon EF 50mm. I'm not sure what went wrong but seems I've used some power where it shouldn't be, specially that the body of the lens is plastic. What has been broken is the mechanics for zooming in and out. Thus, with any connected material to the front of the lens, it might make the lens front be dragged forward. However, I can still pull in and out the lens and the focusing mechanism is still working (manual focusing that is, I didn't try the AF!). It did some nice job for some time, but anyway, for the time being, it seems it is time to get a real telephoto lens other than this cheap choice. It was a matter of time. Anyway, with Tamron broken, I do get some choices now and maybe I have a bit more guts to manipulate this lens further somehow (and maybe try to disintegrate it and see what's in!).

Cutter Edge
Canon EF 50mm (R), Canon EF 100mm macro + 36mm extension tubes,
f/32, 60sec, ISO400.

As you can see from Cutter Edge, I really didn't have much of good targets. In such trials I just picked the paper cutter to shoot at some of the corrosion on its surface. I made several trials here with Tamron and Canon EF 100mm macro lenses, but this is my first time to use extension tubes in such macro shots, and I'm not quite sure if this is really effective in increasing the zooming power. I need to do a comparison between the two cases and see if extension tubes do really help. Extension tubes are normally used for macro photography but with the purpose of reducing the minimum frontal distance between subject and the lens. The situation here though when reversing two lenses is different though. Just to note, with direct measurements the distance between the 2 grooves in the image above is about 0.5cm (~0.2 in), and when the image was taken the distance on the image was around 22.6cm (~8.9 in). By finding the ratio between the two, the result is 45.2. Does that mean that the magnification factor for the whole system is x45? I'm really not sure how this is calculated. Anyway, we can still get awesome results!

Fibers
Canon EF 50mm (R), Canon EF 100mm macro, 36mm extension tubes,
f/32, 60sec, ISO400.
Portion of my blanket!

In the meantime, I'm trying to understand the processes behind reversing the lenses and seems I got the general image:

1. Seems the first portion of the system is supposed to enlarge the subject with the reverse method. In my system this is done with the Canon EF 50mm lens. There are adapters, however, used to adapt a lens directly to the camera body in reversed position and they are efficient as well.
2. The second part of the system is to enlarge the image taken from the reversed lens in step No.1, at least this is how I understand it. This was evident when I changed the lenses from the Canon EF 100mm macro, to Tamron 70-300mm and trying the lens at 300mm. The blade of the cutter in the first trial above was magnified further with the increase in the focal length of this portion of the system.
3. Two problems, however, occur when trying out greater focal length, and/or trying to add teleconverters to duplicate the focal lengths: a) shake, and b) dispersion or chromatic aberrations. The shake of the system is so sensitive that I had to use the intervalometer (plus the timer in the camera itself for 10 seconds) to delay the shoot for around 30 seconds to give time to myself to step away from the (shaky) system. The system is so sensitive even to the steps on the ground nearby. As for the dispersion, this was magnified in Tamron, and this is natural because of the low quality (hence it was cheap lens). Also, teleconverters are made of low quality glass relatively, usually, and they do add to such distortion. So far, the best result is as seen above in Cutter Edge by using the Canon EF 100mm lens directly with reversed Canon EF 50mm lens without any teleconverters.

After these trials, I'm thinking now of building something like a glass table that would help me further with my macro experiments. Some methods and tips are mentioned in Cyril's book (cover above) which I've read some weeks ago. I need to go over the book again quickly to get some ideas and inspirations; not only for the macro shooting, but also for the nadir project!

Finale

Source: Amazon

There are stuff that are on hold for the time being. After finishing the books in my arsenal, I've been almost idle at work and too lazy to do "work" itself. I didn't even write any reviews concerning the books (left and above) that I've purchased some weeks ago, or any reviews concerning some of the gear that I've got some time ago from B&H, like the RoundFlash. The RoundFlash specifically needs some time to be tried out and have some thoughts as it can be used for portrait and macro - two fields that I'm not quite friendly with (portrait even more). I thought of using the RoundFlash for my (extra) macro projects in the near future but seems to me that the length of the system of lenses attached together would hinder such addition useless.

Source: B&H

For this reason, right now, I'm thinking of building a small glass table which be lighted from below. Of course, it would be useful for transparent or translucent objects and not opaque ones but that's not a big deal. I'm sure there are ways to light opaque objects from the side or above without using the RoundFlash.
Further more, I've read an interview with Jonathan Boakes, one of my favorite game developers, and in my process trying to seek inspiration whenever and wherever I can, I think Jonathan sparked (again) the fire of photographing old deserted places (which are abundant on Failaka island). On the agenda as well, a trial for the new IR gel filter to make a panorama, but of course it would be a panorama at broad daylight, when possible!
I've been stuffing my schedule with games in the past 2 weeks (and writing reviews about them) and I think the trend is still going on. I'm not sure what is still going on in my mind but there was something that felt severe. Something I just needed to vent through games. Now with the probability of developing Retinitis Pigmentosa, it seems I have to push myself to do more photography before it's too late.

The Wait For Jonathan's...

Here we go, another week just passes. Not doing much photography, not much thinking of Geltani or other projects. However, I got the chance to update some aspects about my website and uploading new photos that are ready to be printed. I'm thinking seriously of expanding my services out of this country as well; since people here are not to be relied upon when it comes to arts. I'm expanding such ads to instagram as well as twitter.

Glimpse of my website, with the 4 new images added.

It seems like life is so slow when I'm on vacation without traveling. The orders that I've placed online last week are still not complete; not all of them reached my US box at the time of writing this. My car, still not available at the time of writing this post (and I'm supposed to pick it up today and see if it works well). My only leisure in such times was to play some games. Despite the nice weather relatively, yet I didn't stroll outside in the neighborhood much with my camera - but hopefully will do more of this in the near future (as the temperatures are dropping down to 20s^oC at noon time!). Beside gaming, I've doing lot of surfing and research for future photography-related equipments. My mind was struck with some crazy idea of getting one of those rangefinder lenses (expensive!!) and getting a mount to use them with my Canon EOS 7D. This plan, however, is for the far future, as well for the near future, I'm planning on having some wide lens in the range of 10-12mm - but this won't be a fisheye, but a distortion free (virtually) lens. I think such lens would help me with my future panoramas if I got it to work with my Manfrotto 303SPH VR-Head.
In the meantime, I've spent some time with my camera to do some calibration work and preparing profiles for noise reduction in NIK and NoiseNinja plugins. Ive used the MacBeth chart in the beginning (which came with my new ColorMunki device) but then I've decided to use the patch that was provided by NoiseNinja because it contains more colors. I was going to do it all manually by choosing every patch of those to be analyzed but then I've succumbed to the automatic process in both plugins. I'm not sure they would completely help with noise removal without affecting he details of the image much, but at least they can be a starting point. The temperature at which the images of the chart of patches is shot is also critical for the level of the noise in the image at any ISO. This chart, however, is taken at low temperature (room's temperature); in the range of 20^o-25^oC. I might do another one for some high temperature, who knows!

Calibration Chart by NoiseNinja - printed and photographed for profiling.

I've decided to provide a link for downloading these profiles (in ZIP files) just in case it would be useful for readers. The profiles do not cover the whole range of ISOs, but only full stops (100, 200, 400,... 12800 or H) and theoretically are useful only for Canon EOS 7D users.

NIK Noise Profiles (Dfine)

NoiseNinja Profiles

Hope they become useful for other shooters!

Halloween at Jonathan's

As I said before, I've been spending my time playing lot of games currently in this corrupted vacation. This is the only joy for me in such vacation. Lately, I've got the news about a new spooky game from the author of TLC, The Lost Crown game, Jonathan Boakes. It is, supposedly, a mini-game under a Halloween theme. If there is a wish to visit the southern region of the British Isles that still persists in me (along with my desire to visit Ireland, again and again), it would be all attributed to Jonathan's games and his depiction of the seaside on the Cornish side of the world. The Lost Crown game sucked me into the magic of the seaside and the sea life in those simple villages that made me almost living there. I'm waiting for The Last Crown which is a sequel for the Lost Crown. I leave you here with the ad for the Halloween mini-game:

Click to Enlarge

Jonathan made a blog post as well about this game with little description. You can read it here. Jonathan Boakes is also the author of other games under the same category of the Supernatural and mystique genre, like Dark Fall I, II, III sequel and The Lost Crown, and he collaborated in other games as well under the same genre. You can't skip his games if you like the mysterious and magical, the simple and occult. They just blend in naturally...

For the time being now, I'll be surfing through some of the old images until I get some inspiration and power to create new photos and with my project. Seems like getting back to work and routine would be beneficial in my case after all!!

Festum Culturalum

It had been a slightly busy week, but a tiresome one too. I'm typing the opening of this post at the location of the expo of Kuwait University, entitled Cultural Festival, and in hope that I will get some time later to do the rest.
The situation in the morning is quiet relatively but it was a busy at the time of the opening ceremony despite the humble preparations. The time was not on our side, and we had to do everything in the haste; even the TV set the I've planned to use for our advantage to display videos of the group and maybe some QTVR directly from laptop, all these ideas were abandoned facing the technical problems and the unavailability of technical items (specific wires and cables).
However, the opening ceremony was nice and I was the first to explain my photos for the vice president of Kuwait University. My photos were already framed and printed since last year for last March's expo; Mawahb 2.
Back at home, during the second day of expo (and I told the group members that I can't be there afternoons in the rest of days), I've noticed that on TV they showed the expo, and then to discover that I was shown while I was explaining my photos to the vice president. No interview was done with me (but with other members of the group) and I was shown with background music playing... better if you ask me, as I hate my own voice!
I'm currently looking for an online source of this program but so far, nothing useful.

I leave you now with some coverage of the event. The total number of images is huge and I need some time to sort them thoroughly, but I've sorted out some snap shots. Of course such shots are documentary and not aesthetic in any way: Please give some time to load as some of the images are 1-2 MB in size.

The main part where and when the bulk of the documenting took place was at the end of the ceremony when the TV musical band started doing some folklore songs and dances on stage outside (beside a swimming pool). The main problem was that I couldn't get any help and everyone was putting responsibility over my head. I needed someone to shoot videos while I work on documenting with still images, but none wanted this job and I went on doing videos and still shots. Videos were shaky of course since I didn't bring my tripod there, but only a camera and 2 lenses: 50mm, 18-55mm; while the guys who got tripods already, didn't use the tripod and didn't want to shoot videos as well! However, I was fluctuating between the two missions and I've recorded some short movies (but large in size).

The video above is just one of a total of 7 videos. However, away from the technical thoughts, there was also a mental process on the side that sparked my thinking about the local folklore and music. My mind was completely absent from such arts and always concentrating on foreign music and arts, specially the Irish folk. It's just amazing how it sounds and looks like I've discovered something new and exciting, while the fact is, it is my OWN culture.

Compressor!

The new logo for the group

With the expo at Kuwait University more pressure is building up and weighing down on my shoulders, specially after the last meeting with the group. A new system for the membership as well as a new logo and a whole load of some protocols. Further more, I was appointed as a responsible persona for competitions and organizing for them. Also, after asking the leader about giving some info to the members about the concept of the workflow and the color space in order to enhance their work (after serious and bad surprises in preparation for Kuwait University's expo). He asked me if I'm able to give a lecture about that, and I agreed. I've created some outline for the type of lecture I would be giving but of course it's only a draft so far and I would need to check up with him further in order to make it efficient. Yet, more expos and events are coming on the way and another load of pressure shall be prevalent soon! I'm afraid that the group is spreading itself too thin in all directions.
A main issue at hand right now is to organize for a library with ready-made prints for any coming expos in the future in order to avoid all the hassle and the technical problems.

Mr Coffee!

A History of Coffee 2
Canon EF-S 18-55mm @40mm,
f/5.0, 1000^-1sec,
ISO 100.

Last week I've been working on some shots for some local coffee brand as part of a competition for making an ad. After making some of the shots with an old map as a background (posted in my last week's post) I've worked out on some photo with my brother as a model.
One of the hard things to work out with a model who is a relative (or a friend) in the same time would be the inability to control the situation as it would please you. A professional model, for example, would just do whatever the artist (photographer) want him or her to do without interrogating about the usefulness of the pose. One the other hand, the fact that I'm not owning a proper place or studio props and tools, made my work pace sluggish.

Mr Coffee
Canon EF 50mm, f/5.6,
400^-1sec, ISO 100.

One of the first things to ask from my brother was to wear black clothes in hope that the steam would show in contrast to his clothes (however, the effect was weak as it showed later), as well as wear a turban made by my scarf and beanie for more comical look of a guru-like appearance. My idea in the beginning was to have flying books but he emphasized the idea of adding a table and books. An idea that proved to be a focus of criticism from some criticizing groups on Flickr - and I agree with them as well. My brother looks like in a balancing act instead of levitating in the air!
Technically, the problems were abundant starting with the speedlites. Apparently, two speedlites aren't enough right now and I do need a third (and even a fourth). I can imagine this now in high-key technique - something hard to be achieved with only 2 speedlites, if not impossible.
After taking a shot of my bro with a mug and beans bag, inclined on two chairs with pillows to make an angled tilt (to break the usual levitating look), I asked him to remove the chairs slowly out of the scene and I took a shot of the scene being empty except of the books and the table. The rest was a Photoshop work to layer the two shots and clean the chairs off while enhancing the lights of the background and contrast of the foreground (my brother's).
On the side there are other problems, like the floor and some light spill on the right, the harsh shadows a bit on some areas, the tiles and lines on the ground are not so proper for the scene as well. I'm going to submit the image anyway - if any time limits is extended, I might re-do it again without the table and the ground.
I wanted to do another idea expressing the eruptive energy of the coffee, which required some splash to be happening in some unusual way - not the usual dropping something into liquid. I was trying to use a paper cup and blow some air on the side with a thin hose but this idea is not secure enough and water would keep dripping on the side. Finally I've tried using a vacuum cleaner which can be flipped back to be a blower, but I got stuck with my speedlites not being able to direct enough and suitable light beside making harsh shadows. It is times like this that make me think of another speedlite!

Eerie:

It was last Friday's morning, January 25^th, and the fog was so dense that I could barely see for 50 meters in front of me while driving. It was a surprise in fact as I was supposed to go to Al-Salmy for some star-trailing the night before but the plans got canceled. However, they say the fog was only close to the seaside, but the sky is clear far from the sea side.

Eerie
Canon EF 50mm, f/16, ISO 100
HDR

Despite the apparent fog, I've decided to head out since I've been sleeping on and off all night and found myself quite awake in the early hours of the morning just before the sunrise. I headed to seaside to the (usual) gazebo. As I was walking to the gazebo, I've noticed some scattered clouds even though faint ones, and I thought they are a good target for long exposure with the gazebo in the foreground.
Ironically, however, as I was settling down with my stuff, the fog accumulated by the time I've finished the configuration for the camera. Slowly, my thought developed and decided to do a HDR but in a long exposure format. The configuration was as follows:

• White Balance is set to Fluorescent, to add that bluish-pinkish atmosphere. My favorite WB for early hours of the morning and evening.
• A polarizer was used to darken the sky (t this point I didn't notice the fog was accumulating).
• An adapter ring for filter was fit upon the polarizer and a 3 stops ND filter was fixed on top. I've used only one slice of ND filter in order to avoid any unnecessary color tints with such experiment.
• Several shots were taken with different exposure times: 5, 10, 20, 40, 80, 100 seconds.

Banding while tone-mapping

Source: B&H

When merging this HDR, however, I had to face other technical problems. It seems that the usage of a polarizer with HDR is not a good idea of some sort. As tone-mapping process went on, the image showed some hard banding in shape of circular or semi-circular lines all across the image. Having in mind that my new polarizer is of a circular type (as the specs say), I do feel that such banding is caused by the polarizer and not the rising sun behind the fog (and it was faint light after all!). To overcome this problem, I had (and probably for the first time in my life ever) to use the Highlight Smoothness slider in Photomatix when tone-mapping; and to the max.
This image, Eerie, after being over with, did send a chill through my spine. Maybe lot of people would call it a failure because of the blurred appearance, but the atmosphere and the blur itself made me remember the mysterious aspects of life, those Agatha Christie's novels, and Jonathan's The Last Crown game. I was simply not in Kuwait for moments. I'm in love with winter even more.

Geltani:

The work, or should I say, the thought, is still going on to digest and produce some aspects of the new conlang. I've decided that since Ayvarith, as a conlang, is already a conalang based on memorization of words at most, so may Geltani be. This is the resolve the issue of confining the word into either one or two characters altogether. It would take a trial and error to find a suitable division for the characters I believe - and both might be suitable as well. Also, I'm not intending on explaining how I did derive these strokes of lines from Arabic, thus I think there is no need to systemize the conlang in the eyes of foreigners.
One big issue now, which stands off like one big rock on my way that baffles my thoughts, is Arabic words of similar letters and different vowels. As an example:

Root: R J L
RaJoL = Man

RiJL = Leg

The vowels are in minuscules here, since usually they are not written in a regular Arabic text in modern times except in times where some elaboration is needed. Since Geltani is based on the letters (consonants) without the vowels, how am I going to implement a method of differentiation between the two words? I might go around this problem by substituting one word for another that has a similar meaning but how long I can keep this practice with a vast language like Arabic? Digging for answers in my thoughts seems to be a hurtful process for the mind!

Another idea occurred to me is to add sounds to Geltani that are Semitic in nature, and this might help a bit for making more diverse sounds giving chances for more different dual-letters (as I called Leading and Driving in previous posts) combinations. It might also create a weird sounding language and might, just might, attract some attention when the language is Chinese sounding but with Semitic sounds in between.

Plural, for the time being, might be composed by a repetitive mean of the last syllable in the word. Meanwhile, on the grammatical front, I think the first step is to start a sentence with a verb only. 

Finale:

Source: Amazon

A book that I've ordered since 2011, has finally arrived few days back. There were some delays in its publication which was supposed to take place in 2012. Anyway, the new book arrived in a time with so much pressure on my schedule, and since I'm a book-worshipper, I find it as just another obligation. I'm trying hard to divide my time at work to read and to work on Geltani, and sometimes chasing after some other duties, specially those for the group.

Seems, however, that being busy most of the time is good somehow. Making my mind busy with ideas and plans rather than daydreaming, or even using daydreams to organize my thoughts and enhance my planning - even though I get those limitations with my exhaustion and my body's behavior. It is, however, times like these that I'd wish for a patting hand or a supporting shoulder. Even a German engine needs some rest from time to time...

Sometimes though, I would stop and look back and see all the things and the steps taken alone. An ecstasy of pride occupies my mind at times, with a sense of pity deep at soul in other times. How would it sound or feel, if I did have achieved what I've achieved already, with someone holding my back? Am I really strong enough?...

360...

A fast paced week somehow. Nothing new on my camera level except of visiting a mall with my class to do some practice, but otherwise, no new panoramas, except of working with old ones. I keep looking at my Ayvarith papers and my microphone connected to the PC and ask myself when I'm going to work with it. Hope soon. For the time being, there are games on my list I need to finish. Games, are important to me. For the time being I'm trying to finish a game called Gray Matter. A nice one with sci-fi theme and magic stuff; oh, combined with some psychology as well! After that, I'll be in hunt for Jonathan Boakes' games Bracken Tor, and TLC3. These corners of the UK that really need a visit one day. Mystery, is what keeps the mind alight. But I might not be able to play all those until the time of Hajj comes, by mid October. I'm busy, somehow, sorting my schedule and my leaves to do the pilgrimage. My work place is somehow giving me a headasche for the time being with their stupid laws and regulations.

I. Failaka Re-Visited:

Under the light of considering further possibilities with panoramas and changing the viewing angle, I've re-visited older panoramas, and specially the one for the "Ghost Bank" taken for a deserted bank building in Failaka island back in November 2010 (after my return from Ireland).

Ghosts Bank

This time the twist was for other projections as well, which I've never thought of back then. Anyway, the tone-mapping is quite different of course. I knew beforehand that Photomatix will give me a headache with some errors related to the size of the final image, but after all I didn't make it smaller and went on with it. For some weird reason, when Photomatix v4.0 encounters HDR images as large as 8000x9000 pixels, it would give an error for memory issues. Doing a "batch single files," which does not require a visual examination, would still not work. Photomatix v3.0 on the other hand, it might show some errors related to memory limitations, but batching single files would work fine (and of course takes a long time). For this reason, the planet projection of this Ghost Bank panorama was tone-mapped in Photomatix v4.0 in the beginning, and the tone-mapping parameters were saved, then loaded into Photomatix v3.0 and the HDR image was tone-mapped accordingly in "batch single files" process. I don't know what's the deal, but it might be a time-consuming process.

Dark Aspect

One of the aspects of this panorama is the fact that I was working with the monopod. Shaky, but with cloning out the remnants at the end, not much of a headache. If the monopod was raised to a low level (to the level of my chest almost) that approximately raises the VR-head and the camera to my chin level. At this level the shake might not be so apparent (but there is some of course). I had to use back then because I didn't have the appropriate tripod.
The second venture after this was a vertical panorama. I made a mistake here but might be considered a surrealistic look after all.

الحلم الكئيب
The Gloomy Dream

For some reason I just named it in Arabic. However, the viewing angle was tilted and hence the tilt on the top part of the panorama is apparent, and that, caused me to name it a "dream" because it has some surrealistic look.
This vertical view was cropped (typically) from the sides and the edges to remove the remnants of the VR-head and the colors were altered a bit by adding a Photo Filter adjustment layer before tone-mapping the HDR. The Photo Filter was Deep Emerald, to give a creepy look. Also there was Exposure adjustment layer to pull back the exposure values accordingly to the whitest spot in the place (the entryway at the bottom).
Maybe the most beloved aspect (point of view) for me was the WV or the Wide View angle. I had to work a bit with adjustment layers a bit before tone-mapping in Photomatix.

Cold Alone

I had to crop little bit in the beginning just to bring things to the center a bit. In this image, and instead of fighting back against the purplish hue (because WB was set to Fluorescent back then) and make out the whole thing in vibrant yellow and red, I've decided to move to the next neighbor of purple; Blue (remember the rainbow? ROY G BIV rule?). In my work with HDR slides in Photoshop so far, I've rarely used the Hue/Saturation adjustment layers. Most of the color adjustments were done actually by Photo Filter adjustment layer. I find it giving more realistic looks and adds to the color instead of shifting the color. That does not mean I don't use Hue/Saturation layers, it is just I don't find them useful all the time.
In Cold Alone, and after fixing the Exposure as usual, I needed two Photo Filter adjustment layers. The first one is to add the general bluish cold look to the whole scene. In this layer, I used a layer mask to remove this effect from the yellow-reddish ceiling here. The second Photo Filter layer was added to increase the vibrant color of the ceiling (by using one of the "warm" presets) and also using a layer mask with it, but of course it is the inverse of the previous layer mask used before (just a copy paste of the layer masks). Weirdly though, in HDR mode in Photoshop, you can't use the inverse command (not from menus nor with the short cut "Ctrl+I"). To do the inverse of blacks and whites, I would use the Levels command (Ctrl+L) and flip the black and white arrows at the very bottom of the dialog box. To avoid any fuss, I would remove the black arrow to the middle first then the white to the other end, then push the black to the place of the white arrow. Sometimes it becomes so hard to know what to click when the two arrows overlapping each other.
Just imagine the blue ink you will be losing for printing such an image!
For the time being, I'm considering visiting Failaka again, specially that summer is on its way out, but I can't decide which time. Since I'm preparing for Hajj journey, I might not have the needed time yet to go there. It would be nice to take a tour with my camera on video inside the car like I used to do on the mainland. We'll wait and see...

II. 360:

Last Sunday it was another workout session with my Photography class. This time we headed to a mall here called 360. As you might have inferred from the name already, the mall is circular in shape. I spent around one hour and 30 minutes trying to find that place, moving from one jam to another.
Architecturally speaking, I didn't find much of interesting in fact. Although we had the freedom to go into shops to take shots from there but as it is with me always, I hate to contact people or ask for permission, so I got stuck to my ground; roaming around the mall trying to find some interesting angles. We had around 2 hours of time but personally I spent only one hour or so and decided to head back home before the darkness hovers over. However, it was a spark for an abstractive mind. I had to bear little bit with annoying people as usual, but the main point in the whole practice, as I think, is to learn how to concentrate in the middle of a fuss (quite the point if you are a journal photographer).
Although most shots were taken in bracketed exposures for HDR later on (except of few ones taken in long exposure), but a lot of those were uploaded after some processing in RAW then converted to JPG.

These are some abstracts, and there were plenty of others that I just need some time to reflect upon. As I said most of the images were uploaded directly after processing the RAW file, but there was a trial at least once for a HDR. But tone-mapping the HDR (in Photoshop) didn't spare me from using extra adjustment layers.

Wooden Arches - Processed RAW

Wooden Arches - Manual Tone-mapping (Photoshop)

Wooden Arches II - Photomatix

The contrast was a bit enhanced when tone-mapping but the major blue shade on the top was added by a Photo Filter adjustment layer after tone-mapping, and then adding a layer mask to avoid touching the lower portion of the image. I tried in tone-mapping to do the best to lighten the wooden pillars a bit but I guess it didn't work out well. I still have Photomatix which, as usual, proved to be superb to Photoshop and my manual tone-mapping. My main concern, in fact, to do the HDR slide was my hopes in eliminating some movements on the ground from people going around (yeah, so annoying, no one would even try to respect you *sigh*. OK, I'm kidding...). However, after merging into HDR it turned out that procedure didn't help much and I had to clone out the movement myself.
We are left then with some long exposures. Long exposures here is something longer than 2 seconds for me. Accordingly, depending on the lighting inside the mall, a single exposure at around 0EV takes around 8 seconds. Enough time to make a water line look silky with its flow. For this reason, my first target was the fountain. I took several shots in fact, but maybe the best angle was from the top.

Vortex

The vertical line in the center is a matter of the fountain itself and helped me much to achieve a sci-fi look. I tried to calculate the time it takes for the fountain to spur the water vertically high up, but seems the process was completely random! I had to depend on luck little bit here (isn't photography, majorly, a matter of luck after all?). I had to crop the image little bit because I didn't realize that originally, I didn't include all the fountain, and the edge was cut from the right side, so just to go around it I've cropped more to concentrate the body of the fountain on the lower right corner. Hope this visual trick helps.

General view of one side of the mall and the fountain.

In the image above, it is more like documenting in fact rather than being an abstract itself, but it was taken in a long exposure as well (around 13 seconds). The long exposure here, specifically, helped on removing the excessive movements going down there on the ground. You would think the mall is empty, but no, it wasn't. This is one of the benefits of long exposures in such situations (beside the night photography thing). Sometimes, people might occur like ghosts passing by, however, this is a nice effect too in my opinion. The fisheye distortion was fixed to straighten the wooden pillars (and that makes the image smaller in looks).

Now, for all these pictures you see... I've forgot my flash memory at home when I went to my class to discuss the images and finding my errors. Now, doesn't that suck? Yes, big time. My memory sucks, and I suck...

Been days now since I wrote something, and been weeks since I worked with my Ayvarith recordings. Seems my fatigue is slipping me the chance to do anything (well, except of using my camera maybe). I'm not sure when I will start recording again. I've arrived at chapter 4 so far. Chapter 6, will be the great burden on my back. As for now, I just wish if the Hajj season comes like a blink...

Mentis Abstractivus...

Partially busy week. And I mean busy by sense of being busy at work itself. I'm conducting an experiment with my director (boss) in the field of gamma rays detection. Despite the simplicity of the experiment, but it takes so much time (around one hour and a half in good conditions). The first phase, for now, is supposed to take around 9 days, and I've done 5 already so far. Beside other things to do, I barely have some time to keep on reading. However, I'm almost finished with these books.

Fasting for more than two weeks now leaves my time restricted. I can't resist the afternoon's nap until the time to break the fast, and doing some work-out in hope to increase the vitality of my body, all of that leaves no time for some of my projects. Yes, my Ayvarith recording is still on hold as I don't know what are the problems I'm facing. I think I do have some mic-phobia too!
In a desperate move, however, I've been taking my camera with me to work for some days, and also tried to do some work with my sound trigger (that I've tried only once). Found myself, or should I say my brain, works more into the shapes. I really don't know if this is the effect of reading after George Barr or simply it is what you can find in modern architecture, but simply this is the catch of my eyes. I have to say I'm sort of glad for some of the catch.
One of those catches, again, got affective if I can say simply by cropping some portions of it. I said before that one of the illusions to make is to crop some areas that send the message of spatial recognition to the mind

Geometrical Play I

Geometrical Play II

Yes. The two images are similar with one little difference; one of them is turned upside down. Maybe you could tell right away which is which, but I can't judge myself because I'm the photographer and I already know which is which and it is imprinted in my mind now. However, one or two people did already miss it up and guessed wrong! I feel happy for the confusion here!

Geometrical Play (original scene)

As you can see here, I've just cropped the ground. I think that point is what translates the image to the viewer and missing it up would confuse the viewer. Anyway, this is my aim in the beginning! Creating some illusion, but I'm not sure how affective it is as I said before, because I'm the photographer here. My only testimonial is taken from two viewers only. To add a bit to the confusion, I've numbered the turned upside version with "I" and the correct one as "II". Minds sometimes adhere to the order of mathematics and take for granted that "I" must be the original, I guess?

On the other hand as well, one of the abstracts that caught my eyes is the shadows play; specifically by noon time. The beauty of such shadows is simply, lines. Maybe there are no curves, but there are lines in a zigzag shape. I have to say though, it was not so easy to catch these lines from a proper angle, adding to that, without a tripod.

Linear Shadows

The shadows here are taken with low angle (I had to go downstairs some steps and lower my back). After all, there is some cropping of course and a tilt. The tilt is aimed at making 2 horizontal lines in the middle of the image. Well, maybe I needed to do some skewing here. The image above is prepared from a single RAW. One of the things that I've had hard time with, is the White Balance (WB). This is not the first time anyway. Shooting in the sun is always problematic even if the camera is not directed to the sun's direction, as the WB can make the decision hard to make. I feel the image being dull because of the tiling's color, and making them blue (cold temperature) would interfere a bit with the shadows, so I decided to leave it at that point.
On another occasion though, I thought working with HDR would help me on making a better decision, but I was wrong, again. The problem gets even more complicated when tone-mapping the HDR and adjusting the color temperature from there.

Shadow Tilings (HDR)

Not only the WB was hard to make out here, but cropping was so as well, and the borders of the tilings were more pronounced in this angle. The cropping was a must here and not optional, as the space was narrow, and using a fisheye lens (or even my 18-55mm) would include portions of the stairs and the building. The zigzag lines also, somehow, corrupted the symmetry that I was working for. Maybe it is something to re-visit at another time.

My journey was still going on with my work place. Sometimes you just have to look and "think" instead of just looking. I work in this place 5 days a week, for more than 5 years now, and guess what? There are features that I've just "thought" about and decided to check what I can do with.

Looping Loop

The structure above is hung or welded above the ground, between the pillars and the wall (you could see the edges in the previous images). Merged with HDR, tried to add drama with colors by putting down the saturation for the highlights and putting up the saturation for the shadows (which are settled mainly in Reds). Pushing the Black level a bit to help with it but I think I didn't like it much. Crops existed here too and some perspective corrections as well. If it was in my ability to shoot this again, I would zoom in more and go up to its level and shoot, but I don't have this capability right now, as the structure is around 3 meters above the ground. Anyway, I do prefer the black and white version (and some people already liked it that way).

Looping Loop (BW)

Moving now to my second trial with my sound trigger. I have to say it wasn't successful as I wanted. The main failure here is that I couldn't make the flash shoot for one time only. Adjusting the sensitivity of the sound trigger didn't help either. The experiment was done with playing cards deck, but after all I got some shots that I did submit to some stock sites already.

To Gamble

No. I don't gamble. It's just a title here! The movement blur you see is caused by the several flash shots as the sound of the cards when they are shuffled keeps on triggering the circuit, and in a shutter speed of 15 seconds, lot of pictures taken in this trial were blown out. It was indeed a gamble in the dark, and guess I've lost it. I have to think of some way to limit the number of fires from the flash. There is, however, another idea for this sound trigger that still in the process of cooking yet in my mind.

Last night was a sleepless night. Literally. I really don't know how I'm typing this right now (Thursday) as I didn't sleep a bit all night and came to work (and worked in the lab for hours and then coming here to post something!). Anyway, despite the frustration, there was hope. A hope in an image I've totally forgot about (again!).

Visitors

The weird combination of factors in this image makes it special to me and to my surprise, just when I pulled down the Exposure slider in the RAW editor, all the details of the sky and the clouds started to appear and the scene turned silhouette. The sun was rising and the sky was blue, but yet, it looks more like a black and white. Not completely, but what I mean is, the saturation is low in the sky. The high ISO level of 12800 made me desperate about this image in the beginning. In the beginning means like, when I took it in the first time back in October 2010. With lowering the Exposure (and increasing the Recovery factor in the RAW editor) seems that the noise level (specially the chromatic noise) got reduced significantly. That does not mean completely vanish, not even by cleaning plugins like NeatImage, for example, but the good news here, it is a silhouette. You have no details in the subject's shape to worry about! so, you can go a bit of extreme with your cleaning tools!
The image reflects my mood indeed, without me planning it. All what I was doing back then was chasing some ravens or crows in the sky. Suddenly it touches your mood once you play with it for the sake of playing with it! This teaches me to always visit what I was desperate of before. Who knows what you can get out of these images that you might think they are useless snapshots. But the main factor here is, what's your mood is about?
Some friends commented already on it saying it looks like something from Hitchcock shows, and later reflecting on it, it does remind me of The Lost Crown and Jonathan Boakes! I think I will print this one and see how it is. I'm sure some websites did reject it already for the noise level still. Oh well...

It's weekend. Finally. Guess what? My friend is inviting me for dinner for some occasion he had. Well, the bad news is... I wish I didn't eat the whole week!!!

Could Not Resist...

Well, been many days now since I've posted stuff here. Mainly because my work is boring and slow going, I spend it all watching stuff on youtube waiting for the working hours to finish and sometimes I sign up for a short leave to leave work earlier than the regular time. My life at home though is not that idle, however. I have a list of games to play for now, and just recently I've finished the Dark Fall II - Lights Out. It is a ghost story of he Sci-Fi type. Despite my fascination with the story itself and the great design of the 1912 lighthouse and the sea village, despite of all of this, I had to go on and depend heavily on the walkthrough all around the game, mainly because of some minute details and my fast-paced way of playing such games wouldn't help with that! However, I've been always fond of Jonathan's games. Made me think seriously of being a ghost-hunter myself! The only thing here is that in the oriental world, we speak of demons and rarely ghosts as it is in the western part of the world. For such a task, Failaka island would be the first target for such investigations I believe, after the turmoil and the war and the deserted houses witness that.

I've been weak. So weak. I couldn't control myself and my expenditure. I fell in love with a new tool that costs more than one thousand dollars. In the beginning I was so ambitious to own a full-frame Canon camera, namely the 5D or the like, but the prices got me into shivers and I almost wanted to cry! Looked again for something "cheaper" and yet I couldn't find something that satisfies me completely, except of the Canon 7D and the cheaper variety of Canon T2i. I was in favor of the T2i mainly because of the price.

Canon 5D Mark II

Canon EOS 7D

Canon EOS Rebel T2i

The 5D Mark II is 21MP in resolution, while the 7D and the T2i are both 18MP. The T2i is cheaper mainly because the type of memory cards used as it seems. Generally speaking, the 7D and the T2i are both the same except in some criteria like the memory used and maybe the timer option. Also, the Canon 7D has a wireless control over Speedlite flashes which benefit me a lot, but I'm not sure that the Canon T2i does have that or not. I even went down with my ambition and thought of getting 15MP camera, like the Canon EOS 50D,

 

Canon EOS 50D

I was frustrated. I have limited time because the B&H stores are closing for the Rosh haShanah, the Jewish new year's holiday, and in the meantime, I have limited time as well because it would be nice to take this camera with me when I travel to Ireland by the end of September, and hence I have to make a decision so fast. It was really a turmoil. Add to that frustration, I'm thinking of saving a bit as well to get me a used car by the end of the year or by the beginning of the next year. I've found one store based on UK that sold the 7D for a bit of cheaper price (in dollars as well) but then I was struck by the fact that I have to pay extra charge for using my credit card! I never saw such regulations in my orders from USA before, at all. Hence, I've canceled this idea from my mind and mainly thought of ordering from the B&H only. Finally, I decided to sacrifice with some money for the sake of some long term investment, and I placed an order for the Canon 7D with an extra battery for it, for an estimation of something around 518KD, which was something a bit more than 1,800 US$. The main problem here is that those cameras now have a video recording capability, which is something I do not need and do not use at all, and that, as I think, contributes greatly to this price!

Because of the previous commitment to such equipments, I'm thinking of seriously pushing my limits with photography and arts in general somehow in some way, but yet, I can't find a way. An exhibition seems a good idea, but yet, I can't really figure out how to do it or how does it work and how much would it cost! All I can do now, is wait to be noticed maybe.

Back to my simple life now and my regular work. I've dug some more websites that mainly sell photographs from Ireland, and I've emailed some to see if I can be a contributor or asking about some regulations but so far, no reply at all! I'm planning to dig for more and find some opportunities out there.

In the meantime, I got some ideas going through my head, specially when I started doodling again in my office trying to pass the time to escape that prison. I've decided after some sketches to make a series of vectors suitable for weather broadcast and seasons of the year, and submit all to Canstockphoto (and who knows, probably Bigstockphoto too).

Some vectors so far. (Top left) Circular ornamentation made by a repetitive pattern of a single shape, 

(Top right) A tide, (Bottom) Wind vector.

I'm still working on these sketches so far, as I'm planning to make doodles for the four seasons. I have to resolve some problem with the vector uploads in Canstock and waiting for their reply so far. The JPG display does not show and makes it hard for me to organize my files.

I made an experiment again with a software that I've forgot about some time now. That would be the PhotoAcute and its options for producing Super-Resolution (SR) images. I really can't remember how I thought of it or what sparked the idea, but it was about making a serious trial for a SR image, because I don't remember I did something similar. The target was the texture of a toast surface in a close-up. I've bracketed the exposures like I do with HDR, but here I've used a short distance, mainly a 1/3 stop only, with a small aperture (f32), at 55mm.

Toast Texture (minimized)

After converting the RAW files into TIFF (and this is one awkward thing about PhotoAcute, that it does not deal with RAW files directly), I've put them in PhotoAcute and set the option to increase the resolution. The resulting image was saved as TIFF as well, and the size was 6904x4604, making the resolution up to 31.7MP, or rounded to 32MP (the resolution is simply a multiplication of pixels dimensions). The TIFF version was already 225MB! While the JPG version was already exceeding 25MB. I've submitted the image in hope of acceptance now. I might be using this method a lot lately, specially in a close-up images for patterns and textures. Now imagine this peaking in resolution, accompanied by a proper gear, like a 18MP camera!

By a simple comparison, if it is accurate to state this, my 8MP camera produced at the end a 32MP image almost, which means 4 times the original resolution almost. Hence, a 18MP image, would produce I suppose a 72MP image at the end. My hand is itching.

Beside all of this work, I'm trying to make a final collection of photos from Ireland, but this time I'm trying to fit it into a movie file by using Windows Movie Maker. So far, I suck at this. I can't manage to put it as I like. This way though would be fanciful and better than clicking images to see a larger version in the email message. Plus, I can add music to it, and so far I picked some "noisy" music that I like; The March of The King of Laoise. A tough bagpipe tune. Let's hope I figure this thing out before my vacation (which I'm burning to start ASAP).