Stroll III (2022)…

So, the weather is getting warmer and warmer here, and honestly, I don't like it, but well, this is life. Meanwhile, I'm trying to keep up with my strolling in the morning as much as possible. The weather is still nice in early mornings with the sun not quite high up in the sky but this would make up for some problems when shooting with special filters, specially UV, while not using any tripod.
On the other hand, I'm trying to do some shooting indoors with new ideas but no success so far at the time of typing this. My mind is blank, and yet my power is quite low. Yes, I do morning walks but they are simple to do compared to working with the camera indoors with all the gear that must be prepared and, depending on the idea, the props that need to be set. Anyway, I'm still trying on that front in hope that I would create something creative.

Stroll III

So for this stroll, and after 2 strolls with infrared filters, I've decided to head out with my ultraviolet-pass filter (which must be accompanied by an infrared-block filter). The stroll took place on February 18ᵗʰ and I didn't go far away from home actually, but to the open space near my house which I headed to when I shot some infrared shots in the first stroll.
My lens choice was Voigtländer 20mm (and of course with my modified Canon EOS 7D since I'm shooting UV here). Now, because of the hardships as it is with viewing the LiveView under the sun, beside shooting UV, I've decided to work with the hyperfocus principle here. However, it wasn't easy as well because the aperture I've decided to use here and which could barely aid me in shooting handheld without raising the ISO so much was about f/4.5. At this aperture, I've fixed the ISO around 500 and it was barely enough to have no shake in "some" of the shots. One would think that a 20mm lens would be forgiving a bit when it comes to hand shake, but the truth is: NOT!

Mercedes (UV)

So, one of my first targets was a construction truck parked in the near-by open space. Nothing special I guess about it except for the Mercedes emblem which was close to my eyes level, so I started to shooting that, several times, in hope to get a stable clear image but most of my trials failed (even the one you see above). I tried to work with the hyperfocus principle here but apparently with such f-stop, this principle wouldn't be quite useful since the "virtual" depth is not quite large anyway as in f/8 and beyond. Also one thing that apparently was absent from my mind back then and that is the fact that focus do shift when shooting in UV or IR!
Processing UV images is perplexing as well and not as easy as IR images, specially that I don't have any good reference for fixing the white balance. Some websites suggest specific materials to aid in calibrating the white balance for UV shots, while some insist that it is an art form after all dealing with unreal colors, so I'm going with the second opinion of course; I won't be walking around with some Teflon just to calibrate my white balance now, would I?
Anyway, one common way to process UV images is to apply a channel shift (i.e. Red to Green, Green to Blue, Blue to Red), or sometimes swapping the Red and Green and canceling the Blue in case of merging a visible color image with a UV image. In Mercedes (UV) I've simply applied the channels shift (and done this all images in fact) and typically the resultant image turns green after this procedure. I find it quite interesting how the emblem at the center turned out to be in the middle of all of the green (which was black I think?). At the final stages of the processing, I've sharpened (and even extra-sharpened) the emblem leaving the whole image almost untouched by any sharpening, just to grab more attention. It looks as if it was shot with quite a shallow depth of field, like f/1.2, as the numbers on the right are quite smudge and apparently out of focus, but the truth is, it was shot at f/4.5.  

 

Mechanic

Not far away from that Mercedes truck, I've found another vehicle-machine which I really don't know what it is used for, but it has a conveyor belt that was extended high up. I liked the scene here and the details but strangely, I was struck with some sort of a phobia; I couldn't get myself to go under the conveyor belt structure (heavy metallic structure). Thus, I kept my body away from under the belt, even though I really wanted to be there and take some shots. Anyway, my first shot was far off from the vehicle and, for stability purposes, going down to the ground to anchor my hand carrying the camera. Not the best composition I'd say with so much detail-less ground at the bottom of the image but this is the best image I could get with "not much" shake.
In post-processing this image, not much had been done here except for cropping which I've based on the "golden triangle" principle somehow as I was trying to make some interesting lines leading to the edge of the frame (though this is usually not advisable because it is always better to lead the viewer IN the image and not OUT of it).

سَـمـاءْ
(sky)

Still not over with the conveyor vehicle, I've tried this time to stand as close as possible (fighting my phobia still here!) and extended my hand, carrying the camera just under the conveyor and shooting blindly without even looking at the LiveView! Well, some good stuff turned out like Sky here. Of course, I had to crop a big portion of the image to keep the vision I had in mind (which came about AFTER the effect and not during the shoot) but I'm still annoyed for the remnants on the lower half of the image as I wished to leave the minaret top alone (yes, I could've cloned it but time was of the essence). What I really liked here is the flare rings. In processing though, for some reason, I didn't like the general green tint that comes with channel shifting, so I've used the channel swap (red and blue) only as if the image was shot in infrared. I think it adds some sense to the solar flare here unlike the green tint.

 

Tracks (UV)

At the end of this stroll, I've focused on the wheel of one of the trucks. Honestly, shot a dozen and none of them was sharp enough. However, I've processed the best I could find among this series. The composition is "meh" as well as the image quality, but what I really liked here is the colors that turned out. I think I've corrected the white balance to some region in the tire itself. 

So this is it for this stroll and still more to come, as I've done another stroll with UV filter, but with 50mm lens this time (well, I'd say in some sense, it is catastrophic more than 20mm, but we'll see!).
These strolls with UV filter actually made me think of going back to shoot UV indoors. I do have a blacklight (though it is said it is not good enough for UV photography) and I have a strong UV light for sanitizing, but this one is quite dangerous and I would need to do something to protect myself. All in all, I still need some good subject to shoot indoors! I can't really think of something right now, but if I can only force myself to do it, I think ideas would flow in later as well!

Finale

I had an idea before for posting at least one blog post in my Arabic blog per month, but here comes March and leaves without posting anything there and I'm not sure what topics should I be posting about. I could post things as I do here in my English blog, yet the reason I've established that blog was to be educative as much as possible and probably such posts like the ones here are not "so" educative.
One more idea as well for my morning strolls, if I can get up early in the morning that is, is to do a pinhole shooting at one point, but that of course would require carrying a tripod around which is something I'm not I want to do. Of course, I can raise the ISO like I used with the UV shooting here (and then after) but I'm not sure how much is that useful with f/222! Besides, the images with the pinhole are already noisy as it is with ISO100 (and I'm not sure where do these artifacts come from). I'm not sure if these artifacts are caused by the sensor, the pinhole "lens" or it is simply some flare issues because of the light direction. Anyway, it is worth checking out my options here for a handheld photo shoot under the sun and see. Black and white is a favorite theme when it comes to pinhole photography.
All the tech talk aside, the mood swings had been severe lately, aided with a lot of events at home and flashbacks that made me just sit there staring at nothingness and wonder where am I going or what am I doing? The more I think about it, the worse it gets, and the more disabled with disability I do become. The blaming game between me and I is not going to end any time soon, I believe.

Urú!

Well, I think I will delay my supposed vacation from blogging just a bit and will be posting this blog post, hopefully.
Meanwhile, we were supposed to get back to work partially with things going gradually in the fight with COVID-19. Suddenly, though, things started getting out of hands here and the number of hits is increasing by day as I'm typing these words in what seems to be a second wave. So, Phase I, which was supposed to be ending by June 21^st, is extended further to some unknown time till this moment. Who knows, maybe till the time of posting this, Phase II would in effect (and probably I'll be heading back to work).
Anyway, I was planning to post about a series of shots, which I'm going to call The King Series, but I think I will delay that for now in favor of the shots I've shot on June 21^st for the solar eclipse; My FIRST ever solar eclipse shooting!
However, I have to notify you in advance that this would be a rather short post (or maybe I should say a boring post) because shooting the eclipse was kind of "monotonous". Or in other words, no big deal about it; Nothing special!

Urú!

Sigma DG 70-300mm.

Just before I start, Urú actually means "eclipse" in Irish; Just so you know. Now, I really wished that I would have taken these shots within the framework of a landscape, but this was not possible (of course). Thus, I had to satisfy myself with what I can do at the moment. I Just picked my Sigma 70-300mm lens fitted with B+W 403 UV filter and Kenko's IR Cut filter, and my modified EOS 7D and headed out. I had an idea of using my Rokinon 800mm f/8 Mirror Lens, but abandoned the idea when I remembered the hurdles and hardships involving its focusing (manual) and also no filter would fit that (except for the solar filter maybe), but I really wanted to shoot in ultraviolet here to experience what the outcome would be. Not a big deal though, for sure, but still, it was an experiment to be done!

Rokinon 800mm Mirror Lens,
a.k.a. Barrel lens.

The solar eclipse started around 7:20 a.m. local time, so I was there with my tripod. The other unpleasant part about this eclipse is that it was partial only and not annular. Anyway, I guess I don't have the right to complain here since it's my first time to shoot a solar eclipse.

Triple Eclipse

Kenko's infrared cut filter,
to stop the infrared leakage in
the ultraviolet pass filter.

Now, the ultraviolet and IR cut filter did a good job in blocking the sun, in addition to the high f-number (but this one I was fluctuating between f/11-f/22) and the high shutter speed (settled down later to 8000^-1s). However, the first few shots were bright (too bright) as can be seen from Triple Eclipse. Also, this brightness showed the inner reflection problems (common when you stack filters on a lens), and for this we see here a triple image for the eclipse; One real image and inner reflections in between the filters and the lens. Can serve an artistic purpose but definitely not always.

Stages

As I've stated already, the shoot was a bit boring really: Shoot a series in burst mode, adjust the camera tilt, shoot again. The thing kept on and on. I was hoping though that I would get some details from the sun or its halo when I process the ultraviolet images but I think I did need an extra zoom here (I was shooting at 300mm of course). I wanted to use a teleconverter to shoot at 600mm but then I thought, well, it's my first time; I better shoot with what I'm sure that would work. Adding a teleconverter would reduce the amount of light significantly and adding an ultraviolet filter is not quite a friendly thing, since UV wavelengths are quite sensitive to the glass and are drastically reduced. All in all, it was a good idea to reduce the amount of glass through which the UV must pass. Anyway, the good thing after all is shooting different stages of the eclipse where the moon gradually covered more and more of the sun disk. So, I decided to merge some of these images all together in some artistic way and so it was Stages. Of course, this is not the real path of the sun in the sky; Things were harder in reality as I was following the sun at 300mm. The event started to get closer and closer to the zenith point and things started to get harder for me to look (I was covering my head and the camera's back with a towel). However, at the end, I've decided a video, just so I might do something with it. And I did!

Note: The music comes from Free Music Archive website, and titled Magic Hour by Three Chain Links - Hope I got it all right!

The original video was almost 8 minutes long. Around the end, I got a signal on LiveView warning me about sensor heating, and that's when the video ended as I had to switch the camera off, of course. Anyway, shooting was getting harder at that point as I said as the camera got almost pointing to the zenith.
The problem with the video is that it was not easy to deal with and correct the color shift. I had to process the video several times to make it smaller in size to be dealt with and correct the color using "traditional" approaches (I've edited the video in Photoshop to correct the color in fact), and used OpenShot Video Editor to speed up the video. For some reason this one kept on crashing when I wanted to add the audio track so I had to close it down and head to the traditional Windows Movie Maker to add the audio. Such a mess. This said, I'm not really planning to venture into the world of video yet. Maybe never. Still, this is not the first time I do shoot a video with such filters and correct the colors, I just wish that correcting the White Balance for videos was easier than it is, just like the case with RAW files.

Finale

Well, after this little post about the past solar eclipse, I'm thinking seriously about giving myself a bit of a vacation from blogging for the time being, even though there is indeed some "good" material to post and discuss as I've mentioned before; The King Series, which sadly seems to have been abruptly stopped at the moment. Meanwhile, and for this short vacation from blogging (which I think would be around 2-3 weeks), there is much thinking to be done, and try. Just a side note, I've downloaded GIMP lately and I'm tinkering with it to see how I would adapt to this editor.

In case you don't know what GIMP is, it is a free opensource editor. And like how RawTherapee is somewhat a mimic for Adobe's Lightroom, GIMP is the mimic for Photoshop.

My initial trial with it leaves so much to be desired though it has some sparkle about it and things that got me interested to try out, but first things first and there are some essentials that I need to get around with, like how to edit a RAW file and changing the workspace color (it's dark gray which is not suitable for judging colors). I'm digging still through this and for sure I would need to be going through a lot of Help files and topics.
Beside all this technical mess, there are also some issues I'm working on but maybe it's not a good idea to talk about them right now as I'm actually unaware of the "end" of these issues and whether they are going to lead where I want it to be or not, but it is something that I better work on slow for now, and when the time comes, I'll talk about it in this blog, maybe.
And as with the ongoing crisis and home quarantine, which is more or less active despite the gradual opening and going back to normalcy, I've realized the fact that the hardest thing about isolation is not being isolate or alone at all, but hardships lie in being forced to be with others. I believe this is exactly the real problem with jails and imprisonment; Not confinement itself, but being with others and bearing with them, specially if a person does not get along with much of them.
Despite the lengthy period of time spent at home and not going to work, despite all of that, I still feel the need to get a vacation as if I'm not ready yet to get back to work. As I'm typing these words it has been confirmed that I should go back for one week at least starting from July 5^th to supervise some cleaning and disinfection work, and probably check on some devices. For such a little task under such circumstances, I still do feel not ready for the whole thing as if I didn't take a vacation for months. Which is true in some sense because the months in which I've stopped going to work were mostly spent at home coping and fighting against mood swings… severe mood swings. Maybe this whole thing is a signal that I need to find something, change jobs or resign, or anything. An idea that I had since long time but never been able to step it up further because, simply, there is not much to do out there for people like me. On the other hand, there are even more pressing matters that I deem more important than work and its situation which do require more attention from my side, and yet, they are just afloat without any real vision nor a solution in the near future. These matters are more or less related to the fact of how am I supposed to enjoy life for real, away from the network of mood swings and depression, and re-discovering what love is, in a time when I'm approaching 40 already… if love still exists, that is.

Set Back…

Been weeks now and my health still on a swing. Though better than 2 weeks ago when fever struck me, but the remnant cough is taking its toll on my lungs already. I've been thinking seriously of checking back with the doctors to see if I should take Seretide; a steroidal inhaling powder that I used to take 2 years ago when my lung was apparently damaged or something because of some renovation in the house when apparently so much particles got stuffed inside my lungs. The case is different here since it is a remnant of some fever (apparently for the weather change), so I'm kind of reluctant to ask for Seretide for the time being. All I've been doing for it is having a herbal cough syrup which helps a bit, and sometimes having a spray of Ventoline; though it is not a case of asthma.

Rolling

DR-655

Been a while now since I got my new filter, the DR-655 hot mirror from Kenko, which is supposed to block IR for good in combination with my B+W 403 ultraviolet filter. Ironically though, I couldn't do a real test for the filter yet, as I'm aiming for capturing faces and flowers. Around 3 weeks passed already now and I still can't do a real shoot, except for a quick check-up. I did make a video indeed just to compare between Tiffen's hot mirror and DR-655, but of course it's not a photography project with depth.

First: B+W UV pass filter alone.
Second: B+W UV pass filter + Tiffen IR Cut.
Third: B+W UV pass filter+ DR-655 IR Cut.

As I don't have a good UV source for indoors work with the filter, I'm forced to try and work under the sun; And here comes the irony: For 3 weeks, I couldn't work outside with the camera, either because of the timing, the weather (haze and dust), or because of my health issues. However, I've realized the point that DR-655 is indeed a good hot mirror since the exposure time doubles or even triples in comparison to Tiffen's hot mirror. This typically would call for a higher ISO as well, that's why I'm planning ahead to work indoors with UV sources, such as blacklights, or maybe we do have some hope with regular CFL lamps. I thought seriously of bringing my camera to work and try to do something with this filter as there is a nice garden around my workplace and could be a good target, but first we have the weather that does not come in terms with my aims, and then we have the hassle and the fuss around this place (I don't want to be walking around with my gear while everyone is looking). 

Thus, for the most part, my work involves mainly some edits for ignored images from the past, or re-makes for old images (specifically with the LAB technique edit), and for some of those, the results were astonishing indeed. One part the sets it back though is the hard bleeding (too much saturation that could not be put down, or could be but with lengthy work), and/or the noise level that raises significantly. 

Generally speaking, I find myself picking at those dark exposures (most of them were part of bracketed series to merge into HDR) and that explains, partially, the rising noise level when the exposure is adjusted in RAW editing and then in LAB technique. However, since I do not have any plans to print any of those and only for online displaying in small sizes, I didn't bother much on reducing these noise levels. But I have to say, though, that the idea of printing some of those newly/re-made photos does fascinate me.

Polladhearg

As I said earlier, my work with the camera now is minimal as I'm trying to do something about the newly-acquired filter, yet I did manage to take a "test" shot. This shot, Polladhearg, was actually a test shot during my work indoors with the DR-655; Taken before placing the filter on the lens. It is a macro shot using 50mm lens with a 35mm extension tube. The shot with the DR-655 filter turned into a fail since the image, which took 40 minutes to complete, was severely blurred and shaken. Not to go empty-handed, I decided to work on the regular test shots. Funny thing is that I didn't notice all those pollen dots on the petals when I was working behind the camera, but only when I was processing the image. No wonder my allergies are stuck to me still…

When I Was A Boy

It's been a while since I've written (typed) some poem, and lately there had been an urge besides some signs that I find along the way of my every-day that points to a fact that I must be a writer of some sort. Not sure how real or true these signs are/were, yet I did have this urge for some time and in on many occasion I've just dispersed the ideas for writing something, mainly because of my confused mind. Not long ago, I've written a little piece which I've called "The Ghost" and it was inspired mainly by one of my artwork with my photos in fact. This time, however, it is completely off my head. I've downloaded Verse Perfect again after abandoning it for a long time, in hope to help me with my writing. It is a good tool with many aids, yet I think it is better to sometimes "innovate" if I should call it so. The great thing about Verse Perfect is that it does provide a syllable count (or metric, whatever it is called), which somehow helps me on balancing the lines. I really didn't use such features a lot before, and maybe used another feature more; The rhyme code. Verse Perfect is actually implemented with a number of rhyming courses to help with the writing process.
Anyway, off with Verse Perfect, I've tried to write something completely out of the order here, in terms of rhyme or syllable counts. I called it When I was a boy, as it goes about my own reflections about my life and how complicated it got on as time passed by. Somehow melancholic, but I guess nothing new when it comes to my own writings:

Off by the lavender fields,
oh no mind for any needs,
And my winds set to sailing,
no time given to ailing,
Back in the day,
When I was a boy.

Those days Oh who remembers,
warming nights of those winters,
The wee heart that I had carried,
no thoughtful run ever rallied,
Such were my days,
When I was a boy.

Alas! my sails stopped rising,
under that moon uprising,
Had I not seek a clear mind,
but stabbed a stab in the hind.
Bye to those days,
When I was a boy.

Where are they and where is me,
beliefs stand as a lone tree,
Singing to the stars above,
the joy but for me thereof.
Gone are the days,
When I was a boy.

And when my days are over,
and the grains be my cover,
Someone, please, itch on my stone,
"Here lie the head and the bone,
of glorious days,
When I was a boy.

Writing this, I really wished to make it longer, but the words' generation just stopped, and to tell the truth: I even started writing the last verse first, then made my way up and down. The verses here are not connected in rhyme, but each one of them is made of (a,a,b,b,c,d), obviously with same d, or same ending line in each verse. I tried my best to keep the syllable count constant for each verse as 7,7,7,7, 4, 5. In fact, this count was mainly established when I wrote the last verse and somewhat I felt obliged to keep up that count for all other verses. Maybe it is the perfectionism in my blood still kicking. Just as a trial how does it go, I've enrolled this piece into a contest on Writing.com and it got some nice views, and even an honorary mention as well. Well, seems a good come back, if I can call it so. I think I should write more at this point since my urge for photography is kind of holding the brakes right now.

Finale

Linguistics
by Al-Husain Boum, PhD.

As my work with the camera is almost on hold for the time being, my mental processing is still pretty much active; Pretty much that it gets annoying in bed time specifically. Meanwhile, I'm trying to finish some of the books already, with one interesting linguistics book which a friend gave it to me (but I returned it to him after finishing it) for the lack of time for reading, as he said. The book is by the Moroccan author and PhD holder Al-Husain Boum [د. الحسين بوم]. My friend in fact got the book back in last November from the annual Arabic Book Fair from a Moroccan bookshop/store participating in the fair. The book delves so deep into simple matters (in the Arabic sentence structure) that things do not appear simple now when I see a simple Arabic sentence! Hope that makes sense. However, the most interesting part of the book is even at the end, when a comparison is made between some Indo-European languages (Latin, Greek, French, Farsi, and even Sanskrit) and Arabic concerning the concept of syntax and sentence building; Specifically speaking, the Nominal Sentence [الجملة الاسمية] as we call it in Arabic; that is sentences built upon connecting nouns without the verb (to be)! I didn't realize how complicated the matter is until I've read this book. In fact, with this text, I've got more insight on how and why Irish is the way it is as I'm learning it, and somewhat the real meaning of Copula, which is a widely used concept in Irish. I've been looking around for any way to contact Mr. Boum and send him something about Irish and check for his opinion about it. Unfortunately, no luck.
Finishing this book now, I'm trying to dedicate the same time and effort to other books which have been collecting dust here and there (at work and at home). I need to finish those ASAP, and most importantly, to find a way to store them as well. 
My life seems to be in a stalemate, with spikes of hope coming in and out of it. I wish if I can just leave everything behind me and fly away. I'm so tired and I'm thinking seriously of having a short vacation, for a week maybe, off work just to sleep properly and get some routine off my back. Yet, I tend to think about the coming Ramadhan, and how I might need every single day in my leaves' balance. Even my relaxation has to go through a complicated process of thoughts and math to check everything that fits in place. I can't help it even though I know it's not a healthy trait to try to fit everything in place and calculate for everything and every step. Sleep, at the moment, had become a frequent wish more than traveling is.

Discovery Galore…

Here we are again! I've been busy the past 2 weeks or so in writing Arabic articles for my Arabic blog but here I am again into this blog doing, amazingly, nothing. Yes, Nothing. Everything is on hold and I'm not doing much with my camera, BUT, I'm doing lot of thinking and I'm seriously planning to place my next online order soon. Hopefully I won't go bankrupt after this…

Kenko's DR655

One of the major things that I really need to get now is Kenko's DR655 filter, which blocks infrared (i..e it is a hot mirror filter). Despite having Tiffen's hot mirror already but after reading and investigating further, I've realized that Tiffen's filter is technically an open gate!!! It barely blocks any infrared, and thus working with this filter with my leaky B+W 403 Ultraviolet filter is not a good choice at all. I've discovered this as I was reading articles and posts in a page dedicated to Ultraviolet photography with some links to practical tests to various filters (IR, UV, HM), and there I've discovered the hideous truth: Tiffen's announcement about the effectiveness of their hot mirror filter do not coincide with the practical technical testing. The transmission chart even was such a horrible nightmare to me!

Tiffen's hot mirror transmission chart acquired practically and posted in the link above.

Thus, I can say with a degree of confidence: People, do not get that filter even if you want to use it on a regular camera to enhance the colors of your shot. The filter is not even effective at 750nm as I thought. Just for comparison, here is the transmission chart for the filter mentioned above, DR655.

DR655 Transmission chart

Well, we don't need to understand Japanese to really realize how perfect this filter is for my needs. As you can see, DR655 has a steep slope down at around 650nm and indeed blocks at around 700nm, while still allowing ultraviolet range (~ 300nm-400nm). Why I didn't figure this out years ago? Of course, there is the option of having a proper ultraviolet filter other than the one I have already (B+W's) but that alone would cost more than the combined price of a hot mirror and B+W filter. Besides, would shall I do with the B+W 403 filter then? Sell it? I don't think people here do realize this kind of art nor would be interesting in it, not to say what would they do if they discovered it is leaking IR. Yeah, getting a new hot mirror is my best bet for now, and I need to do it fast!
There are other items I would be ordering beside that, not related to photography, but I'll talk about it in some other time maybe.

Ath-Fháil Amach

Most of my activities in the past weeks were focusing on re-discovering some of the old images from Ireland and Malta. I was specifically looking for some chances to make out some more Anaglyphs. Along the way, I was able to identify some images with some potential after neglecting them before, mainly with some focus on enhancing the colors (using LAB technique generally). Well, the potential I mean here is not a potential of being classified as "Top," but I mean an image that can be enhanced and, well, be viewable; Instead of being neglected and deemed useless.

Yellow Caps

Shots like Yellow Caps made me, though, re-consider my approach with editing in LAB. In this image (and few others) I often had trouble with the saturation, so much that I did need to do some extra work to fix the problem. This is beside the "curves amendment technique" which is practically re-assigning the values for the Blacks, Whites and Gamma in the image to enhance the contrast and at some point fix the white balance. In Yellow Caps, it can be noticed how the background contains a large red spot, which is there originally but it got exaggerated in saturation with LAB technique, but then I had to do extra work to reduce the saturation, and yet it might feel a bit popping out still. I've reduced the visual impact further by using Lens Blur on the image (despite having a shallow depth of field already); My main goal with Lens Blur though was to pop out the front element further (with the help of sharpening).

Around Ashford

On the other hand, despite all the extra work that editing with LAB would issue, there are images like Aroound Ashford where the lengthy work paid handsomely with somewhat a mystical look in this ordinary shot with pale green hues (originally). The major thing about this image which made me neglect it is, actually, the spots of highlights between the trees. This is a problem in many of the shots along the years and right now I'm trying to fix some of these images by overlapping (not cloning) with other areas of the same image (sometimes from another image). Most of the time, it gets all natural-looking, and if not, there is the cloning tool to fix some minor issues about that.

Islamic Display Room

One of the things that I work on re-discovering them is the punch of panoramas done back in 2015 for the Al-Uthman Museum, which was a comissioned work. Since I've done these panoramas, I was asked to keep them "in hiding" and not show them, and it was not till 2017 when I started showing my panoramas on Instagram, apparently with no objection from anyone related to the matter. Anyway, right now I'm starting to re-discover other projections for these panoramas and specifically the planet and tunnel projection styles (technically they are the same but with a change in viewing point), and boy, what did I see!

Magnetum Marinum

Some of these panoramas were, well, nice looking. Some of them were, well, SUPER-looking. Examples here, the Islamic Display Room and Magnetum Marinum were both done in tunnel projection instead of planet intentionally. As for Islamic Display Room, I had to switch to tunnel because of some bar in the ceiling which broke the symmetry awfully, while for the other one, Magnetum Marinum, obviously it was the flooring boards which astonished me. I've been always a fan of lines; Harmonic lines specifically and those that just make up swift and smooth geometrical shapes. This is why I fell in love with this panorama in such projection so much that I didn't even dare to put a watermark on it so I won't disturb its harmony, even though that this would put the image in danger after all. I'm still processing these panoramas and still checking and I think there is some good potential. The problem is, though, whether I have the right to submit those for contests and stocks, away from the social media thing. We'll see…

Finale

Bloomless Bloom (3D)

There had been one or two experiments with some other infrared shootings but I'll keep that for later maybe, as they were minor experiments captured after a glimpse of idea, and yet I'm not sure if this idea will grow further. Meanwhile, I do need to get to my other projects that I've listed here already before, but I'm not sure where and how to begin. My mind is still stuck at completing my Scopa project which arrived to a stalemate with no model to shoot (and I'm not going to pay for a model of course). 
Life seems to be getting weirder as I go on now. I'm trying hard to understand myself in the first place and that makes me a bit more isolate than before at some level. It is weird how I get attached easily with people out of my reach and yet find it hard to get along with people close to me. The question of my mental capabilities and whether or not I'm right or wrong about my relations with people around is a continuous hurdle to my mind. It's just amazing how one can find someone similar to a great extent, even in simple things like handedness, and feel attach to, yet they are just out of reach not only by distance, but also by core beliefs; And despite that, things get along. At least from a distance. Meanwhile, everything close seems to collapse with no glimpse of hope about a bright future. I really need to get back to my camera and work non-stop if I can, and a vacation… ASAP…

Game Time!

Ouch, Ouch, Ouch. What a fast and a busy week it was. I miss sleeping so much like a lover missing his heartthrob! I'm missing this opportunity even on weekends (but that's not something new).
My schedule had been busy; so much that I barely had the time to think about my camera and process new images. However, I had the chance to test my new toys a little bit - yet more testing is needed. More to come about that later.

Splashing:

Dimensionality
Canon EF 50mm, f/16,
60^-1sec, ISO 100.

By last week we had one of our first practical outdoors workshop in part of the Philosophy of Light workshop with the group. The appointed location was Shuwaikh beach area. The day was windy and really refreshing. While everyone was struggling with jackets seemed to be I'm the only one who was satisfied with a T-shirt!
I was the first to arrive and started to work straight away with some shots of high-speed flavor trying to freeze the water splashing on the rocks. But soon I've moved to long exposures and ND filters.

Nature Paints
Tamron 70-300mm @228mm, f/40,
0.5sec, ISO 100.

Maybe the exposure in some of these shots didn't exceed 30 seconds but it was hard to achieve even a one second exposure with the sun being tough. I ended up setting up 6 stops of NDs in front of the Tamron lens and trying several shutters. I've cut back to do more high-speed shots and then back to long exposures, and then was able to achieve 8 seconds (mainly because the sun was approaching the horizon and level of light was going down), but after all, I've found out that a half second is just fairly enough to give a surreal look. With the waves being so strong and splashing against the rocks (and almost made me have a full shower too!) it is not necessary to make very long exposures. Even times less than half a second might be quite enough to give the desired look. Lengthening the exposure time with strong water waves would erase most of the features on the rocks and too abstract. After exhausting all my options with the waves, I've simply stood up on the concrete barrier and started to shoot with minimalism in mind as in Dimensionality. To me, at least, this image seems a breakthrough because it is a simple structure, but yet has a depth with a vanishing point in the horizon. Maybe I was lucky? One bad thing back then though is that I didn't get my polarizing filter yet.

Der Sanfte Zorn
Canon EF 50mm, f/1.4, 8000^-1sec, ISO 100

Let's Play!

My new toys have arrived with the beginning of this week, and I didn't have much time to test them thoroughly, but few clicks here and there.

Source: B&H

One of the toys that I was eager to try and learn about is the Infrared B+W glass filter. Even though my camera is not converted (i.e. sensor adjusted to receive IR radiation), yet after some surfing about the topic a bit, seems the only problem with this is the long exposure times required, while the converted cameras would react normally with normal exposure times as in normal cameras. This is what I understood so far.

Canon EF 50mm, f/1.4, 200^-1sec, ISO 100

The title-less image above was captured as I was waiting for the TV crew who were supposed to do an interview for a program on TV with the group's members. As I was waiting I've decided to try some aspect of this filter and even it was hard to be done without a tripod. One of the hard things to do is to match the exposure metering done without the filter to the exposure metering after fixing the filter. In a quick inspection seems the difference is 4 stops. However, such calculations are not quite correct, because the type of the light to be received by the sensor (specially unconverted) is completely different. I imagine metering the light and doing a correct exposure would be done nicely only when the camera is converted, or maybe if there are special light meters that read IR only and compare its level to 18% gray!
The image above looks a typical black and white shot (after being converted from a completely red image), but certain details made me think it made some difference, like the details of the tiny clouds (which were hard to notice in reality) beside the building in the horizon on the far left which looks hazy.
I'm reading more about it for the time being and seems I could achieve more interesting shots by adjusting the white balance instead of converting to black and white. This is what I've inspected by reading so far.

Source: B&H

I didn't get the chance yet to test the polarizer thoroughly, but I got a little chance to test the Kenko extension tubes set. Extension tubes works by allowing the lens to focus in a distance closer than it is on the original lens.
After doing my part with the TV interview (which barely went on well), I've stayed away doing my own trials with the extension tubes on some plant leaf. It is a hard task to shoot with such degree of closeness and zooming without using a tripod of course.

Lamellae
Canon EF 100mm macro + 68mm, f/8, 25^-1sec, ISO 100

I've found it mandatory here to use the on-camera flash to fasten the shutter speed and reduce the shake effect. In the beginning I thought it won't work because usually with such long lens combination, the on-camera flash would cast a shadow on the subject, but probably not here in such close distance. It could be time to use rails (or maybe some parts of my VR-head) to move the camera smoothly on the tripod for- and backward.
This test is still not enough, and I'm eager to implement this with reversing lenses technique and see what effect does it yield, specially with my new 58-58 adapter ring which arrived along with the new toys!

Reality of Shadows
Canon EF 50mm, f/1.4,
50^-1sec, ISO 100.

Away from testing the new stuff (and mainly because it was night time already), the TV work was not over by then and boredom filled my head. Yet, my eyes weren't.
I noticed some decorative plant in one of the corners which inspired me for some shot with a shadow, but the problem was that I didn't bring my speedlites, thus, I had to use the available data-show device with its blue/purple light and projected it onto the pot or vase from the side (after hardly stabilizing it over a couch!).
Maybe what I personally like about Reality of Shadows is the fact that I've used the Fluorescent WB to add more bluish streak to the already-blue light. Yes, I needed to adjust the WB little bit later and reduce/add some saturation for some colors, but the starting point was fair enough. No HDR rendering.

Now for the coming week,  I might have some plans, and a busy schedule too. For sure I need to test more procedures with the IR filter. On the schedule, there is giving my own tips about Photoshop in a special session; it is not a paid service of course, but a friendly help. Also on the schedule, there are plans to get involved in more local expos, and one of them is supposedly sponsored by Kuwait University. Bearing such responsibilities do feel heavy though. A shoulder for a burdened head, is all what I would ask for in such days...